Lemon tells the audience about the overwhelming influence in her life of her parents' friend "Aunt Dan," an eccentric, passionate professor whose stories and seductive opinions enthrall Lemon from the time she is a young girl. The relationship that develops between Lemon and Aunt Dan and the conversations that went on in a small house on the bottom of an English garden form the focus of this play about political orientation and the allure of certain ideas-even if they lead to murder. A forceful play exposing the banality of society's evil, Aunt Dan & Lemon explores the ease with which good and bad become reconciled in the human mind.

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    Caine is transferred, a new captain, strict disciplinarian Philip Francis Queeg, replaces him. But Queeg's actions go beyond strictness into psychopathology as he brings the ship and its crew to the brink of destruction. This necessitates a brutal shipboard court-martial that threatens by turns to clear or condemn him. In adapting his novel for the theater, Herman Wouk focused on the heart of the story: the trial and the man at its center. The result is a grimly effective picture of Queeg's disintegration from perfectionist to paranoid that acts as an indictment not only of an individual but of a society that produces such men.

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    But when Luke is hospitalized in a tragic accident, Adam must come face-to-face with Luke's faith and his family.

    Theatre script, playbook

    Their past and present selves collide in this haunting and beautiful tale of togetherness. All relationships have their ups and downs; the optimism of youth becomes the wisdom of experience. Love is a leap of faith.

    When the struggling writer was asked to take over the unpaid, anonymous position of advice columnist, Strayed used empathy and her personal experiences to help those seeking guidance for obstacles both large and small. Tiny Beautiful Things is a play about reaching when you’re stuck, healing when you’re broken, and finding the courage to take on the questions which have no answers.

    Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    Winner of the Time Out Live Award for Best Play In 18th-century Gloucestershire, the evil Otis Gardner preys on unmarried mothers, promising to take their babies (and their money) to Thomas Coram's hospital for foundling children. Instead, he buries the babies and pockets the loot. But Otis's downfall is set in train when his half-witted son Meshak falls in love with a young girl, Melissa, and rescues the unwanted son she has had with a disgraced aristocrat. The child is brought up in Coram's hospital, and proves to have inherited the startling musical gifts of his father - gifts that ultimately bring about his father's redemption and a heartbreaking family reunion. 'a rich and almost Gothic drama' - Philip Pullman 'a triumph... can still make your heart soar' - The Times 'the story has a gripping intensity... there is a tremendous sense of momentum' - Independent 'Family shows don't come much more harrowing than this - but nor do they come any finer... as gripping, terrifying, beautiful and moving as anything you will see in the theatre this year... Helen Edmundson's adaptation does full justice to the dark power of the original, while also transforming it into a thrilling piece of theatre' - Daily Telegraph 'a highly superior show that should appeal to adults and children alike' - Guardian

    Decades later, in What the Constitution Means to Me, she traces the effect that the Constitution has had on four generations of women in her family, deftly examining how the United States' founding principles are inextricably linked with our personal lives.

    King James commissions Shakespeare to write a play about the Gunpowder Plot.

    The Kos family argue, adapt, fall in and out of love.I will never understand why dinner conversation with you lot always turns so damn contentious. Why can’t we have some pleasant anecdotes for example.World after world is erected and torn down around them. The one constant is the ivy-clad house in Zagreb, built by aristocrats, partitioned, owned by all, owned by a few; witness to four increasingly educated and independent generations of women.But when the family assemble for Lucia’s wedding, Alisa learns that her nouveau-riche brother-in-law has bought the once nationalized house. For the bride this is progress, for her sister it’s a shady act of greed. For their principled parents, finally, it’s one battle too many.

    Book annotation not available for this title.Title FortinbrasAuthor Blessing, LeePublisher Dramatists Play ServicePublication Date 19920101Number of Pages Binding Type PAPERBACKLibrary of Congress 92165606

    Three women from different centuries meet in a modern doctor's waiting room. Forgiveness From Heaven is an eighteenth-century Chinese woman whose bound feet are causing her to lose her toes. Victoria is a nineteenth-century tightly corsetted English woman suffering from what is commonly known as "hysteria." Then there is Wanda, a modern gal from New Jersey who is having problems with her silicone breasts. Husbands, doctors, Freud, the drug industry and the FDA all come under examination. The play is a wild ride through medical and sexual politics, including the politics of the ever-present battle with breast cancer.