Born in Paris to American parents in 1881, she suffered a traumatic childhood after her father shot her mother's lover dead. Educated in America, she returned to Europe, where she captivated and inspired some of the greatest literary and artistic names of the Belle Époque. Marcel Proust wrote of her 'I never saw a girl with such beauty, such magnificent intelligence, such goodness and charm.' Berenson considered marrying her, Rodin and Monet befriended her, Boldini painted her and Epstein sculpted her. She inspired love from diverse Dukes and Princes, and the interest of women such as Comtesse Greffulhe and Gertrude Stein.It wasn't until she was 40 that she achieved the wish she had held since the age of 14 to marry the 9th Duke of Marlborough. Divorced from fellow American Consuelo Vanderbilt in 1921 she became his second wife. Now her circle included Lady Ottoline Morrell, Lytton Strachey and Winston Churchill, who described her as 'a strange, glittering being'. But life at Blenheim was not a success. When the Duke evicted her in 1933, the only remaining signs of Gladys were two sphinxes bearing her features on the west terraces and mysterious blue eyes in the grand portico.Gladys became a recluse. The wax injections she'd had to straighten her nose when she was 22 had by now ravaged her beauty. She was to spend her last 15 years in the psycho-geriatric ward of a mental hospital. There she was discovered by a young Hugo Vickers, who visited her for two years - intrigued and compelled to unmask the truth of her mysterious life.In his fascinating and revealing biography, drawing on Gladys's personal archive and his own research all over Europe and America, Hugo Vickers uncovers a beguiling, clever, independent woman who was the brightest star of her age. He once asked her, 'Where is Gladys Deacon?' She answered him slowly: 'Gladys Deacon? ... She never existed.'

    The setting: Los Angeles. A gorgeous virtuoso of an actress had agreed to star in a random play, and a basement-dwelling scenic carpenter had said he would assay a supporting role in the selfsame pageant. At the first rehearsal, she surveyed her fellow cast members, as one does, determining if any of the men might qualify to provide her with a satisfying fling. Her gaze fell upon the carpenter, and like a bolt of lightning, the thought struck her: No dice. Moving on.Yet, unbeknownst to our protagonists, Cupid had merely set down his bow and picked up a rocket launcher. Then fired a love rocket (not a euphemism). The players were Megan Mullally and Nick Offerman, and the resulting romance, once it ignited, was . . . epic. Beyond epic. It resulted in a coupling that has endured to this day; a sizzling, perpetual tryst that has captivated the world with its kindness, athleticism, astonishingly low-brow humor, and true (fire emoji) passion.How did they do it? They came from completely different families, endured a significant age difference, and were separated by the gulf of several social strata. Megan loved books and art history; Nick loved hammers. But much more than these seemingly unsurpassable obstacles were the values they held in common: respect, decency, the ability to mention genitalia in almost any context, and an abiding obsession with the songs of Tom Waits.Eighteen years later, they're still very much in love, and have finally decided to reveal the philosophical mountains they have conquered, the lessons they've learned, and the myriad jigsaw puzzles they've completed, in a book. Featuring anecdotes, hijinks, interviews, photos, and a veritable grab bag of tomfoolery, this is not only the intoxicating book that Mullally's and Offerman's fans have been waiting for, it might just hold the solution to the greatest threat facing our modern world: the single life.

    Using Wilder’s stories, personal correspondence, an unpublished autobiography, and experiences in South Dakota, Hill has produced a historical-literary biography of the famous and much-loved author. Following the course of Wilder’s life, and her real family’s journey west, Hill provides a context, both familial and literary, for Wilder’s writing career.Laura Ingalls Wilder examines Wilder’s inspirations as a writer, particularly her tumultuous, but ultimately successful, professional and personal relationship with her daughter—the hidden editor—Rose Wilder Lane. Wilder produced her timeless classics with the help of, but not reliance upon, her daughter’s editorial insights. Over the course of more than thirty years, Lane and Wilder engaged in a dynamic working relationship, shifting between trust, distrust, and respect. Hill argues that they differed in their visions of the path Wilder’s career should follow, but eventually Lane’s editing brought out the best of her mother’s writing, and allowed her creativity, expression, and experiences to shine through.

    His research on Beowulf is still considered a standard in the field. Tolkien, however, unlike most Oxford dons, stepped out of his role as professor to create popular literature. Tolkien’s best-known writings were The Hobbit and The Lord of the Rings, in which he created a fully realized world known as Middle-earth, vaguely identifiable as Northern Europe in a pre-history that never was. To bring his world to life, he produced detailed geography and cartography as well as a legendary background. He peopled the world with diverse types of inhabitants and created spoken and written languages for them. By doing this, he essentially created modern fantasy literature and a standard for subsequent writers to chase and miss. A British poll at the end of the twentieth century named The Lord of the Rings the most important English-language work of that century. During his lifetime, Tolkien did not appreciate people focusing on him rather than on his writings. He felt that his writings were more worthy of attention. With apologies to the late gentleman, he is now due some notice.

    With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron--who always knew what she wanted and how she wanted it--ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members. Along the way, Carlson examines how Ephron explored in the cinema answers to the questions that plagued her own romantic life and how she regained faith in love after one broken engagement and two failed marriages. Carlson also explores countless other questions Ephron's fans have wondered about: What sparked Reiner to snap out of his bachelor blues during the making of When Harry Met Sally? Why was Ryan, a gifted comedian trapped in the body of a fairytale princess, not the first choice for the role? After she and Hanks each separatel balked at playing Mail's Kathleen Kelly and Sleepless' Sam Baldwin, what changed their minds? And perhaps most importantly: What was Dave Chappelle doing ... in a turtleneck? An intimate portrait of a one of America's most iconic filmmakers and a look behind the scenes of her crowning achievements, I'll Have What She's Having is a vivid account of the days and nights when Ephron, along with assorted cynical collaborators, learned to show her heart on the screen.

    She eventually worked for a wealthy family as their head chef. When she slapped the face of her employers son because of inappropriate advances she was immediately terminated. The only job she could find after six months of searching was for a general housekeeper, nanny and cook in Montana. She could pretend to be the mother she knew she would never be.

    Using recently uncovered archival materials including personal papers and correspondence, biographer Thomas Hiney vividly evokes Chandler's early years in Nebraska, his education in England and on the corrupt streets of Los Angeles, and his later years as a novelist and screenwriter in the heyday of the Hollywood studio system. Along the way, he provides illuminating insights into the writer's inspirations and work - as well as accounts of Chandler's battles with alcohol addiction and his friendships with Howard Hawks, "Lucky" Luciano, S. J. Perelman, and Alfred Hitchcock. This book is also the first to fully detail the significance and complexities of his thirty-year marriage to Cissy, a woman seventeen years his senior. Raymond Chandler is personal portrait of an author as extraordinary as the fiction he created - a body of work that has sold more than five million copies, been translated into twenty-five languages, and inspired countless imitators. "A discerning portrait of the creator of Philip Marlowe, the archetypal American private eye." - Newsweek

    The co-star of the Howard Stern Show describes her deprived childhood in Baltimore, battle with depression, rise to broadcast fame, fight for female self-worth, and her relationship with Stern.

    During a series of visits with her father to the South he'd escaped as a young black man, Lise Funderburg, the mixed-race author of the acclaimed "Black, White, Other," comes to understand his rich and difficult background and the conflicting choices he has had to make throughout his life. Lise Funderburg is a child of the '60s, a white-looking mixed-race girl raised in an integrated Philadelphia neighborhood. As a child, she couldn't imagine what had made her father so strict, demanding, and elusive; about his past she knew only that he had grown up in the Jim Crow South and fled its brutal oppression as a young man. Then, just as she hits her forties, her father is diagnosed with advanced and terminal cancer -- an event that leads father and daughter together on a stream of pilgrimages to his hometown in rural Jasper County, Georgia. As her father's escort, proxy, and, finally, nurse, Funderburg encounters for the first time the fragrant landscape and fraught society -- and the extraordinary food -- of his childhood.In succulent, evocative, and sometimes tart prose, the author brings to life a fading rural South of pecan groves, family-run farms, and pork-laden country cuisine. She chronicles small-town relationships that span generations, the dismantling of her own assumptions about when race does and doesn't matter, and the quiet segregation that persists to this day. As Funderburg discovers the place and people her father comes from, she also, finally, gets to know her magnetic, idiosyncratic father himself. Her account of their thorny but increasingly close relationship is full of warmth, humor, and disarming candor. In one of his last grand actsFunderburg's father recruits his children, neighbors, and friends to throw a pig roast -- an unforgettable meal that caps an unforgettable portrait of a man enjoying his life and loved ones right up through his final days."Pig Candy" takes readers on a stunning journey that becomes a universal investigation of identity and a celebration of the human will, familial love, and, ultimately, life itself.

    

    Now the laughter continues with her uproarious autobiography. Like a Lampshade in a Whorehouse recounts how, against all odds, Phyllis Diller became America's first successful and best-loved female stand-up comic. She began her professional career at age thirty-seven, in spite of the fact that she was a housewife and mother of five, and was working at a radio station because of her husband's chronic unemployment. Now, fifty years later, after two traumatic marriages, extensive cosmetic surgery, numerous film, television, and stage appearances, and separate careers as an artist and piano soloist with symphony orchestras, Phyllis Diller finally tells her story. With her trademark laugh, self-deprecating humor, and incredible wit, Phyllis Diller has etched her way into comedic history. And while her wild hair and outrageous clothes may make her look like a lampshade in a whorehouse, her strength, self-belief, perseverance, and raucous sense of humor make her truly unforgettable.

    We are in an era where entire businesses are built on Instagram; kids in their bedrooms are racking up tens of millions of YouTube views; bloggers are becoming millionaires from their kitchen tables, and businesses are getting more attention from a viral video than a Super Bowl ad. But in a space that moves so fast, how can businesses keep up - let alone compete? And how do you make sure that your activity is profitable? Whether it’s building a targeted fanbase, selling more of your products & services or serving customers, every piece of your social media marketing campaign should be making you money. Combining the ‘holy grail’ marketing principles from some of history’s most successful marketers with the very latest social media strategies gives savvy businesses of all size a chance to ‘do’ social media in an entirely new way. Gone are the days of fumbling around in the dark. The new era is about testing, measuring and profit. From the psychological triggers that make us buy; employing social proof to stand out; using (and faking) controversy to sell more or just simply demonstrating your true competitive advantage, profitable social media marketing is here. As Head Ninja at Exposure Ninja, Tim Cameron-Kitchen has personally worked with hundreds of businesses of all shapes and sizes, and seen first hand how doing the right things on social media can transform a business. Yvonne Ivanescu came to Exposure Ninja from one of the world’s highest profile marketing agencies, and brought her brand experience to help business on the front line. This book is the distillation of everything that makes a profitable campaign, laid out in step-by-step instructions for you to follow and apply to your own business - whatever your size or market. So whether you’re a local plumber looking to pick up leads from Twitter, or an independent e-commerce site wanting the attention of influential bloggers, the strategies and profitable shortcuts for entrepreneur-run businesses in this book will give you a chance to compete in competitive markets where time and budget is of the essence.

    Why did she leave and what did she do for twenty years out of the spotlight before returning to television? This is her funny and inspiring memoir of fame, heartache, resilience--and the reboot of a lifetime . . .When Kimmy Gibbler burst into the Tanners' home on Full House in 1987, audiences immediately connected with the confident and quirky pre-teen character, played by ten-year-old actress Andrea Barber. During an eight-season run on one of the most popular series of the '80s and '90s, Andrea came of age in front of millions. But she was as far removed from her character as a girl can get. The introverted young star was plagued with self-doubt, insecurities, and debilitating anxieties that left her questioning her identity after the show's cancelation. Andrea wouldn't return to the public eye until 2016, for Fuller House. So what happened in those intervening decades that Andrea jokingly calls "the lost years"?For starters, Andrea never stopped working. But it was on a series of life-changing transitions: earning a college degree, then a Master's, building a career in international education, getting married, and starting a family. She also faced some unforeseeable transitions: navigating a sudden divorce after nearly twelve years of marriage, and second-guessing her capabilities as a single mother. But it was her devastating bout with post-partum anxiety and depression that derailed Andrea's life--and became a crucial turning point. Full Circle is a raw, refreshingly honest look into the life of a celebrity who has never been fully comfortable in the spotlight. Here Andrea shares her deeply personal struggles with mental health in a way she has never done before. She opens up about fighting her way back and finding solace--while finding herself--all before her life came full circle with her costars and lifelong friends on Fuller House. Sharing her journey from child star, to champion of mental health, and back to stardom, Andrea writes in a way that feels like catching up with an old friend.You'll laugh, reminisce, and finally get to know the woman behind the zany next door neighbor.

    Now, in her memoir, Cash writes compellingly about her upbringing in Southern California as the child of country legend Johnny Cash, and of her relationships with her mother and her famous stepmother, June Carter Cash. In her account of her development as an artist she shares memories of a hilarious stint as a twenty-year-old working for Columbia Records in London, recording her own first album on a German label, working her way to success, her marriage to Rodney Crowell, a union that made them Nashville's premier couple, her relationship with the country music establishment, taking a new direction in her music and leaving Nashville to move to New York. As well as motherhood, dealing with the deaths of her parents, in part through music, the process of songwriting, and the fulfillment she has found with her current husband and musical collaborator, John Leventhal. Cash has written an unconventional and compelling memoir that, in the tradition of M. F. K. Fisher's The Gastronomical Me and Frank Conroy's Stop-Time, is a series of linked pieces that combine to form a luminous and brilliant whole.

    Shuttling between continents as a child, she lived a life of dislocation that would become habit as an adult, never quite at home in the world. And yet, through all her travels, her favorite food remained the simple rice she first ate sitting on the cool floor of her grandmother’s kitchen in South India.Poignant and surprising, Love, Loss, and What We Ate is Lakshmi’s extraordinary account of her journey from that humble kitchen, ruled by ferocious and unforgettable women, to the judges’ table of Top Chef and beyond. It chronicles the fierce devotion of the remarkable people who shaped her along the way, from her headstrong mother who flouted conservative Indian convention to make a life in New York, to her Brahmin grandfather—a brilliant engineer with an irrepressible sweet tooth—to the man seemingly wrong for her in every way who proved to be her truest ally. A memoir rich with sensual prose and punctuated with evocative recipes, it is alive with the scents, tastes, and textures of a life that spans complex geographies both internal and external.Love, Loss, and What We Ate is an intimate and unexpected story of food and family—both the ones we are born to and the ones we create—and their enduring legacies.