He had a 4.0 GPA, friends he could trust, and a girl he loved. Now he spends his days smoked out, not so much living as simply existing.But his herbal endeavors—and personal demons—have lead to a severe lack of motivation. Steve's flunking out, but if he writes a one-hundred-page paper, he can graduate.Steve realizes he must write what he knows. And through telling the story of how he got to where he is, he discovers exactly where he wants to be. . . .

    Seniors take your lunch money. Girls you’ve known forever are suddenly beautiful and unattainable. And you can never get enough sleep. Could there be a worse time for Scott’s mother to announce she’s pregnant? Scott decides high school would be a lot less overwhelming if it came with a survival manual, so he begins to write down tips for his new sibling. Meanwhile, he’s trying his best to capture the attention of Julia, the freshman goddess. In the process, Scott manages to become involved in nearly everything the school has to offer. So while he tries to find his place in the confusing world of high school, win Julia’s heart, and keep his sanity, Scott will be recording all the details for his sibling’s—and your—enjoyment. Read the companion novel, Sophomores and Other Oxymorons, coming August 18, 2015!

    Twelve years later, he’s still haunted by his rage-filled youth—which the entire world got to watch from every imaginable angle—and his anger issues have resulted in violent outbursts, zero friends, and clueless adults dumping him in the special education room at school.Nothing is ever going to change. No one cares that he’s tried to learn to control himself, and the girl he likes has no idea who he really is. Everyone’s just waiting for him to snap…and he’s starting to feel dangerously close to doing just that.In this fearless portrayal of a boy on the edge, highly acclaimed Printz Honor author A.S. King explores the desperate reality of a former child “star” who finally breaks free of his anger by creating possibilities he never knew he deserved.

    His girlfriend has dumped him to hook up with his best friend. He has no money and no job. His parents insist that he drive his great-uncle Lester to his bridge club four times a week and be his cardturner—whatever that means. Alton’s uncle is old, blind, very sick, and very rich. But Alton’s parents aren’t the only ones trying to worm their way into Lester Trapp’s good graces. They’re in competition with his longtime housekeeper, his alluring young nurse, and the crazy Castaneda family, who seem to have a mysterious influence over him. Alton soon finds himself intrigued by his uncle, by the game of bridge, and especially by the pretty and shy Toni Castaneda. As the summer goes on, he struggles to figure out what it all means, and ultimately to figure out the meaning of his own life. Through Alton’s wry observations, Louis Sachar explores the disparity between what you know and what you think you know. With his incomparable flair and inventiveness, he examines the elusive differences between perception and reality—and inspires readers to think and think again.

    Up until now, Hannah has happily devoted her entire life to ballet.But when she meets a handsome musician named Jacob, Hannah's universe begins to change, and she must decide if she wants to compete against the other "bunheads" in the company for a star soloist spot or strike out on her own in the real world. Does she dare give up the gilded confines of the ballet for the freedoms of everyday life?

    I’ll tell her, okay? Just let me think about the best way to do it.""Okay.""Promise me? Promise you won’t say anything?""Don’t worry.” I laughed. “It’s our secret, right?"According to Anna’s best friend, Frankie, twenty days in Zanzibar Bay is the perfect opportunity to have a summer fling, and if they meet one boy every day, there’s a pretty good chance Anna will find her first summer romance. Anna lightheartedly agrees to the game, but there’s something she hasn’t told Frankie–she’s already had her romance, and it was with Frankie’s older brother, Matt, just before his tragic death one year ago.TWENTY BOY SUMMER explores what it truly means to love someone, what it means to grieve, and ultimately, how to make the most of every beautiful moment life has to offer.

    And when it comes to girls named Katherine, Colin is always getting dumped. Nineteen times, to be exact.On a road trip miles from home, this anagram-happy, washed-up child prodigy has ten thousand dollars in his pocket, a bloodthirsty feral hog on his trail, and an overweight, Judge Judy-loving best friend riding shotgun--but no Katherines. Colin is on a mission to prove The Theorem of Underlying Katherine Predictability, which he hopes will predict the future of any relationship, avenge Dumpees everywhere, and finally win him the girl.Love, friendship, and a dead Austro-Hungarian archduke add up to surprising and heart-changing conclusions in this ingeniously layered comic novel about reinventing oneself.

    If given the opportunity, what sixteen-year-old wouldn't jump at the chance to move in with a friend and live parent-free? Although maybe "opportunity" isn't the right word, since April had to tell her dad a tiny little untruth to make it happen (see #1: "Lied to Our Parents"). But she and her housemate Vi are totally responsible and able to take care of themselves. How they ended up "Skipping School" (#3), "Throwing a Crazy Party" (#8), "Buying a Hot Tub" (#4), and, um, "Harboring a Fugitive" (#7) at all is kind of a mystery to them. In this hilarious and bittersweet tale, Sarah Mlynowski mines the heart and mind of a girl on her own for the first time. To get through the year, April will have to juggle a love triangle, learn to do her own laundry, and accept that her carefully constructed world just might be falling apart . . . one thing-she-shouldn't-have-done at a time.

    A teenage mother who never knew she was pregnant . . . Before That Morning, these were the words most often used to describe straight-A student and star soccer player Devon Davenport: responsible, hardworking, mature. But all that changes when the police find Devon home sick from school as they investigate the case of an abandoned baby. Soon the connection is made. Devon has just given birth; the baby in the trash is hers. After That Morning, there's only one way to define Devon: attempted murderer.And yet gifted author Amy Efaw does the impossible. She turns Devon into an empathetic character, a girl who was in such deep denial that she refused to believe she was pregnant. Through airtight writing and fast-paced, gripping storytelling, Ms. Efaw takes the reader on Devon's unforgettable journey toward clarity, acceptance, and redemption.

    Yet, despite his efforts to blend into the background, he finds himself falling for the quintessential “It” girl, Vanessa Sheller, girlfriend of Irving’s most popular boy. To Tim's surprise, Vanessa is into him, too, but she can kiss her social status goodbye if anyone ever finds out. Tim and Vanessa begin a clandestine romance, but looming over them is the Tragedy Paper, Irving’s version of a senior year thesis, assigned by the school’s least forgiving teacher. Jumping between viewpoints of the love-struck Tim and Duncan, a current senior about to uncover the truth of Tim and Vanessa, The Tragedy Paper is a compelling tale of forbidden love and the lengths people will go to keep their love.

    The year she emerged from her older sister’s shadow—and Kiera, who became a best-selling graphic novelist before she even graduated from high school, casts a long one. But it hasn’t worked out that way, not quite. So Normandy turns to her art and writing, and the “truth commission” she and her friends have started to find out the secrets at their school. It’s a great idea, as far as it goes—until it leads straight back to Kiera, who has been hiding some pretty serious truths of her own. Susan Juby’s The Truth Commission: A story about easy truths, hard truths, and those things best left unsaid.

    It’s Violet’s junior year at the Westfield School. She thought she’d be focusing on getting straight As, editing the lit mag, and figuring out how to talk to boys without choking on her own saliva. Instead, she’s just trying to hold it together in the face of cutthroat academics, her crush’s new girlfriend, and the sense that things are going irreversibly wrong with her best friend, Katie. When Katie starts making choices that Violet can’t even begin to fathom, Violet has no idea how to set things right between them. Westfield girls are trained for success—but how can Violet keep her junior year from being one huge, epic failure?

    The bad news is that they don't have a pool. The good news is that only one of them can swim anyway. A group of misfits brought together by T. J. Jones (the J is redundant), the Cutter All Night Mermen struggle to find their places in a school that has no place for them. T.J. is convinced that a varsity letter jacket exclusive, revered, the symbol (as far as T.J. is concerned) of all that is screwed up at Cutter High will also be an effective tool. He's right. He's also wrong. Still, it's always the quest that counts. And the bus on which the Mermen travel to swim meets soon becomes the space where they gradually allow themselves to talk, to fit, to grow. Together they'll fight for dignity in a world where tragedy and comedy dance side by side, where a moment's inattention can bring lifelong heartache, and where true acceptance is the only prescription for what ails us.

    Her parents are second-generation hippies who uproot her every year or so to move to a new city. When Maggie was younger, she thought it was fun and adventurous. Now that she’s a teenager, she hates it. When she moved after her freshman year, she left behind good friends, a great school, and a real feeling of belonging. When she moved her sophomore year, she left behind a boyfriend, too. Now that they’ve moved to Austin, she knows better. She’s not going to make friends. She’s not going to fit in. Anything to prevent her from liking this new place and them from liking her. Only . . . things don’t go exactly as planned.

    Aphrodite, as she calls herself when writing the relationship column for her school paper-is accused of knowing nothing about guys and giving girls bad relationship advice, she decides to investigate what guys really think and want. But the guys in her class won't give her straight or serious answers. The only solution? Disguising herself as a guy and spending a week at Underwood Academy, the private all-boy boarding school in town. There she learns a lot about guys and girls in ways she never expected-especially when she falls for her dreamy roommate, Emilio. How can she show him she likes him without blowing her cover?