In an exemplary interpretation of the novel, this volume integrates theoretical concepts from narrotology, visual culture and cultural history into a close reading of the aesthetic and structural features of the novel. Interpretative insight into a postmodern novel is thus combined with the provision of transferable conceptual knowledge.

    

    But young Madai, a descendant of the tribe of Japheth, had a burning fire within him that demanded action. So he left his home in the north to search out the truth. Was the great father-God real? Had Eden existed? Were rumors of Noah and the great flood true? Madai had to know. He crossed the great Brine Sea, braving serpents, monsters and all manner of evil. Follow the adventures of Madai as he discovers the secrets of Genesis. Go with him to the ark. Meet the great patriarchs of old through the power of story! Watch the Bible come alive as you travel back thousands of years to a primal time in history when the world was still young! 300 years after the flood, God was a rumor, a fading whisper. But God is more lasting than rumor, and his hope and truth more powerful than evil.

    And so Ben, a divorced TV journalist, Ronnie, a high-powered CEO, and Michael, a high school English teacher, take leave of their families and jobs for a cross-country road trip to remember. Along the way, they see baseball games, state fairs, Elvis's Las Vegas hotel suite, and a convention of dental hygienists, and not only experience all of America in full bloom, but discover new truths about themselves. All Summer Long is a wise, funny, touching story you'll slurp down like a cold milkshake from the drive-in.

    So, with great resourcefulness, she advertised for a companion and eventually staked out a corner of her own—one with a view. Mildred Walker's skill as a storyteller never falters in this portrayal of an elderly woman who won't give up.

    In his fourteenth collection of poems, Pulitzer Prize winner Stephen Dunn reveals his concerns, ranging from meditations on salvation and time to the difficulties and pleasures of loving in this "already brutal century." In language that Gerald Stern has called "unbearably fearless and beautiful," Dunn continues to probe the elusive in the lives we live.

    Lucy is feisty, funny, and completely open-armed about life. Josh passionately confronts danger and greed and prejudice with courage and humor and, sometimes, with bare fists. Even the minor characters are so rife with color that you first turn the pages quickly to see what they will do next and, then, you turn them slowly so as to savor each page of this remarkable trilogy. “I have longed for a wider world, a great adventure. And now it’s here. I’m so happy I can hardly breathe.” So ends seventeen-year-old Lucinda Richards’ diary entry for August 17, 1911, starting her job as the new school teacher for the White Star school in the Panhandle. Jane Roberts Wood brings to this delightful and affecting epistolary novel a tender touch and a wry sense of humor.

    His is the tale of a disordered pilgrimage to H. Roivas (Heavenly Savior) in which the deranged responses of individuals point up the outer madness from which they derive in a more imaginative way that social protest generally allows.Like Camus, Kenneth Patchen is anti-cool, anti-hip, anti-beat.

    Then an enigmatic young nanny named Missy introduces him to a world he never knew existed.

    I was wrenched out of two months of calm. Nothing more than that, certainly, nothing ecstatic or even interesting, but very silent and even, as those periods have become for me.

    Michael Martone is its own appendix, comprising fifty “contributors notes,” each of which identifies in exorbitant biographical detail the author of the other forty-nine. Full of fanciful anecdotes and preposterous reminiscences, Martone’s self-inventions include the multiple deaths of himself and all his family members, his Kafkaesque rebirth as a giant insect, and his stints as circus performer, assembly-line worker, photographer, and movie extra. Expect no autobiographical consistency here. A note revealing Martone's mother as the ghost-writer of all his books precedes the note beginning, “Michael Martone, an orphan . . . “ We learn of Martone’s university career and sketchy formal education, his misguided caretaking of his teacher John Barth’s lawn, and his impersonation of a poor African republic in political science class, where Martone's population is allowed to starve as his more fortunate fellow republics fight over development and natural resource trading-cards. The author of Michael Martone, whose other names include Missy, Dolly, Peanut, Bug, Gigi-tone, Tony's boy, Patty's boy, Junior's, Mickey, Monk, Mr. Martone, and “the contributor named in this note," proves as Protean as fiction itself, continuously transforming the past with every new attribution but never identifying himself by name. It is this missing personage who, from first note to last, constitutes the unformed subject of Michael Martone.

    Then her sudden disappearance wreaks havoc, and she is relentlessly pursued. Trials and tragedy often reveal one's true nature, and Pearle comes out shining as she demonstrates great courage and inner strength. She soon realizes that, out of trials that seem to crush us to the earth, we can rise throught God's love and help into a purer and better life than we have ever known.

    The illicit liaison triggers a chain of events that will destroy two kingdoms and bring down a dynasty.Set against the backdrop of the pagan-Christian conflict between kings Penda and Oswiu The Song of Heledd sweeps the reader from the ancient kingdom of Pengwern to the lofty summits of Gwynedd where Heledd battles to control both her own destiny and that of those around her. Judith Arnopp has carried out lengthy research into the fragmented ninth century poems, Canu Llywarch Hen and Canu Heledd, and the history surrounding them to produce a fiction of what might have been.

    In settings ranging from the Buenos Aires subway to a luxurious Martinique resort, stories by an Argentinian master blend unsettling suspense, intellectual play, clever fantasy, and intense emotional conflict

    'Highliners' is the commercial fishermen's term for their own elite, the skippers and crews who bring in the biggest hauls. Set in Kodiak, Highliners brings into sharp relief the lives of the men and women who make their living catching salmon, king crab, halibut, and shrimp off the coast of Alaska. Hank Crawford comes to Kodiak as a college student to work in the canneries during the summer. But he is inexorably drawn to the water and to the hard, often brutal existence of the fishermen, and ultimately, he joins their ranks. Highliners chronicles Hank's journey from greenhorn to highliner, and the triumphs and tragedies of the people he comes to know so well. (6 X 9, 408 pages, maps, illustrations)