There's never a dull moment as "The Children of Captain Grant" search the globe for their long-lost father and brother.

    Along the way, Wells considers such diverse subjects as the Neolithic era, the rise of Judaism, the Golden Age of Athens, the life of Christ, the rise of Islam, the discovery of America and the Industrial Revolution. Breathtaking in its scope and passionate in its intensity, this history remains one of the most readable of its kind.

    

    It offers a range of work from Lawrence's earliest surviving published story, 'A Prelude', to 'New Eve and Old Adam' written at the height of his early maturity in 1913. Each story in this edition appears in a new, authoritative text based on the manuscripts, typescripts, corrected proofs and early printings drawn from libraries and private collections in England, Italy and America. All the stories have thus been stripped of the layers of errors introduced by typists, editors and printers in their previous publication. John Worthen's introduction sets out the composition and publication history of each story, and gives a full account of the context in which it was created. A textual apparatus records all variant readings and explanatory notes explain allusions, dialect forms and foreign words.

    

    First, her friend Serena, the captain of the swim team, drowns mysteriously in the middle of a calm lake. Then, one year later, mountain lions are spotted rather frequently around Maya's home—and her reactions to them are somewhat . . . unexpected. It doesn't help that the new bad boy in town, Rafe, has a dangerous secret, and he's interested in one special part of Maya's anatomy—her paw-print birthmark.The Calling: Now Maya and her friends have been forced to flee from their homes during a forest fire they suspect was deliberately set. Then they're kidnapped, and after a chilling helicopter crash, they find themselves in the Vancouver Island wilderness with nothing but their extraordinary abilities to help them get back home.The Rising: All Maya and her friends have is the name and number of someone who might be able to give them a few answers. Answers to why they're so valuable, and why their supernatural powers are getting more and more out of control. But Maya is unprepared for the truths that await her. And like it or not, she'll have to face down some demons from her past if she ever hopes to move on with her life

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Next, the elusive gunman begins picking off other crooked politicians, sparking a blaze of theories--is the marksman a hero or a vigilante?A murderer returnsThe case explodes, and the FBI assigns agent Max Siegel to the investigation. As Alex and Siegel battle over jurisdiction, the murders continue. It becomes clear that they are the work of a professional who has detailed knowledge of his victims' movements--information that only a Washington insider could possess.Caught in a lethal cross fire As Alex contends with the sniper, Siegel, and the wedding, he receives a call from his deadliest adversary, Kyle Craig. The Mastermind is in D.C. and will not relent until he has eliminated Cross and his family for good. With a supercharged blend of action, deception, and suspense, Cross Fire is James Patterson's most visceral and exciting Alex Cross novel ever.

    Lewellyn Powys called it "the greatest work of prose of the greatest period of English prose-writing," while the celebrated surgeon William Osler declared it the greatest of medical treatises. And Dr. Johnson, Boswell reports, said it was the only book that he rose early in the morning to read with pleasure. In this surprisingly compact and elegant new edition, Burton's spectacular verbal labyrinth is sure to delight, instruct, and divert today's readers as much as it has those of the past four centuries.

    But instead of taking off with his fishing buddy, James put down his rod and surrendered. It was a move that would change his life forever. Expecting a small fine and a lecture, James instead received enough knowledge about fishing and the great outdoors to last a lifetime.The story of an unlikely friendship, Joe and Me is a book for those who remember the mentor in their life, the one who changed the way they look at the world.

    Battle --Mart Moody's bird dog (tall tale) / retold by Robert Bethke --Davy Crockett meets his match (tall tale) --Paul Bunyan's cornstalk (tall tale) / retold by Harold Courlander --Momma's store (autobiography extract) from I know why the caged bird sings / by Maya Angelou --Princess (short story) / by Nicholasa Mohr --The saddest day the summer had (short story) / by Dick Perry --Bloody murder (novel extract) from The original adventures of Hank the cowdog / by John R. Erickson --Wilson Rawls (biographical sketch).

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.