Like fireflies to the light, Mona, Benny and Jimmy are drawn into the elegantly wasted orbit of the Crystal Ballroom and the post-punk scene of 80s Melbourne, a world that includes Nick Cave and Dodge, a photographer pushing his art to the edge. With precision and richness Kirsten Krauth hauntingly evokes the power of music to infuse our lives, while diving deep into loss, beauty, innocence and agency. Filled with unforgettable characters, the novel is above all about the shapes that love can take and the many ways we express tenderness throughout a lifetime.As it moves between the Blue Mountains and Melbourne, Sydney and Castlemaine, Almost a Mirror reflects on the healing power of creativity and the everyday sacredness of family and friendship in the face of unexpected tragedy.

    But Taylor’s fed up. Why does Sierra always get what – and who – she wants? From kissing Taylor’s crush to stealing the guy they both met online for herself, Sierra doesn’t seem to notice when she hurts her friends.So when Sierra says Jacob Jones is the one and asks her friends to cover for her while she goes to meet him for the first time, Taylor rolls her eyes. But Sierra doesn’t come back when she said she would.One day. Two days. Three . . .What if Taylor’s worrying for nothing? What if Sierra’s just being Sierra, forgetting about everyone else to spend time with her new guy? When Taylor finally tells Sierra’s mum that her daughter is missing, Taylor and her friends are thrown into a dark world they never even knew existed.Can Taylor find Sierra’s abductor in time? Or should she be looking for a killer?

    So Karuna returns the favour. Eventually, Karuna can’t ignore the reality: she is pregnant. Incensed, her mother, already over-protective, confines her to their fourteenth-storey housing-commission flat for one hundred days, to protect her from the outside world – and make sure she can’t get into any more trouble. Stuck inside for endless hours, Karuna battles her mother and herself for a sense of power in her own life, as a new life forms and grows within her. One Hundred Days is a fractured fairytale exploring the fault lines between love and control. At times tense and claustrophobic, it also brims with humour, warmth and character. It is a magnificent new work from one of Australia’s most celebrated writers.

    Hal and his little brother, newly arrived in Moorabool with their parents, are exploring the creek near their new home when they find the body of a dog.Not just dead, but recently killed.Not just killed, but mutilated.Constable Mick Goodenough, recently demoted from his city job as a detective, is also new in town—and one of his dogs has gone missing. He’s experienced enough to know what it means when someone tortures an animal to death: it means they’re practising. So when Hal’s mother starts getting anonymous calls—a man whistling, then hanging up—Goodenough, alone among the Moorabool cops, takes her seriously.The question is: will that be enough to keep her safe?Nostalgic yet clear-eyed, simmering with small-town menace, Greg Woodland’s wildly impressive debut populates the rural Australia of the 1960s with memorable characters and almost unbearable tension.

    Though Fiona decides to keep farming their successful property, rumours that she intends to sell keep circulating.When Detective Dave Burrows arrives to sign off on the investigation into Eddie's death his suspicions are aroused by some strange anomalies at the scene. As Dave becomes increasingly convinced that something sinister is going on, Fiona finds herself dealing with a series of disasters on the farm...By the bestselling author of Crimson Dawn, this suspenseful novel about a woman fighting to preserve her husband's dream and a detective determined to uncover the truth will keep you guessing til the very last page.

    So when an outsider with grand plans threatens to demolish an iconic local landmark and build a huge resort the battle lines are drawn.Young journalist Jessica hopes to make it big with her coverage of the court case, but first she has to appease her editor and put a human interest spin on the situation. At first glance the five people she chooses to background have little in common – but it soon becomes apparent that staying at The Beach House has changed all of them in some way.In telling the stories of Kate, Simone, Tom, Clare and Jack, Jessica too learns some important life lessons.

    Let them slip away like the words of some half-remembered song and when one came back, she wasn't the one we were trying to recall to begin with.'So begins Tikka Molloy's recounting of the summer of 1992 - the summer the Van Apfel sisters, Hannah, the beautiful Cordelia and Ruth - disappear.Eleven and one-sixth years old, Tikka is the precocious narrator of this fabulously endearing coming-of-age story, set in an eerie Australian river valley suburb with an unexplained stench. The Van Apfel girls vanish from the valley during the school's 'Showstopper' concert, held at the outdoor amphitheatre by the river. While the search for the sisters unites the small community on Sydney's urban fringe, the mystery of their disappearance remains unsolved forever.Brilliantly observed, sharp, lively, funny and entirely endearing, this novel is part mystery, part coming-of-age story - and quintessentially Australian. Think The Virgin Suicides meets Jasper Jones meets Picnic at Hanging Rock.

    Stacey and the children had been staying with her after fleeing his control, and Paula is haunted by the thought that she couldn't protect them when they most needed it. How had she missed the warning signs? How had she failed to keep them safe?Not long after, a patient with suspicious injuries brings her anxious young son into Paula's surgery. The woman admits that her husband hurts her, but she's terrified to leave for fear of escalating the violence, and defeated by the consistent failures of the law to help her.Can Paula go against everything she believes to make sure one woman is saved, one child spared? She isn't motivated by revenge. She's desperately trying to prevent a tragedy . . .A riveting, provocative novel about women's fury, traumatic grief, new love, deep friendship, and the preciousness of life, The Family Doctor asks the questions: Should you cling to faith in a flawed system, or take control the only way you can? Can a good person justify taking a life to save a life?'Mesmerising and heart-breaking. A perfect story for this moment in time.' Sarah Bailey, author of Where the Dead Go'The Family Doctor brings urgent news, taking the reader into suburban battlegrounds kept private by the threat and actuality of violence. In crystal-clear prose, Debra Oswald unveils an all-too-believable world of love and loyalty stretched to the limit, with agonising consequences when the best people are forced to do the worst things. When is it justified to fight fire with fire? The moment you finish this novel you will want to find someone else who has read it and talk all night about the vital questions it raises.' Malcolm Knox, author of Bluebird'The Family Doctor is a compelling thriller - fast-paced, gripping and frightening. But is more than that because it is a story that draws desperately needed attention to domestic abuse in this country, to institutional indifference, to the devaluing of women's lives. The Family Doctor is a cry for change.' Sofie Laguna, Miles Franklin Award-winning author of The Eye of the Sheep and Infinite Splendours'Brilliant. So compelling on so many levels.' Chris Hammer, author of Scrublands'Debra Oswald is always deft at capturing the nuances of female friendship and romantic attraction, but this time she brings them to a pitch of pulse-racing intensity. Delving into the dark world of domestic violence and society's abject failure to protect those most vulnerable, she has produced a gripping thriller, brimming with heart and intellect.' Geraldine Brooks, author of The Secret Chord

    Armed with a freshly completed manuscript, a yellow cravat and a machete, Ava strides out into the world in the hope of being published – and so the adventure begins. Despite being dismissed as an eccentric – or worse – by the world around her, and battling poverty and age, Ava’s internal world remains vivid; her purpose, clear.Author Mark O’Flynn first learned about legendary Blue Mountains writer and recluse Eve Langley when he stumbled across her abandoned hut outside the small town of Leura. Though he moved on to other projects, Langley’s voice stayed with him: ‘Why did she change her name (by deed poll) to Oscar Wilde? Why the romantic preoccupation with her past? So little is known of her final days.’ O’Flynn’s fascination with her life eventually led to the creation of the irrepressible Ava Langdon.Rich in wordplay and colourful anecdote, The Last Days of Ava Langdon is an intimate, witty and soulful conjuring of a once-great artist in her final days, which will leave the reader questioning – what passion would sustain you if everything was lost?

    They shifted shape and position with even the gentlest of forces. Even a tiny puff – a shrug – could bring about change, move a handful of thoughts to a new understanding, a new authority. A gale, like today’s, and whole dunes – lives and futures – were relocated, reimagined.Grace had not had twelve people at her table for a while. This wasn’t the kind of family who shared regular Sunday meals. But you don’t turn 70 every day.As her friends and family arrive for lunch, memories are rekindled but not all of them are welcome. As the meal is served, it becomes clear that events of the past have left their mark on everyone at the table in vastly different ways. Grace is reminded that age is no guarantee of wisdom and there is much still to learn from the young at heart. As the family finally confront a shocking event in their past, Grace is forced to face her own shortcomings as a parent and wife and left to contemplate the ways in which grief and regret have resonated through her life. This moving and often funny novel dissects the lives of women over three generations, explores the pull and power of memory and celebrates the triumph of endurance.

    A mysterious death on New Year’s Eve 1989 leads to a shocking murder investigation 32 years later...A desert highway. A remote town. A murder that won’t stay hidden.New Year’s Eve, 1989. Eighteen-year-old Ingrid Mathers is hitchhiking her way to Alice Springs. Bored, hungover and separated from her friend Joanne, she accepts a lift to the remote town of Cutters End.July 2021. Detective Sergeant Mark Ariti is seconded to a recently reopened case, one in which he has a personal connection. Three decades ago, a burnt and broken body was discovered in scrub off the Stuart Highway, 300km south of Cutters End. Though ultimately ruled an accidental death, many people - including a high-profile celebrity - are convinced it was murder.When Mark’s interviews with the witnesses in the old case files go nowhere, he has no choice but to make the long journey up the highway to Cutters End.And with the help of local Senior Constable Jagdeep Kaur, he soon learns that this death isn’t the only unsolved case that hangs over the town...

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    To erase her past, Katherine has moved to a new city, enrolled in a new school, and even changed her name. She’s done the next best thing to disappearing altogether. Now, wary and alone, she seeks nothing more than anonymity. What she finds instead is the last thing she expected: a friend.Even more unlikely, Katherine’s new friend is the most popular and magnetic girl in school. Extroverted, gorgeous, flirtatious, and unpredictable, she is everything that Katherine is not and doesn’t want to be: the center of attention. Yet Alice’s enthusiasm is infectious, her candor sometimes unsettling, and Katherine, in spite of her guarded caution, finds herself drawn into Alice’s private circle. But Alice has secrets, too—darker than anyone can begin to imagine. And when she lets her guard down at last, Katherine discovers the darkest of them all. For there will be no escaping the past for Katherine Patterson—only a descent into a trap far more sinister . . . and infinitely more seductive.

    At four am she starts work at Earthly Delights, her bakery in Calico Alley.But one morning Corinna receives a threatening note saying "The wages of sin is death" and finds a syringe in her cat's paw. A blue-faced junkie has collapsed in the dark alley and a mysterious man with beautiful eyes appears with a plan for Corinna and her bread. Then it is Goths, dead drug addicts, witchcraft, a homeless boy and a missing girl and it seems she will never get those muffins cooked in time.With flair, chutzpah and a talent for kneading, Corinna Chapman will find out who exactly is threatening her life and bake some beautiful bread.

    A punchy, powerful and page-turning novel about the redemptive power of great literature, from industry insider, John Purcell. Amy Winston is a hard-drinking, bed-hopping, hot-shot young book editor on a downward spiral. Having made her name and fortune by turning an average thriller writer into a Lee Child, Amy is given the unenviable task of steering literary great Helen Owen back to publication. When Amy knocks on the door of their beautiful townhouse in north-west London, Helen and her husband, the novelist Malcolm Taylor, are conducting a silent war of attrition. The townhouse was paid for with the enormous seven-figure advance Helen was given for the novel she wrote to end fifty years of making ends meet on critical acclaim alone. The novel Malcolm thinks unworthy of her. The novel Helen has yet to deliver. The novel Amy has come to collect.Amy has never faced a challenge like this one. Helen and Malcolm are brilliant, complicated writers who unsettle Amy into asking questions of herself - questions about what she values, her principles, whether she has integrity, whether she is authentic. Before she knows it, answering these questions becomes a matter of life or death.From ultimate book industry insider, John Purcell, comes a literary page-turner, a ferocious and fast-paced novel that cuts to the core of what it means to balance ambition and integrity, and the redemptive power of great literature.