Her life is glamorous and seemingly perfect – apart from her recurring desire to run away.Her younger sister Mimi is funny and bright but also hopelessly lost, with no career prospects, no money, no love life and a string of disastrous mistakes in her past, all of which seem to be curiously linked.Returning from overseas, Mimi is forced into a reluctant reconciliation with her estranged sister when Sabrina hires Mimi to be her bridesmaid. The sisters then join forces to do battle with intrusive paparazzi, out-of-control dress designers and, occasionally, with each other ...

    It is 1827, and, in a remote hut high on the plains of New South Wales, two strangers spend the night in talk. One, an illiterate Irishman, and ex-convict and bushranger, is to be hanged at dawn. The other is the police officer who has been sent to supervise the hanging. As the night wears on, the two men share memories and uncover unlikely connections between their lives. 240 pp. Author tour. 20,000 print.From the Hardcover edition.

    When Ellen turns nineteen Holland makes an announcement: she may marry only the man who can correctly name the species of each of the hundreds of gum trees on his property. Ellen is uninterested in the many suitors who arrive from around the world, until one afternoon she chances on a strange, handsome young man resting under a Coolibah tree. In the days that follow, he spins dozens of tales set in cities, deserts, and faraway countries. As the contest draws to a close, Ellen and the stranger's meetings become more erotic, the stories more urgent. Murray Bail's rich narrative is filled with unexpected wisdom about art, feminine beauty, landscape, and language. Eucalyptus is a shimmering love story that affirms the beguiling power of storytelling itself.

    The year is 1929. The Great War with Germany has been fought and won, but at an immense cost to the small community.Death is too familiar here. So many sons were lost. So many daughters would never be wives; so many grandchildren would never be born.Racial hatred is like a bushfire in the belly of some. And the dead girl is found only yards from the property of old Joe Reichenberg, a German. Tom Thompson, the local cop, lost his two sons in Gallipoli. He believes he has come to terms with his bereavement - until that Sunday.Slowly, the true face of Molliston is exposed. By midnight, a full moon is offering its light - and a glimmer of hope.

    As a young married couple, Andrew and Anne work together to make the very best of their property, High Peaks, but at what cost to their happiness? In time, the property will pass to their son, David. Handsome and hardworking, David is determined to become the best sheepdog handler in the land. Nothing is going to stand in his way-not even the beautiful Catriona Campbell, daughter of the wealthy graziers next door. The Call Of The High Country is an inspiring and heartwarming saga of a family battling through hard times, of a love that defies all odds, and of dreams that won't be broken.

    Two years later, Rosie returns to the house and living there is Martha, whom Seb Gennaro married less than a year after the death of Rosie’s mother. Martha is struggling to fulfil Seb’s dream, while Rosie is coming to terms with new responsibilities. And so begins a stand-off between two women who refuse to move out of the home they both lay claim to.As the battle lines are drawn, Jimmy Hailler re-enters Rosie’s life. Having always watched other families from the perimeters, he’s now grappling, heartbreakingly, with forming one of his own . . .An unforgettable story about losing love and finding love; about the interconnectedness of lives and the true nature of belonging, from one of our most acclaimed writers.

    A Few Days in the Country brings together for the first time her stories published in Australian journals in the 1960s and 1970s, along with those from her archives—including ‘Alice’, published for the first time earlier this year in the New Yorker.Essential reading for Harrower fans, these finely turned pieces show a broader range than the novels, ranging from caustic satires to gentler explorations of friendship.Elizabeth Harrower is the author of the novels Down in the City, The Long Prospect, The Catherine Wheel and The Watch Tower—all of which have been republished as Text Classics—and In Certain Circles, which was published in 2014 and in early 2015 was a BBC Radio 4 Book at Bedtime. Elizabeth lives in Sydney.‘Harrower has the disconcerting knack of looking at life and seeing it unadorned.’ Australian Financial Review, Best Books of 2015‘Vital, vivid stories by a master storyteller.’ Joan London, Age/Sydney Morning Herald, Best Books of 2015‘One has to think hard of a book in which so much pleasure has been wrenched from so much pain. While the skies are overcast here, what happens on the ground is brightly lit, hilariously cast by lashings of irony and overstatement...This is the work of an activist in disguise as an entertainer.’ John Freeman, Australian‘Enchanting...That Harrower has, up until recently, been denied a place in the Australian literary canon, is a tragedy—one that can only be remedied by reading her. A Few Days in the Country: And Other Stories is a fantastic place to start.’ Lip Mag‘Lyrical, insightful and finely tuned.’ Otago Daily Times‘The range of stories and styles demonstrates Harrower’s extraordinary literary skill…A Few Days in the Country and Other Stories offers no sure-fire formulas, but through its interrogation of characters’ psychological motivations it affords a deeper understanding of human behaviour.’ Australian Book Review‘[Harrower] reveals an astonishing facility to reveal a world in a few brush strokes.’ West Australian‘A Few Days in the Country continues [Harrower’s] remarkable literary rejuvenation.’ Australian, Best Books of 2015

    Through her music and performing, this beloved Australian artist has touched hundreds of thousands of lives. But what of the stories she used to tell herself? That 'real life' only begins once you're thin or beautiful, that good things only happen to other people.YOUR OWN KIND OF GIRL reveals a childhood punctuated by grief, anxiety and compulsion, and tells how these forces shaped Clare's life for better and for worse. This is a heartbreaking, wise and at times playful memoir. Clare's own story told raw and as it happened. A reminder that even on the darkest of nights, victory is closer than it seems.With startling candour, Clare lays bare her truth in the hope that doing so will inspire anyone who's ever done battle with their inner critic. This is the work of a woman who has found her true power - and wants to pass it on. Happiness, we discover, is only possible when we take charge of the stories we tell ourselves.

    But it’s not actually a joke. Having a spouse who takes care of things at home is a Godsend on the domestic front. It’s a potent economic asset on the work front. And it’s an advantage enjoyed – even in our modern society – by vastly more men than women.Working women are in an advanced, sustained, and chronically under-reported state of wife drought, and there is no sign of rain.But why is the work-and-family debate always about women? Why don’t men get the same flexibility that women do? In our fixation on the barriers that face women on the way into the workplace, do we forget about the barriers that – for men – still block the exits?The Wife Drought is about women, men, family and work. Written in Annabel Crabb’s inimitable style, it’s full of candid and funny stories from the author's work in and around politics and the media, historical nuggets about the role of ‘The Wife’ in Australia, and intriguing research about the attitudes that pulse beneath the surface of egalitarian Australia.Crabb's call is for a ceasefire in the gender wars. Rather than a shout of rage, The Wife Drought is the thoughtful, engaging catalyst for a conversation that's long overdue.

    When the bridge collapses one October morning, killing 35 of his workmates, his world crashes down on him.In 2009, Jo and her best friend, Ashleigh, are on the verge of finishing high school and flush with the possibilities for their future. But one terrible mistake sets Jo’s life on a radically different course.Drawing on true events of Australia’s worst industrial accident — a tragedy that still scars the city — The Bridge is a profoundly moving novel that examines class, guilt, and moral culpability. Yet it shows that even the most harrowing of situations can give way to forgiveness and redemption. Ultimately, it is a testament to survival and the resilience of the human spirit.

    'We've become a khaki town.' It's March 1942. Singapore has fallen. Darwin has been bombed. Australia is on the brink of being invaded by the Imperial Japanese Forces. And Val Callahan, publican of The Brown's Hotel in Townsville, could not be happier as she contemplates the fortune she's making from lonely, thirsty soldiers. Overnight the small Queensland city is transformed into the transport hub for 70,000 American and Australian soldiers destined for combat in the South Pacific. Barbed wire and gun emplacements cover the beaches. Historic buildings have been commandeered. And the dance halls are in full swing with jitterbug and jive.The Australian troops, short on rations and equipment, begrudge the confident, well-fed 'Yanks' who have taken over their town (and women). And there's growing conflict, too, within the American ranks. Because black GIs are enjoying the absence of segregation and the white GIs do not like it.Then one night a massive street fight leaves a black soldier lying dead in the street, and the situation explodes into violent confrontation.

    From a stunning new literary talent, you won't be able to put down this novel about a mother's love for her children - it will break your heart.'With visceral prose and a tense narrative arc that unfolds over just three days, speeding towards a dramatic conclusion .... Sheerwater is a propulsive read with an acute emotional core ... likely to hold appeal for readers of both literary and crime fiction, and fans of writers such as Emily Maguire, Emma Viskic and Sofie Laguna.' Bookseller + PublisherAva and her two young sons, Max and Teddy, are driving to their new home in Sheerwater, hopeful of making a fresh start in a new town, although Ava can't help but keep looking over her shoulder. They're almost at their destination when they witness a shocking accident - a light plane crashing in the field next to the road. Ava stops to help, but when she gets back to the car, she realises that somehow, among the smoke, fire and confusion, her sons have gone missing ...From a substantial new Australian writing talent, Sheerwater is tense, emotional, unforgettable. Perfect for readers of Mark Brandi's Wimmera and Stephanie Bishop's The Other Side of the World, this is a beautifully written, propulsive, gut-wrenching and unputdownable novel - an aching, powerful story of the heroic acts we are capable of in the name of love.'Sheerwater is that rare gift of a book that balances gorgeous, glittering language with breathless pace. Leah Swann writes with devastating honesty ... This is an extraordinary novel - I tore through it, captivated by the imagery and the setting, desperately hoping for a happy ending.' Rebecca Starford, author of Bad Behavior'Heart-in-mouth story ... Swann's language is sinewy and pointed; the book is trim and every sentence is necessary...a complex and horribly believable story with tremendous flair.' The Age'Sheerwater is a haunting story built on conflict. Freedom and control, tenderness and violence, hope and fear, love and hate. It shows the strength of a mother's love and the yearning for something more ... This novel is full of beautifully gripping prose and deeply powerful emotions told through sublime pacing. I found it triggered a peculiar mix of wanting to dwell in the darkly emotive prose while needing to urgently push through it to find resolution. It will be one of those books that lingers in your mind, the memory of which may even be mistaken for a story read in the news.' Booktopia'Sheerwater is compelling reading ... There is an urgency in the writing that makes you read on because you must know what the conclusion is - no matter which way it goes ... This is an extraordinary literary debut; the writing is beautifully evocative and the intertwining narratives of the main characters seamless. It's tender, it's suspenseful and you'll be wanting to see so much more from Leah Swann - I ignored everything for a day to rip through the pages and loved every minute of it.' Better Reading

    Hanne is nearly fifteen and the domestic world of womanhood is quickly closing in on her. A child of nature, she yearns instead for the rush of the river, the wind dancing around her. Hanne finds little comfort in the local girls and friendship doesn't come easily, until she meets Thea and she finds in her a kindred spirit and finally, acceptance.Hanne's family are Old Lutherans, and in her small village hushed worship is done secretly - this is a community under threat. But when they are granted safe passage to Australia, the community rejoices: at last a place they can pray without fear, a permanent home. Freedom. It's a promise of freedom that will have devastating consequences for Hanne and Thea, but, on that long and brutal journey, their bond proves too strong for even nature to break...

    She meets an Australian musician, Mishka, and from the moment she first hears him play his music grips her; they quickly become lovers. Then one day Leela is picked up off the street and taken to an interrogation center somewhere outside the city. There has been an explosion in the subway; terrorism is suspected. The interrogator—an old childhood friend—now reveals to her that Mishka may not be all he seems. In this compelling reimagining of the Orpheus story, Leela travels into an underworld of kidnapping, torture, and despair in search of her lover. Janette Turner Hospital, whose works are "richly imbued with a highly lyrical and luminous quality" (San Diego Union-Tribune) again shows her genius, interweaving a literary thriller with a story of passion and the triumph of decency in confusing and dangerous times.

    Heartbroken, Ash suddenly finds herself living a double life - one week with her children, the next cohabiting with her happily single sister-in-law. Her friends think the modern custody solution is an exciting opportunity for her to spread her wings, but all Ash wants is her family back together.An offer to renovate a seaside cottage seems like the perfect distraction for Ash while waiting for Adrian to come to his senses. She's determined to fix her marriage as well as the cottage, but life gets even more complicated when she meets local fisherman Dan Emerson.Soon, each home-stay becomes more dysfunctional, while for the other week Ash enjoys the peaceful life of the beachside community. The more time Ash spends in Ragged Point, the more she questions what she really wants. Is a sea-change the fresh start she needs to move on?When tragedy calls Ash back to the city, she's torn between the needs of her family and her future. Can her family life fit in with a permanent move to the beach or could Ash's new-found independence attract Adrian back to the nest?