Features 32 lovely illustrations.

    Against the vivid, gritty backdrop of 1980s China, Lu Yao traces the proud and passionate Gao Jialin’s difficult path to professional, romantic, and personal fulfillment—or at least hard-won acceptance.With the emotional acuity and narrative mastery that secured his reputation as one of China’s great novelists, Lu Yao paints a vivid, emotional, and unsparing portrait of contemporary Chinese life, seen through the eyes of a working-class man who refuses to be broken.

    His great Canto XIII is about Kung (Confucius), Cantos LII-LXI deal with Chinese history, and in the later Cantos key motifs are often given in Chinese quotations with the characters set into the English text. His introduction to Chinese and Japanese literature was chiefly through Ernest Fenollosa whose translations and notes were given him by the scholar's widow in London about 1913. From these notebooks came, in time, the superb poems entitled Cathay and Pound's edition of Fenollosa's Chinese Written Character as a Medium for Poetry. But it was Confucius’ ethical and political teachings which most influenced Pound. And now, for the first time, his versions, with commentary, of three basic texts that he translated have been assembled in one volume: The Great Digest (Ta Hsio), first published in 1928; The Unwobbling Pivot (Chung Yung), 1947; and The Analects (Lun-yü), 1950. For the first two, the Chinese characters from the ancient "Stone Classics” are printed en face in our edition, with a note by Achilles Fang. Pound never wanted to be a literal translator. What he could do, as no other could, is to identify the essence, pick out "what matters now," and phrase it so pungently, so beautifully, that it will stick in the head and "make it new."

    Narayan. It is Wikipedia content only !Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: R. K. Narayan, Guide, Malgudi, Malgudi Days, Indian Thought Publications, Miss Malini. Excerpt: Guide is a 1965 Hindi film starring Dev Anand and Waheeda Rehman . It was directed by Vijay Anand , who also contributed with the screenplay. The film is based on the critically acclaimed novel, The Guide , by R. K. Narayan , and is widely considered to be one of the masterpieces of the Indian film industry . The film proved to be a box office hit upon release . This movie proved memorable for its award-winning performances by the lead actors and memorable music by S. D. Burman with songs like Din dhal jaye(by Rafi), kya se kya hogya etc.A 120-minute U.S. version was made with additional directing and writing. It was produced by Tad Danielewski . The film was screened at the Cannes Film Festival in 2007, 42 years after its release.Plot Dev Anand stars as Raju, a freelance guide, who earns his living by taking tourists to historic sites. The movies starts with Raju being released from jail, and then the story runs in flashback. One day, a wealthy and aging archaeologist Marco comes to the city with his young wife Rosie (Waheeda Rehman)the daughter of a courtesan. Marco wants to do some research on the caves outside the city and hires Raju as his guide. He discovers a new cave and ignores Rosie.While Marco devotes himself to the discovery of the cave, Raju takes Rosie on a tour and is captivated by her impetuous beauty. Raju learns about Rosie's background and how Rosie has achieved respectability as the wife of Marco but at a terrible cost. She has had to give up her passion of dancing since it is unacceptable to Marco. On returning to Udaipur, Rosie discovers that Marco is having an affair with a native tribal girl. Rosie is mad as hell at Marco, and with Raju encouraging her to live...

    Written in 1598 by Tang Xianzu, The Peony Pavilion is one of literature's most memorable love stories and a masterpiece of Ming drama. It's heroine, Bridal Du, is a cloistered girl who dreams of love, then dies pining for her dream suitor. Returning to earth in ghostly form, she is restored to life through the devotion of a young scholar. Cyril Birch has captured all the elegance, lyricism, and subtle, earthy humour of this panoramic tale of romance and Chinese society. When Indiana University Press first published the text in 1980, it seemed doubtful that the work would ever be performed in its entirety again, but several spectacular and controversial productions have toured the world in recent years. For this second edition, which contains a revised text of the translation, Cyril Birch and Catherine Swatek reflect upon contemporary performances of the play in light of a well-established tradition of stage interpretation in China and the sometimes heated politics of intercultural collaboration.

    Events in Fragrants Lotus' life twist and unfold in a series of witty and often wicked ironies, obliterating easy distinctions between kindness and cruelty, history and fable, forgery and authentic work. The novel's waggish narrator exists in the tension between judgement and description, wryly deflating his reader's certainties along the way. Written in 1985, The Three-Inch Golden Lotus is a deeply affecting, thoroughly enjoyable literary revelation.

    Since then, award-winning author Jia Pingwa’s vivid portrayal of contemporary China’s social and economic transformation has become a classic, viewed by critics and scholars of Chinese literature as one of the most important novels of the twentieth century. Howard Goldblatt’s deft translation now gives English-speaking readers their first chance to enjoy this masterpiece of social satire by one of China’s most provocative writers. While eroticism, exoticism, and esoteric minutiae—the “pornography” that earned the opprobrium of Chinese officials—pervade Ruined City, this tale of a famous contemporary writer’s sexual and legal imbroglios is an incisive portrait of politics and culture in a rapidly changing China. In a narrative that ranges from political allegory to parody, Jia Pingwa tracks his antihero Zhuang Zhidie through progressively more involved and inevitably disappointing sexual liaisons. Set in a modern metropolis rife with power politics, corruption, and capitalist schemes, the novel evokes an unrequited romantic longing for China’s premodern, rural past, even as unfolding events caution against the trap of nostalgia. Amid comedy and chaos, the author subtly injects his concerns about the place of intellectual seriousness, censorship, and artistic integrity in the changing conditions of Chinese society. Rich with detailed description and vivid imagery, Ruined City transports readers into a world abounding with the absurdities and harshness of modern life.

    She will discover the truth about her past, even if that means outwitting the most feared thief-catcher of them all...Relentless, handsome and determined, Han sees life—and love—as black and white. Until he finally captures the spirited, courageous Li Feng, who makes him question everything he thought he knew about right and wrong. Soon he's faced with an impossible choice: betray the elusive sword dancer he is learning to love, or trust his long-disregarded heart and follow her to dangerous, tempting rebellion...

    One weekend, Mark escapes to Moganshan, a dilapidated mountaintop village built by foreigners in the early 1900s as a summer retreat. Mark falls in love with the place and decides to restore one of the villas, as if he were in Tuscany or Provence.

    She knew she would be lonely, but will her new relationship with the Australian-British-German landscape architect bring her closer to this land she has chosen, will their love give her a home?A Lover's Discourse is an exploration of romantic love told through fragments of conversations between the two lovers. Playing with language and the cultural differences that her narrator encounters as she settles into life in a Britain still reeling from the Brexit vote, Xiaolu Guo shows us how this couple navigate these differences, and their romance, whether on their unmoored houseboat or in a cramped and stifling flat share in east London... Suffused with a wonderful sense of humour, this intimate and tender novel asks universal questions: what is the meaning of home when we've been uprooted? How can a man and woman be together? And how best to be a woman and a mother?

    A young poet named Liao Yiwu, who had up until then lead an apolitical bohemian existence, found his voice in that moment, and, like the solitary man who stood firmly in front of a line of tanks, Liao proclaimed his outrage—only his weapon would be his words. Liao's memoir, For a Song and a Hundred Songs, captures the four dehumanizing years he spent in jail for writing the incendiary poem "Massacre." Through the power and beauty of his prose, he reveals the brutal reality of crowded Chinese prisons—the harassment from guards and fellow prisoners, the torture, the conflicts among human beings in close confinement, and the boredom of everyday life. Hailed by Philip Gourevitch as "one of the most original and remarkable Chinese writers of our time," Liao presents a stark and devastating portrait of a nation in flux, exposing a side of China that outsiders rarely ever get to see. This honest account and witness to history will forever change the way you view the rising superpower of China.

    At a time when the country continues to transform at the speed of light, these generations of precious 'one and onlies' are burdened with expectation, yet have often been brought up without any sense of responsibility. Within their families, they are revered as 'little emperors' and 'suns', although such cosseting can come at a high price: isolation, confusion and an inability to deal with life's challenges.From the business man's son unable to pack his own suitcase, to the PhD student who pulled herself out of extreme rural poverty, Xinran shows how these generations embody the hopes and fears of a great nation at a time of unprecedented change. It is a time of fragmentation, heart-breaking and inspiring in equal measure, in which capitalism vies with communism, the city with the countryside and Western opportunity with Eastern tradition. Through the fascinating stories of these only children, we catch a startling glimpse of the emerging face of China.

    As a volunteer at a local orphanage, Bratt witnessed conditions that were unfathomable to a middle-class mother of two from South Carolina.Based on Bratt's diary of her four years at the orphanage, Silent Tears offers a searing account of young lives rendered disposable. In the face of an implacable system, Bratt found ways to work within (and around) the rules to make a better future for the children, whom she came to love. The book offers no easy answers. While often painful in its clear-sightedness, Silent Tears balances the sadness and struggles of life in the orphanage with moments of joy, optimism, faith, and victory. It is the story of hundreds of children and of one woman who never planned on becoming a hero but became one anyway.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Gianluca Brasolin, fluent in Italian, to tend the Italian ambassador, at the Summer Palace of Empress Dowager, where she meets and falls in love with Giacomo.Through voyage and adventure, their love intensifies, but soon is severed by Lian’s dutiful promise as the wife to another. Forbidden from pursuing her chosen profession as a healer, and despised because she does not have bound feet, she is forced to work in a cloisonné factory while her in-laws raise her daughter, Ya Chen. It is in Nushu, the women’s secret writing, that she chronicles her life and her hopes for the future.Rebelling against the life forced upon her, she empowers herself to act out against the injustice and becomes the master of her own destiny. But her quest for freedom comes at a costly price: The life of someone close to her, lost in a raging typhoon, a grueling journey to the Yun-kang Caves, and a desperate search for beauty and love in the midst of brutality.