Campbell Memorial Award Finalist“This—THIS—is the cutting edge of science fiction.” —Richard K. Morgan, author of Altered CarbonHow do you stage a mutiny when you’re only awake one day in a million? How do you conspire when your tiny handful of potential allies changes with each job shift? How do you engage an enemy that never sleeps, that sees through your eyes and hears through your ears, and relentlessly, honestly, only wants what’s best for you? Trapped aboard the starship Eriophora, Sunday Ahzmundin is about to discover the components of any successful revolution: conspiracy, code—and unavoidable casualties.Note from the publisher: The red letters in the print edition (and highlighted letters in the e-book) indicate special bonus content from the author.

    Exiled, widowed, and on the brink of poverty…she reluctantly goes to work for the Pinkerton National Detective Agency in Chicago.Adding insult to injury, her first big assignment is commissioned by the Union Army. In short, a federally sponsored transport dirigible is being violently pursued across the Rockies and Uncle Sam isn’t pleased. The Clementine is carrying a top secret load of military essentials—essentials which must be delivered to Louisville, Kentucky, without delay.Intelligence suggests that the unrelenting pursuer is a runaway slave who’s been wanted by authorities on both sides of the Mason-Dixon for fifteen years. In that time, Captain Croggon Beauregard Hainey has felonied his way back and forth across the continent, leaving a trail of broken banks, stolen war machines, and illegally distributed weaponry from sea to shining sea.And now it’s Maria’s job to go get him.He’s dangerous quarry and she’s a dangerous woman, but when forces conspire against them both, they take a chance and form an alliance. She joins his crew, and he uses her connections. She follows his orders. He takes her advice.And somebody, somewhere, is going to rue the day he crossed either one of them.

    Up the Walls of the World is the 1978 debut novel of Alice Sheldon, who had built her reputation with the acclaimed short stories she published under the name James Tiptree Jr. A singular representation of American science fiction in its prime, Tiptree’s first novel expanded on the themes she addressed in her short fiction. Known as the Destroyer, a self-aware leviathan roams through space gobbling up star systems. In its path is the planet Tyree, populated by telepathic wind-dwelling aliens who are facing extinction. Meanwhile on Earth, people burdened with psi powers are part of a secret military experiment run by a drug-addicted doctor struggling with his own grief. These vulnerable humans soon become the target of the Tyrenni, whose only hope of survival is to take over their bodies and minds—an unspeakable crime in any other period of the aliens’ history...

    And her name is the most dreaded in Russian folklore. Rusalka.Impetuous Pyetr Kochevikov, a fugitive from Voyvoda with a price on his head, has none of the superstitions of his fearful young companion, Sasha, as they flee through the vastness of the forest.But when they arrive exhausted at the cottage of the wizzard Uulamets, Pyetr is dismayed to learn that he can mock the spirits no longer. And when he finds himself enchanted by Uulamets' beautiful and wraithlike daughter, no mortal power can assuage the Rusalka's terrible thirst for life...

    In Jim Butcher’s ”Curses”, Harry Dresden investigates how to lift a curse laid by the Fair Folk on the Chicago Cubs. In Patricia Briggs’ “Fairy Gifts,”, a vampire is called home by magic to save the Fae who freed him from a dark curse. In Melissa Marr’s “Guns for the Dead”, the newly dead Frankie Lee seeks a job in the afterlife on the wrong side of the law. In Holly Black’s “Noble Rot”, a dying rock star discovers that the young woman who brings him food every day has some strange appetites of her own.Featuring original stories from 20 authors, this dark, captivating, fabulous, and fantastical collection is not to be missed!Contents:Curses / by Jim Butcher --How the pooka came to New York City / by Delia Sherman --On the slide / by Richard Bowes --The Duke of Riverside / by Ellen Kushner --Oblivion by Calvin Klein / by Christopher Fowler --Fairy gifts / by Patricia Briggs --Picking up the pieces / by Pat Cadigan --Underbridge / by Peter S. Beagle --Priced to sell / by Naomi Novik --The bricks of Gelecek / by Matthew Kressel --Weston walks / by Kit Reed --The projected girl/ by Lavie Tidhar --The way station / by Nathan Ballingrud --Guns for the dead / by Melissa Marr --And go like this / by John Crowley --Noble rot / by Holly Black --Daddy longlegs of the evening / by Jeffrey Ford --The skinny girl / by Lucius Shepard --The Colliers' Venus (1893) / by Caitlín R. Kiernan --King pole, gallows pole, bottle tree / by Elizabeth Bear.

    That's why he's been hired to descend into the Nightside, an otherworldly realm in the center of London where fantasy and reality share renting space and the sun never shines.

    This rollicking adventure begins with a shipwreck on an island where notable characters of literature, history, and folklore coexist — Hamlet and Oedipus, Don Quixote and Doctor Faustus, Becky Sharp and Daniel Boone. From carousing with Robin Hood to crossing swords with the Green Knight and stealing a ride on Huck Finn's raft, our traveler, A. Clarence Shandon, undertakes a whirlwind tour of the classics. And just as the truths of great stories ennoble those who take them to heart, a selfish and cynical drifter is transformed into the gallant knight known as Silverlock.

    But now it languishes in uneasy decay, populated only by forgotten movie stars, solitary impresarios and artistic and literary failures, a place where love and lust pall before the stronger pull of evil.Contents:· The Cloud-Sculptors of Coral D [Vermillion Sands] · ss F&SF Dec ’67 · Prima Belladonna [Vermillion Sands] · ss Science-Fantasy #20 ’56 · The Screen Game [Vermillion Sands] · nv Fantastic Oct ’63 · The Singing Statues [Vermillion Sands] · ss Fantastic Jul ’62 · Cry Hope, Cry Fury! [Vermillion Sands] · ss F&SF Oct ’67 · Venus Smiles [“Mobile”; Vermillion Sands] · ss Science-Fantasy #23 ’57 · Say Goodbye to the Wind [Vermillion Sands] · ss Fantastic Aug ’70 · Studio 5, The Stars [Vermillion Sands] · nv Science-Fantasy #45 ’61 · The Thousand Dreams of Stellavista [Vermillion Sands] · nv Amazing Mar ’62

    . . ? Find them all here in Holly Black’s amazing first collection.In her debut collection, New York Times best-selling author Holly Black returns to the world of Tithe in two darkly exquisite new tales. Then Black takes readers on a tour of a faerie market and introduces a girl poisonous to the touch and another who challenges the devil to a competitive eating match. Some of these stories have been published in anthologies such as 21 Proms, The Faery Reel, and The Restless Dead, and many have been reprinted in many “Best of ” anthologies.The Poison Eaters is Holly Black’s much-anticipated first collection, and her ability to stare into the void—and to find humanity and humor there—will speak to young adult and adult readers alike.A Junior Library Guild Pick. Illustrated by Theo Black.Holly Black is the author of Tithe: A Modern Faerie Tale (an ALA Best Book for Young Adults) and two related novels, Valiant (Norton Award winner) and New York Times bestseller Ironside. Her latest novel, Black Heart is the third of a new series, The Curseworkers. She and Tony DiTerlizzi created the best-selling Spiderwick Chronicles. Holly lives in Massachusetts with her husband, Theo, in a house with a secret library.

    But to the Martin family, their household robot NDR-113 is more than a trusted friend, a confidant, a member of the family. For through some unknown manufacturing glitch, Andrew has been blessed with a capacity for love and a drive toward self-awareness and devlopment that are almost...human.But almost is not enough. Andrew's dream is to become fully human. Facing human prejudice, the laws of robotics, and his own mechanical limitations, Andrew will use science and law in his quest for the impossible, arriving at last at a terrifying choice: to make his dream a reality, he must pay the ultimate price.

    Corey. Set two hundred years in the future, where man has colonized the outer asteroid belt, The Expanse follows the case of a missing girl that brings together a hardened detective and a rogue ship captain in a race across the solar system to expose the greatest conspiracy in human history. "Drive" highlights a key moment in The Expanse universe whose ramifications set the foundation for the show.The story is a prequel taking place approximately 150 years prior to the main series, concerning Solomon Epstein and his invention of the Epstein drive.

    Sandman Slim, has a new job, but being the new Lucifer in town gives fresh meaning to the word "Hell." Especially when he hears of hideous massacres near a haunted fortress out on Hell's frontier.As far as Stark's concerned, the more dead Hellions, the better, but he still has to prove that no one screws with Sandman Slim. And facing creatures so terrible even Hell does not want them is no cakewalk, even for Lucifer.Includes 13 pages excerpt from Devil Said Bang

    'The two thieves had themselves been robbed by two youths, who eyed each other suspiciously over the sprawled, senseless bodies. Fafhrd said: 'Our motives for being here seem identical.' 'Surely, they must be!' the Mouser answered curtly, fiercely eyeing his huge, potential foe.Fafhrd glanced down at the belts and money-pouches of the fallen thieves. Then he looked up at the Mouser with an honest, open, ingenuous smile. 'Sixty-sixty?' he suggested. Thus was born the most improbable relationship in the whole history of swords and sorceries.Contains:7 • Induction • [Fafhrd and the Gray Mouser] • (1957) • shortstory by Fritz Leiber11 • The Snow Women • [Fafhrd and the Gray Mouser] • (1970) • novella by Fritz Leiber91 • The Unholy Grail • [Fafhrd and the Gray Mouser] • (1962) • novelette by Fritz Leiber123 • Ill Met in Lankhmar • [Fafhrd and the Gray Mouser] • (1970) • novella by Fritz Leiber

    After ecological disasters nearly destroyed the Earth, 26 survivors—the last of humanity—are trapped by an alien race in a sterile enclosure known as the Shell. Fifteen-year-old Pete is one of the Six—children who were born deformed or sterile and raised in the Shell. As, one by one, the survivors grow sick and die, Pete and the Six struggle to put aside their anger at the alien Tesslies in order to find the means to rebuild the earth together. Their only hope lies within brief time-portals into the recent past, where they bring back children to replenish their disappearing gene pool. Meanwhile, in 2013, brilliant mathematician Julie Kahn works with the FBI to solve a series of inexplicable kidnappings. Suddenly her predictive algorithms begin to reveal more than just criminal activity. As she begins to realize her role in the impending catastrophe, simultaneously affecting the Earth and the Shell, Julie closes in on the truth. She and Pete are converging in time upon the future of humanity—a future which might never unfold. Weaving three consecutive time lines to unravel both the mystery of the Earth's destruction and the key to its salvation, this taut post-apocalyptic thriller offers a topical plot with a satisfying twist.

    That led many people to underestimate the Nildoror and their obviously more fearsome commensals, the Sulidoror.But aliens should never be judged by human standards, as the Company learned to its cost when Holman's World, now once again known as Belzagor, was given back to the natives and the Company sent packing. Now Edmund Gunderson, once head of the Company's operation on this world, has come back across the galaxy to settle old scores with the Nildoror. If he can even get them to acknowledge his existence. Cover Artist: Gene Szafran