A bad business.And for Thomas Marsden, on what was an unremarkable spring night in London, it becomes a very spooky business. For lying in an unmarked grave and half covered with dirt is a boy the spitting image of Thomas himself.This is only the first clue that something very strange is happening. Others follow, but it is a fortune teller’s frightened screams that lead Thomas into a strange world of spiritualists, death and faery folk.Faery folk with whom Thomas’s life is bizarrely linked. Faery folk who need his help.Desperate to unearth the truth about himself and where he comes from, Thomas is about to discover magic, and ritual, and that sometimes, just sometimes, the things that make a boy ordinary are what make him extraordinary.

    Few people know of it: a broken web of ancient passageways and abandoned rooms. A young woman lives there, tucked among the sprawling tunnels of the Underthing, snug in the heart of this forgotten place.Her name is Auri, and she is full of mysteries.The Slow Regard of Silent Things is a brief, bittersweet glimpse of Auri’s life, a small adventure all her own. At once joyous and haunting, this story offers a chance to see the world through Auri’s eyes. And it gives the reader a chance to learn things that only Auri knows...In this book, Patrick Rothfuss brings us into the world of one of The Kingkiller Chronicle’s most enigmatic characters. Full of secrets and mysteries, The Slow Regard of Silent Things is the story of a broken girl trying to live in a broken world.AUTHOR’S FOREWORD You might not want to buy this book.I know, that’s not the sort of thing an author is supposed to say. The marketing people aren’t going to like this. My editor is going to have a fit. But I’d rather be honest with you right out of the gate.First, if you haven’t read my other books, you don’t want to start here.My first two books are The Name of the Wind and The Wise Man’s Fear. If you’re curious to try my writing, start there. They’re the best introduction to my world. This book deals with Auri, one of the characters from that series. Without the context of those books, you’re probably going to feel pretty lost.Second, even if you have read my other books, I think it’s only fair to warn you that this is a bit of a strange story. I don’t go in for spoilers, but suffice to say that this one is ... different. It doesn’t do a lot of the things a classic story is supposed to do. And if you’re looking for a continuation of Kvothe’s storyline, you’re not going to find it here.On the other hand, if you’d like to learn more about Auri, this story has a lot to offer. If you love words and mysteries and secrets. If you’re curious about the Underthing and alchemy. If you want to know more about the hidden turnings of my world...Well, then this book might be for you.

    Before he was a vampire.Larten Crepsley was a boy. As a child laborer many centuries ago, Larten Crepsley did his job well and without complaint, until the day the foreman killed his cousin as an example to the other children. In that moment, young Larten flies into a rage that the foreman wouldn't survive. Forced on the run, he sleeps in crypts and eats cobwebs to get by. And when a vampire named Seba offers him protection and training as a vampire's assistant, Larten takes it.This is his story.

    But Cecelia Rios has always believed there was more to the criaturas, much to her family’s disapproval. After all, only brujas—humans who capture and control criaturas—consort with the spirits, and brujeria is a terrible crime.When her older sister, Juana, is kidnapped by El Sombrerón, a powerful dark criatura, Cece is determined to bring Juana back. To get into Devil’s Alley, though, she’ll have to become a bruja herself—while hiding her quest from her parents, her town, and the other brujas. Thankfully, the legendary criatura Coyote has a soft spot for humans and agrees to help her on her journey.With him at her side, Cece sets out to reunite her family—and maybe even change what it means to be a bruja along the way.

    And now waking up is even worse!Charlie Laird has several problems:1. His dad married a woman he is sure moonlights as a witch.2. He had to move into her purple mansion, which is not a place you want to find yourself after dark.3. He can’t remember the last time sleeping wasn’t a nightmarish prospect. Like even a nap.What Charlie doesn’t know is that his problems are about to get a whole lot more real. Nightmares can ruin a good night’s sleep, but when they start slipping out of your dreams and into the waking world—that’s a line that should never be crossed. And when your worst nightmares start to come true . . . well, that’s something only Charlie can face. And he’s going to need all the help he can get, or it might just be lights-out for Charlie Laird. For good.[This is the first book in a trilogy.]

    Chess has always been the protector over his younger siblings, Emma loves math, and Finn does what Finn does best—acting silly and being adored. They’ve been a happy family, just the three of them and their mom.But everything changes when reports of three kidnapped children reach the Greystone kids, and they’re shocked by the startling similarities between themselves and these complete strangers. The other kids share their same first and middle names. They’re the same ages. They even have identical birthdays. Who, exactly, are these strangers?Before Chess, Emma, and Finn can question their mom about it, she takes off on a sudden work trip and leaves them in the care of Ms. Morales and her daughter, Natalie. But puzzling clues left behind lead to complex codes, hidden rooms, and a dangerous secret that will turn their world upside down.

    . . . Not that anyone would admit it was goblins. In Maddy Smith’s world, order rules. Chaos, old gods, fairies, goblins, magic, glamours – all of these were supposedly vanquished centuries ago. But Maddy knows that a small bit of magic has survived. The “ruinmark” she was born with on her palm proves it – and makes the other villagers fearful that she is a witch (though helpful in dealing with the goblins-in-the-cellar problem). But the mysterious traveler One-Eye sees Maddy’s mark not as a defect, but as a destiny. And Maddy will need every scrap of forbidden magic One-Eye can teach her if she is to survive that destiny.

    It’s when no one gives her “that look” about the half mask she has to wear while healing from a disfiguring car accident. It’s also the perfect time to sit outside and draw what she sees. Like the boy and girl from the new family next door…zipping out of the window in a zeppelin and up to the stars.At first she thinks she’s dreaming. But one night the siblings catch her watching. Now Luna spends her nights on adventures with them, as they clean full moons, arrange constellations, and catch jars of stardust. She even gets to make a wish on a shooting star they catch.But Luna learns that no wish is strong enough to erase the past — as much as she may hope to.

    With a timeless charm it tells the story of a little boy who leaves the safety of his own tiny planet to travel the universe, learning the vagaries of adult behaviour through a series of extraordinary encounters. His personal odyssey culminates in a voyage to Earth and further adventures.Letter to a Hostage, which contains certain themes that were to appear in The Little Prince, is Saint-Exupery's optimistic and humane open letter to a Jewish intellectual hiding in occupied France in 1943.

    Karolina is a living doll whose king and queen have been overthrown. But when a strange wind spirits her away from the Land of the Dolls, she finds herself in Krakow, Poland, in the company of the Dollmaker, a man with an unusual power and a marked past. The Dollmaker has learned to keep to himself, but Karolina's courageous and compassionate manner lead him to smile and to even befriend a violin-playing father and his daughter--that is, once the Dollmaker gets over the shock of realizing a doll is speaking to him. But their newfound happiness is dashed when Nazi soldiers descend upon Poland. Karolina and the Dollmaker quickly realize that their Jewish friends are in grave danger, and they are determined to help save them, no matter what the risks.

    The Lost Frost Girl is an enchanting modern-day fairy tale about family, friendship, and the magic of embracing who you are meant to be.Owl has the kind of mom who would name her Owl, a dad she’s never met, and a boy who gives her strange looks at school—but Owl has come to accept that this is as normal as her life is going to get.Until Owl finds out that she is Jack Frost’s daughter. Determined to meet him, Owl delves into Jack’s wonderful world of winter and magic—the kind of place she thought only existed in fairy tales. And as she notices frost patterns appearing on her skin and her tears turning to ice, Owl starts to wonder if being Jack Frost’s daughter means that she has winter powers of her very own.

    Now that Will has learned a shocking secret about his own past, things seem to be getting worse. Violet retreats further into her fantasy world built around the fairy characters created by her favourite author, Casper Dream. The arrival of Jasmine, a new girl at school who immediately befriends Violet, seems like it might change Violet’s life for the better and allow her to break free of Will’s spell. But is Jasmine a true friend?This is a magical and atmospheric novel, with fascinating insight into the world of a writer.

    This high-end paperback cinematic novelization will also feature exclusive content, with concept design elements throughout, and an eight-page full-color insert.When ten-year-old orphan Mary Lennox is sent to live with her reclusive uncle Archibald (Colin Firth) and his strict housekeeper Mrs. Medlock (Julie Walters) in a mysterious Yorkshire manor, she feels lonelier than ever before. But her curiosity and determination lead her to disobey the adults and explore the forbidding house.While roaming the grounds of the manor she discovers an enchanted and boundless garden that has been hidden for years and reflects her limitless imagination. With local boy Dickon, her sick cousin Colin, and a playful stray dog, she embraces this world of wonder which unlocks secrets from the past, revealing a whole new life of hope and friendship.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.