Wow. Too much energy. Wow. Too much anticipation. WOW. It’s the new memoir from the biggest star in gaming: Dr Disrespect.Dr Disrespect is a 6-foot-8 freak of nature with a 37-inch vertical, the two-time, back-to-back 1993-94 Blockbuster Video Game Champion, and in his factual opinion, the most dominant international gaming superstar in the history of the world. It was just a matter of time before Western civilization came begging Doc to save literature by writing a memoir that reads like a vicious, muscular lion clawing his way through the rocks, roaring in anger and dominance. Here you will find his deepest, most intimate secrets. The untold history of his mysterious, legendary origins and his rise to unparalleled dominance. And most of all, you will find out what, exactly, Doc’s a doctor of. Are you ready for a book with the rhythm of a sleazy ’70s muscleman and the ruthlessness of a ’90s serial killer? A journey that stares down the long, dark alley of your fears and never looks back? Does your warrior’s heart yearn to reach the tippity top of the mountain just to realize you’re still only halfway up? If so, firm handshakes, Champion: Welcome to the salvation of literature.

    In between mail-outs and making cups of coffee she meets the formidable producer Thelma Holt. Within a fortnight Thelma has stolen her, cancelled her audition for RADA, sent her to evening classes to learn to type, organised a miniscule salary and renamed her. From that moment she becomes Sweetpea. Her days are spent in an eccentric office where Alan Rickman or Vanessa Redgrave might pop in at any moment. Evenings are filled with the adrenaline of an opening-night performance or the chatter of a smart restaurant where casting for the next production is discussed. Existing somewhere between glamour and penury, Sweetpea finds herself surrounded by dynamic personalities and struggling to trust her own creative instincts. Over the years her apprenticeship takes in unusual demands, misbehaving actors, divinely inspired directors and a hot-air balloon ride with British theatre's finest. GET ME THE URGENT BISCUITS is a keenly observed memoir about the vanishing world of London's West End in the 1980s and 1990s, in which a young woman is swept into the orbit of a theatrical impresario. Shrewd, poignant and irresistibly funny, above all it is a coming-of-age story about the search for independence and an ode to the beguiling nature of theatre.

    A. Salvatore expands his sweeping fantasy epic to include a new generation of heroes and villains. Picking up where the first three books leave off, this convenient eBook bundle contains the follow-up novel and sequel trilogy that round out the beloved series:  MORTALISASCENDANCETRANSCENDENCEIMMORTALIS  The long struggle is over at last. The demon is no more, its dark sorceries shattered by the gemstone magic wielded by the woman known as Pony. But victory did not come easily. Many lives were lost, including Pony’s lover, the elf-trained ranger Elbryan Wyndon, and their son. And despite the demon’s demise, the kingdom still seethes in a cauldron of plots and machinations. When a deadly sickness suddenly appears among the people of Corona, Pony must undertake a pilgrimage that will test her powers—and her faith—as never before.   But unknown to Pony, her child never died. Instead, he is secretly raised to be a weapon. Stolen away by the queen of the elves, the headstrong Aydrian shows great promise in the arts of combat, and he is as powerful with the gemstone magic as Pony. Hungry for power, Aydrian soon joins forces with his own mother’s mortal enemy, setting himself on a collision course with destiny.  Praise for the DemonWars Saga   “An enthralling epic adventure story, it introduces memorable characters and an intricate scheme of magic the readers won’t soon forget.”—Terry Brooks, on The Demon Awakens  “R. A. Salvatore at his best—and even better.”—New York Times bestselling author Michael A. Stackpole, on Mortalis  “As R. A. Salvatore continues to build his detailed and complex history, his readership is sure to build as well.”—New York Times bestselling author Kevin J. Anderson, on Ascendance  “Outstanding . . . [Transcendance has] a first-rate female high-fantasy protagonist.”—Booklist   “Fans will dance with joy.”—Kirkus Reviews, on Immortalis

    Ghias Beg isn’t traveling light; he has with him a pregnant wife and three small children. When his family stops at Qandahar—which is today in modern-day Afghanistan, at that time was on the outer fringe of the Mughal Empire—his wife gives birth to a baby girl named Mehrunnisa. Thirty-four years later, this winter child will become an Emperor’s wife and the most powerful woman in that Mughal dynasty. Mehrunnisa is The Twentieth Wife of Emperor Jahangir, Akbar’s son, a woman so beloved of her husband that he grants her most of the powers of sovereignty. She signs on imperial documents called farmans and mints coins in her name and truly comes into power during the sixteen years of her marriage to Jahangir in The Feast of Roses . Mehrunnisa’s niece (her brother’s daughter and Ghias’ granddaughter) marries one of Jahangir’s sons, Prince Khurram who becomes Emperor Shah Jahan after his father’s death. When this niece dies in childbirth in June of 1631, Shah Jahan builds the Taj Mahal in her memory. But it is Mehrunnisa’s grand-niece (and Ghias’ great-granddaughter) Princess Jahanara who takes center stage in the third novel of the trilogy, Shadow Princess . She’s seventeen years old when her mother dies and her father, in his grief, leans upon her to the extent that she’s never allowed to marry. Throughout her life, Jahanara has to pacify warring brothers who each want the throne after their father, and engages in a rivalry with a sister, Roshanara—in supporting differing brothers politically, and in falling in love with the same noble at court, Najabat Khan. Powerful in her father’s harem, immensely rich with half her mother’s estate bestowed upon her and all of her mother’s yearly income, Jahanara still fails to turn the course of India’s history and has to find love with Najabat Khan in unconventional ways.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    Written with the full co-operation of Sondheim himself, it examines each of Sondheim's masterpieces - including West Side Story, Gypsy, A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George and Into the Woods - as well as the other Sondheim productions on Broadway, Off-Broadway, in repertory, as revivals, as opera, on film, and on television. this account is based on hundreds of hours of interviews with Sondheim and his associates.

    For example, we feed upon God's Word; then we exercise our faith by acting on God's Word.

    

    Into her life saunters Cliff, a hard working, hard drinking truck driver. He is rough and witty and just as starved for love as she is. Produced to great success at New York's Circle Repertory, this delicate two-character drama starred Peter Weller and Patricia Wettig. The Woolgatherer features several excellent monologues. "Energy, compassion and theatrical sense are there."-The New York Times "[Mastrosimone] has a knack for composing wildly humorous lines at the same time that he is able to penetrate people's hearts and dreams."-Hollywood Reporter

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    Later, she was committed to Broadmoor "from where she may not be discharged without permission of the Home Secretary." Using a technique of multiple characterization, Find Me seeks to investigate in depth the personality of the young girl - to 'find her' - and at the same time studies the effects of her behavior on those around her.

    For a while she was the nation's most famous drug addict. This is her story of recovery from the despair of addiction, told with total emotional honesty and courage.

    But on the day of her funeral, he discovers a book Kate left for him, Things I Want You to Know. Her instructions for raising Emma and Liam without her give him comfort, but her other plans for him seem much more daunting...Five dates with five different women. Nick isn't sure his heart is in it...but as he tries to follow Kate's careful instructions, he slowly realises that it's not romance Kate wanted him to find, but something far more important. Will Nick find the courage to take a second chance?

    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.