Fee and his friends are forced to bear grief, shame, and pain that endure long after the director is imprisoned. Fee survives even as his friends do not, but a deep-seated horror and dread accompany him through his self-destructive college days and after, until the day he meets a beautiful young student named Warden and is forced to confront the demons of his brutal past.

    When she meets LGBTQ youth counsellor Ramie Ramirez at a dinner party, sparks fly. But Ramie is still putting herself back together after an acrimonious split from her long-term girlfriend and is only looking for something casual. If living with the repercussions of her ex’s lies has taught her one thing, it’s to keep her heart locked up tight.As the two women begin to date, Alexis finds herself in a predicament. She’s never dated a woman before and is afraid Ramie will dump her sorry arse once she finds out.What’s a girl to do? A little lie can’t hurt, right? It’s no big deal. Just a way to even the playing field a little. What could possibly go wrong?

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

    The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is sixteen-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie’s Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life. In his alternate reality, Jonathan can be anything: a superhero, an astronaut, Ziggy Stardust, himself, or completely “normal” and not a boy who likes other boys. When he completes his treatments, he will be normal—at least he hopes. But before that can happen, Web stumbles into his life. Web is everything Jonathan wishes he could be: fearless, fearsome and, most importantly, not ashamed of being gay.Jonathan doesn’t want to like brooding Web, who has secrets all his own. Jonathan wants nothing more than to be “fixed” once and for all. But he’s drawn to Web anyway. Web is the first person in the real world to see Jonathan completely and think he’s perfect. Web is a kind of escape Jonathan has never known. For the first time in his life, he may finally feel free enough to love and accept himself as he is.A poignant coming-of-age tale, Ziggy, Stardust and Me heralds the arrival of a stunning and important new voice in YA.

    Loup Garron was born and raised in Santa Olivia, an isolated, disenfranchised town next to a US military base inside a DMZ buffer zone between Texas and Mexico. A fugitive "Wolf-Man" who had a love affair with a local woman, Loup's father was one of a group of men genetically-manipulated and used by the US government as a weapon. The "Wolf-Men" were engineered to have superhuman strength, speed, sensory capability, stamina, and a total lack of fear, and Loup, named for and sharing her father's wolf-like qualities, is marked as an outsider. After her mother dies, Loup goes to live among the misfit orphans at the parish church, where they seethe from the injustices visited upon the locals by the soldiers. Eventually, the orphans find an outlet for their frustrations: They form a vigilante group to support Loup Garron who, costumed as their patron saint, Santa Olivia, uses her special abilities to avenge the town. Aware that she could lose her freedom, and possibly her life, Loup is determined to fight to redress the wrongs her community has suffered. And like the reincarnation of their patron saint, she will bring hope to all of Santa Olivia.

    For Alter Rosen, this is the land of opportunity, and he dreams of the day he’ll have enough money to bring his mother and sisters to America, freeing them from the oppression they face in his native Romania. But when Alter’s best friend, Yakov, becomes the latest victim in a long line of murdered Jewish boys, his dream begins to slip away. While the rest of the city is busy celebrating the World’s Fair, Alter is now living a nightmare: possessed by Yakov’s dybbuk, he is plunged into a world of corruption and deceit, and thrown back into the arms of a dangerous boy from his past. A boy who means more to Alter than anyone knows. Now, with only days to spare until the dybbuk takes over Alter’s body completely, the two boys must race to track down the killer—before the killer claims them next.Death lurks around every corner in this unforgettable Jewish historical fantasy about a city, a boy, and the shadows of the past that bind them both together.

    Her focus, for the past fourteen years, has been on making sure her daughter Dana has everything she needs. After losing her own mother at an early age, Kate vowed never to let her daughter feel that kind of loneliness — even if that means missing out on the love Kate truly desires. Joy Sizemore has been living the dream. As one of the top professional softball players in the world, her life is filled with great times on the field, exotic travel, and more than her fair share of post-game fun. But all of that changes when she suffers what might be a career ending injury. Forced to return home to her parent’s house to recover, Joy tries to forget her sorrows in the bottom of a bottle — with nearly tragic consequences. When Kate and Joy's lives unexpectedly collide they both have to decide whether they’ll give up on the game of love or stay on the field and try Playing For Keeps.

    In the process they form a deep connection and an unexpected relationship begins to develop.In her follow up to the critically acclaimed The End of Summer, Tillie Walden tells the story of a small love that can make you feel like the biggest thing around, and how it’s possible to find another person who understands you when you thought no-one could."

    Her mother has been dead for almost two years, her truck driver father is always away, her almost girlfriend just dumped her for a guy, and now she's failing chemistry.When a stray dog lands literally at her feet, bleeding and broken on a busy road, it seems like the Universe has it in for Colby. But the incident also knocks a chink in the walls she's built around her heart. Against her better judgment, she decides to care for the dog. But new connections mean new opportunities for heartbreak.Terrified of another loss, Colby bolts at the first sign of trouble, managing to alienate her best friend, her father, the cute girl pursuing her, and even her dog's vet, who's taken Colby under her wing. Colby can't start over, but can she learn how to move on?

    Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez," and his former life, to attend the funeral of his stepfather. The next seven days are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's world is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams.

    Miserable, Hope ends up meeting Nat, and developing a powerful crush. The only problem is that Nat is a girl. Hope is pretty sure she isn't gay. Or is she? Struggling with new feelings, fitting in and a strange city far from home, Hope finds that love--and acceptance--comes in many different forms.

    Women were the last thing on her mind—her desire to focus on creating a life she loves coming before all else. Checking into a boutique hotel was easy…keeping her eyes off the astonishing woman on the balcony wasn’t. Businesswoman Prue Michaels has spent the last twenty years of her life improving it. Having survived a murky and painful past, she is quite satisfied putting her everything into her career. After all, it is what she does best. Now forty-seven, Prue is growing tired of the same old thing, day in and day out. When a new guest checks into her hotel, everything changes. For the first time in ten years, Prue believes she could be ready to love again. Both women must navigate life with one another around, but the pull is too hard to deny. Will insecurities cripple their prospects of a life together? Or will love ultimately prevail? Sexual tension. Sexual experience. Undeniable chemistry.

    Two farms. One deadly secret. Every day’s the same on the farm. Seventeen-year-old Seb rides his quad bike alongside his dad and cattle dog, dreaming about a different life. A life that doesn’t require him to spend all day in the blistering sun. Where the nearest town isn’t a forty-minute drive away with a population of less than three hundred people. Where he can talk to someone who isn’t his little brother or short-tempered father.So when new neighbours move into the derelict farm on the opposite side of the shrub, Seb hopes his luck is finally about to change. Could Jake, the enigmatic boy with a dangerous glint in his eye, be his ticket out of The Nowhere? And if so, how far are they both willing to go to escape?Fast forward two decades and Seb’s working as a nurse back in Perth. With his dad living in his home, Seb is tormented by the demons that have followed him his entire adult life. He begins confiding in his caring colleague Sandra, who convinces him the only way he’ll be able to move forward is to exorcise his ghosts and seek closure.But when Jake calls out the blue telling Seb he’s coming to visit, Seb has to decide whether he’s ready to face exactly what happened that summer. On the night that forever changed not only the lives of the two boys, but that of their entire families.Youthful, brutal and ferociously fantastic, The Nowhere is a coming-of-age novel about aspiration and isolation, sexuality and sadness, love, loss, and how life changes. Despite his best efforts, Seb learns that secrets can’t be kept forever. The truth always comes out eventually. You can’t keep it secret forever, the truth always comes out eventually.

    As he grows older, Geryon escapes his abusive brother and affectionate but ineffectual mother, finding solace behind the lens of his camera and in the arms of a young man named Herakles, a cavalier drifter who leaves him at the peak of infatuation. When Herakles reappears years later, Geryon confronts again the pain of his desire and embarks on a journey that will unleash his creative imagination to its fullest extent. By turns whimsical and haunting, erudite and accessible, richly layered and deceptively simple, Autobiography of Red is a profoundly moving portrait of an artist coming to terms with the fantastic accident of who he is."A profound love story . . . sensuous and funny, poignant, musical and tender." -- The New York Times Book Review"A deeply odd and immensely engaging book. . . . [Carson] exposes with passionate force the mythic underlying the explosive everyday."  -- The Village VoiceA NEW YORK TIMES NOTABLE BOOK OF THE YEARNational book Critics Circle Award Finalist

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.