At eight, still too small to mount her horse unaided, she was galloping miles, alone, across Coorain, her parents' thirty thousand windswept, drought-haunted acres in the Australian outback, doing a "man's job" of helping herd the sheep because World War II had taken away the able-bodied men. She loved (and makes us see and feel) the vast unpeopled landscape, beautiful and hostile, whose uncertain weathers tormented the sheep ranchers with conflicting promises of riches and inescapable disaster. She adored (and makes us know) her large-visioned father and her strong, radiant mother, who had gone willingly with him into a pioneering life of loneliness and bone-breaking toil, who seemed miraculously to succeed in creating a warmly sheltering home in the harsh outback, and who, upon her husband's sudden death when Jill was ten, began to slide—bereft of the partnership of work and love that had so utterly fulfilled her—into depression and dependency.We see Jill, staggered by the loss of her father, catapulted to what seemed another planet—the suburban Sydney of the 1950s and its crowded, noisy, cliquish school life. Then the heady excitement of the University, but with it a yet more demanding course of lessons—Jill embracing new ideas, new possibilities, while at the same time trying to be mother to her mother and resenting it, escaping into drink, pulling herself back, striking a balance. We see her slowly gaining strength, coming into her own emotionally and intellectually and beginning the joyous love affair that gave wings to her newfound self.Worlds away from Coorain, in America, Jill Conway became a historian and the first woman president of Smith College. Her story of Coorain and the road from Coorain startles by its passion and evocative power, by its understanding of the ways in which a total, deep-rooted commitment to place—or to a dream—can at once liberate and imprison. It is a story of childhood as both Eden and anguish, and of growing up as a journey toward the difficult life of the free.

    Dulcie Bodsworth was the unlikeliest serial killer. She was loved everywhere she went, and the townsfolk of Wilcannia, which she called home in the late 1950s, thought of her as kind and caring. The officers at the local police station found Dulcie witty and charming, and looked forward to the scones and cakes she generously baked and delivered for their morning tea.That was one side of her. Only her daughter Hazel saw the real Dulcie. And what she saw terrified her.Dulcie was in fact a cold, calculating killer who, by 1958, had put three men in their graves - one of them the father of her four children, Ted Baron - in one of the most infamous periods of the state's history. She would have got away with it all had it not been for Hazel.Written by award-winning journalist Janet Fife-Yeomans together with Hazel Baron, My Mother, A Serial Killer is both an evocative insight into the harshness of life on the fringes of Australian society in the 1950s, and a chilling story of a murderous mother and the courageous daughter who testified against her and put her in jail.

    It felt like it did not count. Like we were unfinished. Incomplete. There was always a gap at the table, room to set places for others. Visitors were few and far between. Mostly, there was only me.Only is a memoir of an unconventional childhood that explores what it means to be an Only Child -- as both child and adult. Also what it means to be the daughter of two people damaged by trauma and tragedy, particularly a domineering and explosive father. Secrets are revealed and differences settled.Caroline Baum's moving and gripping memoir is for everyone who has felt they are the fulcrum of a seesaw, the focus of all eyes and expectations, torn between love and fear, obedience and rebellion, duty and the longing to escape. It is also for anyone who has felt the burden of trying to be a Good Daughter -- what that means and why it is so hard. Revelatory, lyrical and unflinching.‘With a glamorous mother and a successful father, Caroline Baum’s prosperous childhood seems like the epitome of privilege. Yet below the shimmering surface, rolling currents from scarred pasts buffet her girlhood, creating dislocations that resonate into adulthood. This beautifully rendered, searingly honest account becomes, in the end, a testimony to the enduring power of love, no matter how imperfectly enacted or expressed.’ GERALDINE BROOKS, author of The Secret Chord

    When Stephanie Wood meets a sweet man who owns a farm and property, she embarks on an exhilarating romance with him. He seems compassionate, truthful and loving. He talks about the future with her. She falls in love. She also becomes increasingly beset by anxiety at the lavish three-act plays he offers her in the form of excuses for frequent cancellations and no-shows. She begins to wonder, who is this man?When she ends the relationship Stephanie switches back on her journalistic nous and uncovers a story of mind-boggling duplicity and manipulation. She also finds she is not alone; that the world is full of smart, sassy women who have suffered at the hands of liars, cheats, narcissists, fantasists and phonies, men who are enormously skilled at deception.In this brilliantly acute and broad-ranging book, Wood, an award-winning writer and journalist, has written a riveting, important account of contemporary love, and the resilience of those who have witnessed its darkest sides.

    You know, again.

    It is the inside account of the hopes, achievements and bitter failures of the Labor Government from 2007 to 2013. Kevin Rudd and Julia Gillard came together to defeat John Howard, formed a brilliant partnership and raised the hopes of the nation. Yet they fell into tension and then hostility under the pressures of politics and policy. Veteran journalist Paul Kelly probes the dynamics of the Rudd–Gillard partnership and dissects what tore them apart. He tells the full story of Julia Gillard’s tragedy as our first female prime minister - her character, Rudd’s destabilisation, the carbon tax saga and how Gillard was finally pulled down on the eve of the 2013 election. Kelly documents the most misunderstood event in these years - the rise of Tony Abbott and the reason for his success. It was Abbott’s performance that denied Rudd and Gillard the chance to recover. Labor misjudged Abbott and paid the price. Kelly writes with a keen eye and fearless determination. His central theme is that Australian politics has entered a crisis of the system that, unless corrected, will diminish the lives of all Australians.

    A disciplined student with the School of the Paris Opera Ballet, Paloma lets little get in the way of her career until she receives a visit from an otherworldly being who leaves her with a pair of golden earrings.Sensing that she has been given a quest, Paloma begins exploring her own Spanish heritage and makes the connection between the visitor and ‘la Rusa’, a woman who rose from poverty to become one of the great flamenco dancers of modern times.La Rusa died while living in Paris in 1952. Her death was ruled a suicide but as Paloma begins to unravel the secrets of the past, she discovers more than one person who had good reason for wanting la Rusa dead, including Paloma’s own grandmother. GOLDEN EARRINGS is a story that moves between two great cities: Barcelona in the lead up to the Civil War and Paris in the 1970s. It is the story of two women and the extremes to which they are willing to go for love. It is a story of great passions -- and great betrayals -- where nothing is quite as it seems.Praise for TUSCAN ROSE:‘Impeccable research into the terrible times of Mussolini’s Italy makes this story of sacrifice and salvation unforgettable’ WOMAN’S DAY

    Forced to take her life in a new direction when an injury ends her ballet career, Emma returns to her home in Australia and learns that she has inherited an isolated sheep station from a late grandmother who would impart key lessons about love and motherhood.

    Lucy Worsley takes us through the bedroom, bathroom, living room and kitchen, covering the architectural history of each room, but concentrating on what people actually did in bed, in the bath, at the table, and at the stove.

    Heartbroken, Ash suddenly finds herself living a double life - one week with her children, the next cohabiting with her happily single sister-in-law. Her friends think the modern custody solution is an exciting opportunity for her to spread her wings, but all Ash wants is her family back together.An offer to renovate a seaside cottage seems like the perfect distraction for Ash while waiting for Adrian to come to his senses. She's determined to fix her marriage as well as the cottage, but life gets even more complicated when she meets local fisherman Dan Emerson.Soon, each home-stay becomes more dysfunctional, while for the other week Ash enjoys the peaceful life of the beachside community. The more time Ash spends in Ragged Point, the more she questions what she really wants. Is a sea-change the fresh start she needs to move on?When tragedy calls Ash back to the city, she's torn between the needs of her family and her future. Can her family life fit in with a permanent move to the beach or could Ash's new-found independence attract Adrian back to the nest?

    It combines a brilliant overview of this immense conflict with telling detail, stories, letters and diaries that breathe life into those terrible battles of 90 years ago. In The Great War Carlyon has produced a masterpiece that takes the reader from the generals formulating strategy, to the troops fighting cold, filth and the terror of sudden death in their trenches.Written with the same narrative skill, humanity, vivid recreation and meticulous research that made Gallipoli a number one bestseller, Les Carlyon's astonishing new book is an epic that will stand as the lasting and definitive history of Australia's involvement in the Great War.

    Told through the fictional characterisation of Darug woman Muraging (Mary James), Benevolence is a compelling story of first contact. Born around 1813, Muraging is among the earliest Darug generations to experience the impact of British colonisation – a time of cataclysmic change and violence, but also remarkable survival and resistance.At an early age Muraging is given over to the Parramatta Native School by her Darug father. Fleeing the school in pursuit of love, she embarks on a journey of discovery and a search for a safe place to make her home. Spanning the years 1816–35, Benevolence is set around the Hawkesbury River area, the home of the Darug people, in Parramatta and Sydney.Julie Janson’s intensely visual prose interweaves historical events with detailed characterisation – she shatters stereotypes and gives voice to an Aboriginal experience of early-settlement.

    Stern, domineering, fiercely loving, Lotty Kneen—born Dragitsa—was always tight-lipped about her early life and family history. She rebuffed Krissy’s curiosity and forbade her from taking the trip back to the old country that might have satisfied it.When her grandmother died recently, Krissy finally felt at liberty to explore the questions that had nagged at her for so long. In The Three Burials of Lotty Kneen Krissy sets out with a box containing her grandmother’s ashes, intending to trace the old woman’s early life in Slovenia and Egypt, and perhaps locate some remnants of family. Along the way she uncovers the extraordinary story of the colony of Slovene women who became the nannies of choice for the wealthy Italians of pre-war Alexandria—and identifies as best she can the places where Lotty’s restless, demanding spirit will be at peace.

    Ruthie receives the news every woman dreads. Meanwhile, a wealthy landowner, Wally Oliver, appears on the local radio station, warning small farmers like Dimple and Ruthie that they are doomed, that the sooner they leave the land to large operators like him, the better. Bracing for a fight on all fronts, the couple decide to take a road trip to confront Oliver. Along the way, not only is their resolve tested, but their relationship as well.Desperate not to dwell on the past but to face up to the future, Dimple and Ruthie make a crucial decision they soon regret. And when the storm clouds finally roll in across the land they love, there’s more than the rain to contend with.Told with enormous heart, Small Mercies is a tender love story. It is a story of a couple who feel they must change to endure, and of the land that is as important as their presence on it.

    The women, most of them petty criminals, were destined for New South Wales to provide its hordes of lonely men with sexual favors as well as progeny. But the story of their voyage is even more incredible, and here it is expertly told by a historian with roots in the boatbuilding business and a true love of the sea.Siân Rees delved into court documents and firsthand accounts to extract the stories of these women's experiences on board a ship that both held them prisoner and offered them refuge from their oppressive existence in London. At the heart of the story is the passionate relationship between Sarah Whitelam, a convict, and the ship's steward, John Nicol, whose personal journals provided much of the material for this book. Along the way, Rees brings the vibrant, bawdy world of London -- and the sights, smells, and sounds of an eighteenth-century ship -- vividly to life. In the tradition of Nathaniel Philbrick's In the Heart of the Sea, this is a winning combination of dramatic high seas adventure and untold history.