Isolated by a disfiguring injury since the age of 17, Sean Phillips crafts imaginary worlds for strangers to play in. From his small apartment in Southern California, he orchestrates fantastic adventures where possibilities, both dark and bright, open in the boundaries between the real and the imagined. As the creator of Trace Italian - a text-based, roleplaying game played through the mail - Sean guides players from around the world through his intricately imagined terrain, which they navigate and explore, turn by turn, seeking sanctuary in a ravaged, savage future America. Lance and Carrie are high school students from Florida, explorers of the Trace. But when they take their play into the real world, disaster strikes, and Sean is called to account for it. In the process, he is pulled back through time, tunneling toward the moment of his own self-inflicted departure from the world in which most people live.Brilliantly constructed, Wolf in White Van unfolds in reverse until we arrive at both the beginning and the climax: the event that has shaped so much of Sean’s life. Beautifully written and unexpectedly moving, John Darnielle’s audacious and gripping debut novel is a marvel of storytelling brio and genuine literary delicacy.

    The son of infamous London criminal Mathew “Tommy Gun” Spork, he has turned his back on his family’s mobster history and aims to live a quiet life. That orderly existence is suddenly upended when Joe activates a particularly unusual clockwork mechanism. His client, Edie Banister, is more than the kindly old lady she appears to be—she’s a retired international secret agent. And the device? It’s a 1950s doomsday machine. Having triggered it, Joe now faces the wrath of both the British government and a diabolical South Asian dictator who is also Edie’s old arch-nemesis. On the upside, Joe’s got a girl: a bold receptionist named Polly whose smarts, savvy and sex appeal may be just what he needs. With Joe’s once-quiet world suddenly overrun by mad monks, psychopathic serial killers, scientific geniuses and threats to the future of conscious life in the universe, he realizes that the only way to survive is to muster the courage to fight, help Edie complete a mission she abandoned years ago and pick up his father’s old gun...

    Lizzie, Ella, and Betsey take turns going to school, pursuing extracurriculars, and even dating.Then Lizzie meets Sean Kelly, the one person who can help her realize she's not a carbon copy of the others - she's an individual with unique dreams and desires. Digging deeper into her background and her mother's role in her life, Lizzie begins to dismantle the delicate balance of an unusual family that only science could have created.

    One will become our world. And Connie herself may strike the decisive blow...

    Convicted killers all, each awaits his turn to walk the Green Mile, keeping a date with "Old Sparky," Cold Mountain's electric chair. Prison guard Paul Edgecombe has seen his share of oddities in his years working the Mile. But he's never seen anyone like John Coffey, a man with the body of a giant and the mind of a child, condemned for a crime terrifying in its violence and shocking in its depravity. In this place of ultimate retribution, Edgecombe is about to discover the terrible, wondrous truth about Coffey, a truth that will challenge his most cherished beliefes... and yours.

    Winners earn immortality, while losers are condemned to aging and death. D_Light, a gifted player, knows this all too well and he’s willing to do anything to win—even kill. It is no wonder then that when given the chance to enter a MetaGame—an exclusive, high-stakes, anything goes contest—he’s quick to jump at the opportunity. The MetaGame starts out well enough for D_Light, the first quest being to hunt down a dangerous fugitive, but through his own ambition, the tables turn and D_Light finds himself the renegade. Now, D_Light pits himself against his world to find the truth behind “The Game” and must decide between winning it and saving what’s left of his humanity. This book blends emerging political and cultural trends, such as gaming culture, globalization, and the ever-increasing hegemony of corporations, with technological trends, such as genetic engineering, artificial intelligence, and virtual reality. Oh, and if that is not enough, there's even some romance!

    If they are right, the consequence could be an intelligence explosion, in which the AI rapidly and enormously exceeds human cognitive ability. Pandora's Brain is a science and philosophy thriller by best-selling writer Calum Chace. It uses the issues raised by the coming machine intelligence explosion as a platform for a fast-paced and thought-provoking adventure story. Set in the very near future, it features Matt, a shy but engaging and resourceful student who discovers that his recently-deceased father was involved in research that could enable the construction of the world's first conscious machine. Matt's enquiries lead to him being kidnapped, as he is caught in the crossfire between two groups pursuing that goal - one led by a Russian billionaire, and another backed by the US military. Matt has to do more than simply survive: he has to harness these powerful forces to his own ends. At stake is his own life and those of his family and friends. A dramatic seaborne rescue operation, a series of brutal murders and other filmic action scenes follow. In the course of his adventures, Matt discovers that the potential upside of creating machine intelligence includes immortality, and godlike powers of understanding and being - but the potential downside is immediate extinction, or worse. As he is drawn deeper into his adventure, he becomes both the symbol and the victim of a global struggle over the approach to be taken towards this powerful new technology. A landmark decision at a meeting of the UN General Assembly forces Matt to make a fateful decision which sparks the story's final twist. Selected reviews for Pandora's Brain: “I love the concepts in this book!” Peter James, author of the best-selling Roy Grace series “Awesome!  Count me as a fan.” Brad Feld, co-founder of the Foundry Group and Techstars “Pandora’s Brain is a captivating tale of developments in artificial intelligence that could, conceivably, be just around the corner. The imminent possibility of these breakthroughs cause characters in the book to re-evaluate many of their cherished beliefs, and will lead most readers to several “OMG” realisations about their own philosophies of life. Apple carts that are upended in the processes are unlikely ever to be righted again. Once the ideas have escaped from the pages of this Pandora’s box of a book, there’s no going back to a state of innocence. Mainly set in the present day, the plot unfolds in an environment that seems reassuringly familiar, but which is overshadowed by a combination of both menace and promise. Carefully crafted, and absorbing from its very start, the book held my rapt attention throughout a series of surprise twists, as various personalities react in different ways to a growing awareness of that menace and promise.” David Wood, Chairman of the London Futurist Group “Pandora’s Brain is a tour de force that neatly explains the key concepts behind the likely future of artificial intelligence in the context of a thriller novel. Ambitious and well executed, it will appeal to a broad range of readers. In the same way that Suarez’s Daemon and Naam’s Nexus leaped onto the scene, redefining what it meant to write about technology, Pandora’s Brain will do the same for artificial intelligence. Mind uploading? Check. Human equivalent AI? Check. Hard takeoff singularity? Check. Strap in, this is one heck of a ride.

    It’s 2095 and people don’t usually die from violence. Humanity is entirely dependent on pills that not only help them stay alive, but allow them to compete with artificial intelligence in an increasingly competitive gig economy. Daily doses protect against designer diseases, flow enhances focus, zips and buffs enhance physical strength and speed, and juvers speed the healing process. All that changes when Welga’s client is killed by The Machinehood, a new and mysterious terrorist group that has simultaneously attacked several major pill funders. The Machinehood operatives seem to be part human, part machine, something the world has never seen. They issue an ultimatum: stop all pill production in one week. Global panic ensues as pill production slows and many become ill. Thousands destroy their bots in fear of a strong AI takeover. But the US government believes the Machinehood is a cover for an old enemy. One that Welga is uniquely qualified to fight. Welga, determined to take down the Machinehood, is pulled back into intelligence work by the government that betrayed her. But who are the Machinehood and what do they really want? A thought-provoking novel that asks: if we won’t see machines as human, will we instead see humans as machines?

    In the Country of Last Things takes the form of a letter from a young woman named Anna Blume to a childhood friend. Anna has ventured into an unnamed city that has collapsed into chaos and disorder. In this bleak environment, no industry takes place and most of the population collects garbage or scavenges for objects to resell. City governments are unstable and are concerned only with collecting human waste and corpses for fuel. Anna has entered the city to search for her brother William, a journalist, and it is suggested that the Blumes come from a world to the East which has not collapsed.

    The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the male plague; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

    But when a catastrophic attack left her injured, indebted, and stranded far from home, she was forced to take a dead-end security job with a powerful mining company in the asteroid belt. Now she spends her days investigating petty crimes to help her employer maximize its profits. She's surprised to hear from an old friend and fellow victim of the terrorist attack that ruined her life—and that surprise quickly turns to suspicion when he claims to have discovered something shocking about their shared history and the tragedy that neither of them can leave behind.Before Hester can learn more, her friend is violently murdered at a remote asteroid mine. Hester joins the investigation to find the truth, both about her friend's death and the information he believed he had uncovered. But catching a killer is only the beginning of Hester's worries, and she soon realizes that everything she learns about her friend, his fellow miners, and the outpost they call home brings her closer to revealing secrets that very powerful and very dangerous people would rather keep hidden in the depths of space.

    Harry August is on his deathbed. Again. No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before. Nothing ever changes. Until now. As Harry nears the end of his eleventh life, a little girl appears at his bedside. "I nearly missed you, Doctor August," she says. "I need to send a message." This is the story of what Harry does next, and what he did before, and how he tries to save a past he cannot change and a future he cannot allow.