Although early criticism of the text polarized around 'that' question - is it literature or pornography? - the influence of American critics such as Lionel Trilling quickly secured canonical status for the novel. A compelling aspect of Lolita criticism is the way in which that question continues to return in different forms. In the 1980s and 1990s, Lolita has been the subject of diverse critical attention, beyond 'Nabokov Studies': from Richard Rorty's philosophical inquiry into the ethics of cruelty, to Rachel Bowlby's feminist analysis of the rhetoric of consumer culture in the novel. All of the main critical approaches to the novel are covered by this indispensable sourcebook.

    Friar Tuck, Maid Marian, Little John and Will Scarlet are all part of his merry band of outlaws.

    [Penguin Readers Level 6]

    The tales collected here represent the essence of the storyteller’s art, with its ancient roots in fantastical legends and tales told around a fire. In Bedtime Stories, great writers of the past two centuries explore the boundaries between the real and the unreal, between waking and dreaming. From the surreal night visions of Nathaniel Hawthorne’s “Young Goodman Brown” to the unspeakable horror that haunts two little girls in A. S. Byatt’s “The Thing in the Forest,” from Washington Irving’s comical “The Legend of Sleepy Hollow” to Ursula K. LeGuin’s sly perspective on Sleeping Beauty in “The Poacher,” these spellbinding stories transform the stuff of fables and fairy tales into high art. Isak Dinesen, Vladimir Nabokov, Angela Carter, Julio Cortázar, Steven Millhauser, Neil Gaiman, Haruki Murakami, and many more mingle their voices in this one-volume gateway to dreams--the perfect bedside companion for fiction lovers everywhere.

    A highly readable and beautifully illustrated re-telling of the most famous stories from Greek mythology.

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    Drama and danger are ever present, and sadness is not far away.

    . . Burns is as good a writer about the South as you’re going to read for a long, long time.” —Atlanta Journal-Constitution A classic bestseller, Cold Sassy Tree is the story of Will Tweedy, a fourteen-year-old boy coming of age at the turn of the century in rural Georgia. His grandfather, a recent widower, inspires a whirlwind of gossip in their small town when he marries a woman half his age. Brimming with characters who are wise, unimpeachably pious, and deliciously irreverent, it is a resplendent treasure. The unfinished sequel, Leaving Cold Sassy, follows Will Tweedy into adulthood, as he grapples with the influences of the modern world on his cherished southern hometown. Olive Ann Burns (1924–1990) was born on a farm in Banks County, Georgia. She received a degree in journalism from the University of North Carolina at Chapel Hill and for ten years was on the Sunday magazine staff of the Atlanta Journal-Constitution. She turned to writing as a respite during treatment for cancer. Her first novel, Cold Sassy Tree, made her a best-selling author at age 60.

    Yeats laid the foundations for an Irish literary revival, drawing inspiration from his country's folklore, the occult, and Celtic philosophy. A writer of both poems and plays, he helped found Dublin's famed Abbey Theatre. The poems here provide an example of his life's work and artistry, beginning with verses such as "The Stolen Child" from his debut collection "Crossways "(written when he was 24) through "Why Should Not Old Men Be Mad?" from "On the Boiler," published a year prior to his death.

    Betrayal, adultery, disillusion, and moral compromise are all worked out in a setting evoked as both beautiful and treacherous. The Woodlanders, with its thematic portrayal of the role of social class, gender, and evolutionary survival, as well as its insights into the capacities and limitations of language, exhibits Hardy's acute awareness of his era's most troubling dilemmas.

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

    He has, however, been a disappointment to his family in several ways: In appearance he is insignificant looking both in face and figure; he went to the University of Florida instead of Harvard where his forbears had been mainstays of the varsity crew for generations, and he studied agriculture instead of pointing himself toward a career in banking, bonds, or law. To say the least he is not apparently the stuff from which heroes are fashioned.As an agricultural expert specializing in fruit farming, Arthur becomes a Peace Corps volunteer and is assigned to the Republic of San Marco in the Caribbean. This weak-chinned Don Quixote soon acquires his Sancho Panza in the person of a rascally eleven-year-old boy, Pepe, who makes a bargain to be paid 400 pesos each time he saves Arthur's life. (The payments mount alarmingly!)The island's dictator thinks he can use Arthur to obtain military supplies with which to wipe out the band of guerillas in the hills who oppose his corrupt dictatorship. Failing in this the dictator decides to murder Goodpasture and cause an international incident by blaming it on the guerillas. This, he reasons, will bring the U.S. in to help stamp out the rebels.This plan also backfires (with Pepe's help, of course) and Goodpasture is taken prisoner and when they see he is a harmless eccentric he is appointed chief cook for the guerillas. From then on Arthur's life becomes a series of misadventures through which he moves serenely and from which he generally emerges unscathed (again with Pepe's assistance) until he surprisingly finds himself the guerillas' leader.Following one of the funniest bloodless revolutions imaginable Arthur Peabody Goodpasture ends up as Arthur el Gavilan, the new dictator of San Marco. "His strength was as the strength of ten because his heart was pure."

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    Their story is one of hardship, violence, and cautious, heartbreaking attempts toward compassion. Lesley's fearless journey through his family history provides a remarkable portrait of hard living in the Western states, and confirms his place as one of the region's very best storytellers.

    It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle rages across three worlds - heaven, hell, and earth - as Satan and his band of rebel angels plot their revenge against God. At the center of the conflict are Adam and Eve, motivated by all too human temptations, but whose ultimate downfall is unyielding love.Marked by Milton's characteristic erudition is a work epic both in scale and, notoriously, in ambition. For nearly 350 years it has held generation upon generation of scholars, students and readers in rapt attention and its profound influence can be seen in almost every corner of Western culture.