But in Art & Physics, Leonard Shlain tracks their breakthroughs side by side throughout history to reveal an astonishing correlation of visions.From teh classical Greek sculptors to Andy Warhol and Jasper Johns, and from Aristotle to Einstein, aritsts have foreshadowed the discoveries of scientists, such as when Money and Cezanne intuited the coming upheaval in physics that Einstein would initiate. In this lively and colorful narrative, Leonard Shlain explores how artistic breakthroughs could have prefigured the visionary insights of physicists on so many occasions throughtout history.Provacative and original, Art & Physics is a seamless integration of the romance of art and the drama of science...and exhilarating history of ideas.

    This time physicist Robert Gilmore takes us on a journey with Dorothy, following the yellow building block road through the land of the Wizard of Quarks. Using characters and situations based on the Wizard of Oz story, we learn along the way about the fascinating world of particle physics. Classes of particles, from quarks to leptons are shown in an atomic garden, where atoms and molecules are produced. See how Dorothy, The Tin Geek, and the Cowardly Lion experience the bizarre world of subatomic particles.

    At the time, Watson was only 24, a young scientist hungry to make his mark. His uncompromisingly honest account of the heady days of their thrilling sprint against other world-class researchers to solve one of science's greatest mysteries gives a dazzlingly clear picture of a world of brilliant scientists with great gifts, very human ambitions & bitter rivalries. With humility unspoiled by false modesty, Watson relates his & Crick's desperate efforts to beat Linus Pauling to the Holy Grail of life sciences, the identification of the basic building block of life. Never has a scientist been so truthful in capturing in words the flavor of his work.

    Sweeping through the centuries from ancient Babylon right up to the latest hi-tech experiments in genetics and particle physics, Fara's book also ranges internationally, challenging notions of European superiority by emphasizing the importance of scientific projects based around the world, including revealing discussions of China and the Islamic Empire alongside the more familiar stories about Copernicus's sun-centered astronomy, Newton's gravity, and Darwin's theory of evolution.We see for instance how Muslim leaders encouraged science by building massive libraries, hospitals, and astronomical observatories and we rediscover the significance of medieval Europe--long overlooked--where, surprisingly, religious institutions ensured science's survival, as the learning preserved in monasteries was subsequently developed in new and unique institutions: universities. Instead of focussing on esoteric experiments and abstract theories, she explains how science belongs to the practical world of war, politics, and business. And rather than glorifying scientists as idealized heroes, she tells true stories about real people--men (and some women) who needed to earn their living, who made mistakes, and who trampled down their rivals.

    In late 2017, scientists at a Hawaiian observatory glimpsed an object soaring through our inner solar system, moving so quickly that it could only have come from another star. Avi Loeb, Harvard’s top astronomer, showed it was not an asteroid; it was moving too fast along a strange orbit, and left no trail of gas or debris in its wake. There was only one conceivable explanation: the object was a piece of advanced technology created by a distant alien civilization.   In Extraterrestrial, Loeb takes readers inside the thrilling story of the first interstellar visitor to be spotted in our solar system. He outlines his controversial theory and its profound implications: for science, for religion, and for the future of our species and our planet. A mind-bending journey through the furthest reaches of science, space-time, and the human imagination, Extraterrestrial challenges readers to aim for the stars—and to think critically about what’s out there, no matter how strange it seems.

    

    Meet a man who can pull two railroad passenger cars with his teeth and a real-life human cannon ball. Come face to face with a dead rattlesnake that still bites. And unlock the secrets of a magician's bodiless head. Welcome to this updated edition of The Flying Circus of Physics, where death-defying stunts, high-flying acrobatics, strange curiosities, and mind-bending illusions bring to life the fascinating feats of physics in the world around us. In 1977, Wiley published the first edition of Jearl Walker's The Flying Circus of Physics, which has sold over 100,000 copies and become a cult classic in the physics community. The Flying Circus is a compendium of interesting real world phenomena that can be explained using basic laws of physics. This new edition represents a thorough updating and modernization of the book. The new edition gives us the opportunity to highlight Jearl's creativity, his communication skills, and his ability to make physics interesting.Jearl Walker, Ph.D., professor of physics at Cleveland State University and the man who frequently walked on hot coals and lay on beds of nails all in the name of science, is the first recipient of the Outstanding Teaching Award from Cleveland State's College of Science. The College's Faculty Affairs Committee selected Dr. Walker as the first honoree based on his impressive contributions to science teaching over the last 30 years. In fact, the award in future years will be named the Jearl Walker Outstanding Teaching Award in recognition of his many achievements.Jearl Walker received his B.S. in physics from MIT in 1967 and his Ph.D. in physics from the University of Maryland in 1973. His popular book, The Flying Circus of Physics, has been translated into at least 10 languages and is still being sold worldwide. For 16 years he toured his fun-filled Flying Circus lecture throughout the U.S. and Canada, introducing countless teachers to such physics phenomena as molecular adhesion by hanging spoons from his face and Leidenfrost's phenomenon by dipping his wet hand in molten lead without getting hurt.These lectures led to his national PBS television show, Kinetic Karnival, which ran for several years and won him a local Emmy Award. During his 13 years as a columnist with Scientific American magazine, Dr. Walker wrote 152 articles for The Amateur Scientist section, which were translated into at least 9 languages worldwide. His topics ranged from the physics of judo to the physics of bearnaise sauce and lemon meringue pie. In 1990, he took over the textbook Fundamentals of Physics from David Halliday and Robert Resnick and has now published the seventh edition of the book. He has appeared countless times on television and radio and in newspapers and magazines.

    When the boy's eyes were healed they removed the bandages and, waving a hand in front of the child's physically perfect eyes, asked him what he saw. "I don't know," was his only reply. What he saw was only a varying brightness in front of him. However, when allowed to touch the hand as it began to move, he cried out in a voice of triumph, "It's moving!" He could feel it move, but he still needed laboriously to learn to see it move. Light and eyes were not enough to grant him sight. How, then, do we see? What's the difference between seeing and perception? What is light?From ancient times to the present, from philosophers to quantum physicists, nothing has so perplexed, so fascinated, so captivated the mind as the elusive definition of light. In Catching the Light, Arthur Zajonc takes us on an epic journey into history, tracing how humans have endeavored to understand the phenomenon of light. Blending mythology, religion, science, literature, and painting, Zajonc reveals in poetic detail the human struggle to identify the vital connection between the outer light of nature and the inner light of the human spirit. He explains the curiousness of the Greeks' blue and green "color blindness": Odysseus gazing longingly at the "wine-dark sea"; the use of chloros (green) as the color of honey in Homer's Odessey; and Euripides' use of the color green to describe the hue of tears and blood. He demonstrates the complexity of perception through the work of Paul Cézanne--the artist standing on the bank of a river, painting the same scene over and over again, the motifs multiplying before his eyes. And Zajonc goes on to show how our quest for an understanding of light, as well as the conclusions we draw, reveals as much about the nature of our own psyche as it does about the nature of light itself. For the ancient Egyptians the nature of light was clear--it simply was the gaze of God. In the hands of the ancient Greeks, light had become the luminous inner fire whose ethereal effluence brought sight. In our contemporary world of modern quantum physics, science plays the greatest part in our theories of light's origin--from scientific perspectives such as Sir Isaac Newton's "corpuscular theory of light" and Michael Faraday's "lines of force" to such revolutionary ideas as Max Planck's "discrete motion of a pendulum" (the basis of quantum mechanics), Albert Einstein's "particles of light" and "theory of relativity," and Niels Bohr's "quantum jumps." Yet the metaphysical aspects of the scientific search, Zajonc shows, still loom large. For the physicist Richard Feynman, a quantum particle travels all paths, eventually distilling to one path whose action is least--the most beautiful path of all. Whatever light is, here is where we will find it.With rare clarity and unmatched lyricism, Zajonc illuminates the profound implications of the relationships between the multifaceted strands of human experience and scientific endeavor. A fascinating search into our deepest scientific mystery, Catching the Light is a brilliant synthesis

    Written by two of the world’s foremost authorities on space history, Hubble: Imaging Space and Time illuminates the solar system’s workings, the expansion of the universe, the birth and death of stars, the formation of planetary nebulae, the dynamics of galaxies, and the mysterious force known as "dark energy." The potential impact of this book cannot be overstressed: The 2008 servicing mission to install new high-powered scientific instruments is especially high profile because the cancellation of the previous mission, in 2004, caused widespread controversy. The authors reveal the inside story of Hubble’s beginnings, its controversial early days, the drama of its first servicing missions, and the creation of the dynamic images that reach into the deepest regions of visible space, close to the time when the universe began. A wealth of astonishing images leads us to the very edge of known space, setting the stage for the new James Webb Space Telescope, scheduled to launch in 2013. Find the stunning panoramic of Carina Nebula, detailing star birth as never before; a jet from a black hole in one galaxy striking a neighboring galaxy; a jewel-like collection of galaxies from the early years of the universe; and a giant galaxy cannibalizing a smaller galaxy. Timed for the 2008 shuttle launch and coinciding with the 400th anniversary of Galileo’s first telescope, Hubble: Imaging Space and Time accompanies a high-profile exhibit at the National Air and Space Museum and will be featured on the popular NASM website.

    Waugh looks at every aspect of time - from the Big Bang, through clock time and calendars to the end of time. Drawing on Waugh's polymathic knowledge of art, music, literature, science and social history, this is a hugely entertaining examination of the big questions about time: how were seconds, minutes and hours agreed; how were the various calendars arrived at and why are there twelve months in a year and seven days in a week?

    "A gem…An unforgettable account of one of the great moments in the history of human thought." —Steven PinkerProbing the life and work of Kurt Gödel, Incompleteness indelibly portrays the tortured genius whose vision rocked the stability of mathematical reasoning—and brought him to the edge of madness.

    

    It far surpasses any previous explanation of Relativity for laypersons.

    Delving into an immense range of topics, from philosophy and literature to social criticism to mathematics and science, with essays that date from 1930s to the 1990s, Martin Gardner has astounded readers with his insight and erudition. The Night Is Large is the crowning achievement of his extraordinary career.

    Using his own research and experiences throughout the world, Lieberman recounts without jargon how and why humans evolved to walk, run, dig, and do other necessary and rewarding physical activities while avoiding needless exertion.Exercised is entertaining and enlightening but also constructive. As our increasingly sedentary lifestyles have contributed to skyrocketing rates of obesity and diseases such as diabetes, Lieberman audaciously argues that to become more active we need to do more than medicalize and commodify exercise.Drawing on insights from evolutionary biology and anthropology, Lieberman suggests how we can make exercise more enjoyable, rather than shaming and blaming people for avoiding it. He also tackles the question of whether you can exercise too much, even as he explains why exercise can reduce our vulnerability to the diseases mostly likely to make us sick and kill us.