This collection of poetry showcases the unique talent of James Schuyler and highlights the writing that won him a Pulitzer Prize.

     La Brava, Cat Chaser, and Split Images received rave reviews and make it clear why this New York Times bestselling author has been hailed coast to coast as the hottest thriller writer of our time.

    

    Since then, five volumes of Edmund Wilson's diaries have been published, as well as a volume of Nabokov's correspondence with other people and Brian Boyd's definitive two-volume biography of Nabokov. The additional letters and a considerable body of new annotations clarify the correspondence, tracing in greater detail the two decades of close friendship between the writers.

    Shenon uncovers startling new information about the inner workings of the 9/11 Commission & its relationship with the Bush White House. The Commission will change the understanding of the 9/11 investigation & of the attacks themselves.

    In these poems written since publication of his Collected Shorter Poems, 1946-1991, which won the National Book Critics Circle Award, he speaks with intimate and urgent clarity of love late in life, and in heartrending poems addresses his daughter's struggle against cancer. In others he engages the loves, friendships, and social concerns of a lifetime. With passion and pathos and great good humor, in poems that could only be written by a mature poet at the height of his powers, Carruth achieves a nobility of vision that is rare in any age.

    "Complete Novels" gathers all of Welty's longer fiction, from "The Robber Bridegroom" (1942) to her Pulitzer Prize-winning "The Optimist's Daughter" (1972).

    Lawrence Wright's remarkable book is based on five years of research and hundreds of interviews that he conducted in Egypt, Saudi Arabia, Pakistan, Afghanistan, Sudan, England, France, Germany, Spain, and the United States.The Looming Tower achieves an unprecedented level of intimacy and insight by telling the story through the interweaving lives of four men: the two leaders of al-Qaeda, Osama bin Laden and Ayman al-Zawahiri; the FBI's counterterrorism chief, John O'Neill; and the former head of Saudi intelligence, Prince Turki al-Faisal.As these lives unfold, we see revealed: the crosscurrents of modern Islam that helped to radicalize Zawahiri and bin Laden . . . the birth of al-Qaeda and its unsteady development into an organization capable of the American embassy bombings in Kenya and Tanzania and the attack on the USS Cole . . . O'Neill's heroic efforts to track al-Qaeda before 9/11, and his tragic death in the World Trade towers . . . Prince Turki's transformation from bin Laden's ally to his enemy . . . the failures of the FBI, CIA, and NSA to share intelligence that might have prevented the 9/11 attacks.The Looming Tower broadens and deepens our knowledge of these signal events by taking us behind the scenes. Here is Sayyid Qutb, founder of the modern Islamist movement, lonely and despairing as he meets Western culture up close in 1940s America; the privileged childhoods of bin Laden and Zawahiri; family life in the al-Qaeda compounds of Sudan and Afghanistan; O'Neill's high-wire act in balancing his all-consuming career with his equally entangling personal life--he was living with three women, each of them unaware of the others' existence--and the nitty-gritty of turf battles among U.S. intelligence agencies.Brilliantly conceived and written, The Looming Tower draws all elements of the story into a galvanizing narrative that adds immeasurably to our understanding of how we arrived at September 11, 2001. The richness of its new information, and the depth of its perceptions, can help us deal more wisely and effectively with the continuing terrorist threat.

    Included here is Crown-Fire, Country Full of Swedes, The Windfall, Horse Thief, Yellow Girl and Kneel to the Rising Sun.

    Given full access to the Agency’s archives, he produced a vivid insider’s account, intended as a training manual for covert operators, detailing how the C.I.A. chose targets, planned strategies, and organized the mechanics of waging a secret war. In 1997, during a brief period of open disclosure, the C.I.A. declassified the history with remarkably few substantive deletions. The New York Times called it “an astonishingly frank account . . . which may be a high-water mark in the agency’s openness.” Here is that account, with new notes by the author which clarify points in the history and add newly available information.In the Cold War atmosphere of 1954, the U.S. State Department (under John Foster Dulles) and the C.I.A. (under his brother Allen Dulles) regarded Guatemala’s democratically elected leftist government as a Soviet beachhead in the Western Hemisphere. At the C.I.A.’s direction, the government was overthrown and replaced by a military dictatorship installed by the Agency. This book tells, for the first time, how a disaster-prone operation—marked by bad planning, poor security, and incompetent execution—was raised to legendary status by its almost accidental triumph.This early C.I.A. covert operation delighted both President Dwight D. Eisenhower and the Dulles brothers, and Allen Dulles concluded that the apparent success in Guatemala, despite a long series of blunders, made the venture a sound model for future operations. This book reveals how the legend of PBSUCCESS grew, and why attempts to imitate it failed so disastrously at the Bay of Pigs in 1961 and in the Contra war in the 1980’s. The Afterword traces the effects of the coup of 1954 on the subsequent unstable politics and often violent history of Guatemala.

    The only question is whose conspiracy it was. According to the government, the conspiracy involved about nineteen suicidal Middle Eastern Muslim terrorists, their hearts full of hatred for American freedom and democracy, who hijacked four airliners, crashing two into the Twin Towers of New York City's World Trade Center and a third into the Pentagon, near Washington, DC. The fourth airliner reportedly crashed in western Pennsylvania after passengers attempted to overcome the hijackers. To add insult to injury, this whole incredible Mission Impossible operation, which defeated a fortybilliondollar defense system, was under the total control of a devout Muslim cleric using a computer while hiding in a cave in Afghanistan.Primarily using mainstream media and government reports, Marrs has crafted the definitive journalistic account exposing the likely complicity of the Bush administration in the 9/11 attacks, providing a history of the overt and covert causes of the events. However, his analysis goes far beyond 9/11, enabling us to understand the motivation behind American foreign policy, with the wars in Afghanistan and Iraq as primary examples of the US government's secret agenda.

    The Way It Is: New and Selected Poems gathers unpublished works from his last year, including the poem he wrote the day he died, as well as an essential and wide-ranging selection of works from throughout his career. An editorial team including his son Kim Stafford, the poet Naomi Shihab Nye, and the poet, translator, and author Robert Bly collaborated on shaping this book of Stafford's pioneering career in modern poetry. The poems in The Way It Is encompass Stafford's rugged domesticity, the political edge of his irony, and his brave starings-off into emptiness.

    Johnson have been unsealed. They are examined in Michael R. Beschloss's Taking Charge: The Johnson White House Tapes, 1963-1964.The only president to record his private conversations from his first day in office, LBJ ordered the tapes to be locked in a vault until at least the year 2023. But that request has been preempted and the tapes unsealed, providing a close-up look at a president taking power in a way we have never seen before, beginning with John F. Kennedy's murder in November 1963 and continuing through Johnson's campaign for a landslide victory. In Taking Charge, Beschloss, whom Newsweek has called "America's leading presidential historian," has transcribed and annotated the secretly recorded tapes, providing historical commentary that allows us to understand fully the people, crises, and controversies that appear on them. Significant events and revelations chronicled in Taking Charge include the aftermath of the Kennedy assassination, including Johnson's conversations with FBI director J. Edgar Hoover about the killing. Although he publicly endorsed the Warren Commission's lone-gunman findings, LBJ privately suspected that President Kennedy was killed by a conspiracy, probably backed by Fidel Castro. As early as the spring of 1964, while he prepared for possible military action in Southeast Asia, LBJ privately expressed doubts that the United States could ever win a land war in Vietnam. Johnson feared, after signing the Civil Rights Act, that blacks, inspired by Communists and the man he called "Muslim X" (Malcolm X), might riot and bring about a national white backlash against civil rights. The Johnson White House tapes provide us with an intimate look at Johnson's complex, changing relationships with Lady Bird and the rest of his family, Jacqueline Kennedy, ex-Presidents Truman and Eisenhower, and members of the White House staff. Taking Charge is not only a unique exploration of a momentous presidency but also a highly personal look at the private man who took office after an American tragedy and led the nation into some of its most tumultuous years.

    His use of it gives him yet another chance to say things never said before in prose or in verse and, as well, to bring new life to a form in which Donne talked to Death, Shelley to the West Wind, Whitman to the Earth, Pound to his Songs, O'Hara to the Sun at Fire Island.  Koch, in this new book, talks to things important in his life -- to Breath, to World War Two, to Orgasms, to the French Language, to Jewishness, to Psychoanalysis, to Sleep, to his Heart, to Friendship, to High Spirits, to his Twenties, to the Unknown. He makes of all these "new addresses" an exhilarating autobiography of a most surprising and unforeseeable kind.From the Hardcover edition.

    tight binding. No marks on pages.