The story that he tells, nearly 40 years later, is of his early days at home and in school, brought up in a strict mission household and conflicting with his father.

    

    Although he is best remembered for his revolutionary verses that decried tyranny and called for justice, his oeuvre also extended to scintillating, soulful poems of love. In this remarkable selection of Faiz’s most memorable poems and ghazals, readers will be able to experience a new dimension of the great poet’s genius. Along with popular favourites like ‘Subh-e Azadi’, with its anguished evocation of the horror and pain of the Partition, The Colours of My Heart also introduces readers to little-known gems that display Faiz’s extraordinary flair for tender hope and quiet longing. A rich cornucopia of delights, The Colours of My Heart celebrates Faiz’s greatest work. Baran Farooqi’s superb translation is accompanied by an illuminating introduction to Faiz’s incredible life and enduring legacy.

    In this novel, he tells of Obuechina, the only brother of six older sisters, prize pupil in the village school, apple of his doting mother's eye, eight years old and hopelessly spoilt. In a vain attempt to salvage his character, his father decides he must be sent away as a servant to a schoolmaster with a dragon of a wife. Obu goes - and comes back very different.

    0-935906-00-2$5.00 / Javan Press

    When he is angry, clouds darken. When he cries, rivers burst their banks. And when he touches a basketball, deities want courtside seats. Half Nigerian mortal, half Grecian God: Demi is the Half-God of Rainfall.His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows that Gods are just like men: the same fragile egos, the same subsequent fury, the same sense of entitlement to the bodies of mortals. The Gods will one day tire of sports fans, their fickle allegiances and their prayers to Demi.And when that moment comes, it won’t matter how special he is. Only the women in Demi’s life, the mothers, the Goddesses, will stand between him and a lightning bolt.

    By the author of Houseboy.

    With astonishing empathy and the effortless grace of a natural storyteller, Chimamanda Ngozi Adichie weaves together the lives of three characters swept up in the turbulence of the decade. Thirteen-year-old Ugwu is employed as a houseboy for a university professor full of revolutionary zeal. Olanna is the professor’s beautiful mistress, who has abandoned her life of privilege in Lagos for a dusty university town and the charisma of her new lover. And Richard is a shy young Englishman in thrall to Olanna’s twin sister, an enigmatic figure who refuses to belong to anyone. As Nigerian troops advance and the three must run for their lives, their ideals are severely tested, as are their loyalties to one another. Epic, ambitious, and triumphantly realized, Half of a Yellow Sun is a remarkable novel about moral responsibility, about the end of colonialism, about ethnic allegiances, about class and race—and the ways in which love can complicate them all. Adichie brilliantly evokes the promise and the devastating disappointments that marked this time and place, bringing us one of the most powerful, dramatic, and intensely emotional pictures of modern Africa that we have ever had.

    Other tellings can be found under "all editions," each credited to its respective storyteller.

    When Here was published in Poland, reviewers marveled, “How is it that she keeps getting better?” These twenty-seven poems, as rendered by prize-winning translators Clare Cavanagh and Stanislaw Baranczak, are among her greatest work. Whether writing about her teenage self, microscopic creatures, or the upsides to living on Earth, she remains a virtuoso of form, line, and thought. From the title poem: I can’t speak for elsewhere, but here on Earth we’ve got a fair supply of everything. Here we manufacture chairs and sorrows, scissors, tenderness, transistors, violins, teacups, dams, and quips . . . Like nowhere else, or almost nowhere, you’re given your own torso here, equipped with the accessories required for adding your own children to the rest. Not to mention arms, legs, and astonished head.

    "Black Sunlight" gives a similar cockroach-eye view of London.“I really tried to put terrorism into a historical perspective, neither applauding their acts nor condemning them. The photographer does not take sides; he just takes the press photographs.” In an unspecified setting the stream-of-consciousness narrative of this cult novel traces the fortunes of a group of anarchists in revolt against a military-fascist-capitalist opposition. The protagonist is photojournalist Chris, whose camera lens becomes the device through which the plot is cleverly unraveled. In Dambudzo Marechera’s second experimental novel, he parodies African nationalist and racial identifications as part of an argument that notions of an ‘essential African identity’ were often invoked to authorize a number of totalitarian regimes across Africa. Such irreverent, avant-garde literature was criticized upon publication in Zimbabwe in 1980, and Black Sunlight was banned on charges of ‘Euromodernism’ and as a challenge to the concept of nation-building in the newly independent country.

    One of the results of its publication in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it. The book quickly became an international best-seller.Dr. Yury Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poems he writes constitute some of the most beautiful writing featured in the novel.

    H. Auden (1907-73) came to prominence in the 1930s among a generation of outspoken poets that included his friends Louis MacNeice, Stephen Spender and C. Day Lewis. But he was also an intimate and lyrical poet of great originality, and a master craftsman of some of the most cherished and influential poems of the past century.Other volumes in this series: Betjemen, Eliot, Plath, Hughes and Yeats.

    The book was awarded the Eminescu Gold Medal' in 2000, when Eminescu was declared 'UNESCO-Year-2000-Poet-Of-The-Year'. The volume includes some the 'national' poet's time-honored gems like Luceafarul/The Evening Star, Glossa, Scrisoarea I / First Epistle Satire, Stelele-n Cer/Stars in the Sky, La Steaua/Onto the Star, among others.

    Truthful and magical, his poetry has captivated both Greek and foreign readers. Aptly described by Charlotte Du Cann as 'the unlocker of ancient stones and sea voyages', Seferis was for Peter Levi 'one of the greatest writers in this century in any language...From Seferis it was possible to learn...what seriousness about poetry is'.