The story of these men is unrecognized, submerged in the overall history of the concentration camps.From all countries and of all ages, the priests were gathered behind the barbed wire of Dachau according to an agreement wrested from the Reich by Vatican diplomacy. For eight years, both tragedies and magnificent gestures punctuated the journey of the clergy at Dachau, from the terrifying forced march of -Holy Week- in 1942 to the heroic voluntary confinement of priests in the barracks of those dying of typhoid, to the moving clandestine ordination of a young German deacon by a French bishop. Never in the course of history have so many priests, monks and seminarians been murdered in such a small area: 1,034 lost their lives.Beyond the personal journeys of which it is composed, the history of the priests at Dachau sheds new light on Hitler's system of concentration camps, on the intrinsic anti-Christian animus of Nazism and, beyond the strictly historical perspective, on faith and spiritual commitment. This book deals with many questions about the priest barracks, including:How does the experience of the priests at Dachau compare to those who were laymen? What were their privileges and what were their particular sufferings? Did the Nazi persecution against the clergy have ideological or political underpinnings? Did the faith and religious commitment of the priests reinforce them against the methodical dehumanization in the camps? Were their moral convictions, forged by the Gospel and the tradition of the Church, able to resist the perversion of values imposed by the SS? Did the sufferings endured by the priests at Dachau bear fruit within the ecclesiastical institution and also outside, at the peripheries of the Church?In Guillaume Zeller's recounting of this strange story, this fragment of the tragedy of the concentration camps allows us to learn answers to these and other intriguing questions.

    Mr. Arad reports as a controlled and effective witness for the prosecution.... Mr. Arad's book, with its abundance of horrifying detail, reminds us of how far we have to go."--New York Times Book Review..". some of the most gripping chapters I have ever read.... the authentic, exhaustive, definitive account of the least known death camps of the Nazi era." --Raul HilbergArad, historian and principal prosecution witness at the Israeli trial of John Demjanjuk (accused of being Treblinka's infamous "Ivan the Terrible"), uses primary materials to reveal the complete story of these Nazi death camps.

    He tells how the Russians were rapidly advancing in the east, while the Americans and British, after a brief pause, were primed to thrust into Germany from the west.

    By the time she was twelve, the war had begun. Abandoned by her father when he realized the price of being associated with a Jewish wife and family, Anita and her mother were ultimately left to fend for themselves. Anita's teenage years are spent desperately fighting for survival yet learning to trust in the One she discovered would not leave her ...

    The rest was merely a matter of seconds. The bomber fell like a stone out of the sky and exploded on the ground. The nightmare came to an end."In this enthralling memoir, the author recounts his experiences of the war years and traces the story of the ace fighter pilots from the German development of radar to the Battle of Britain.Johnen flew his first operational mission in July 1941, having completed his blind-flying training. In his first couple of years he brought down two enemy planes. The tally went up rapidly once the air war was escalated in spring 1943, when Air Marshal Arthur Harris of the RAF Bomber Command began the campaign dubbed the Battle of the Ruhr.During this phase of the war Johnens successes were achieved against a 710-strong force of bombers. Johnens further successes during Harriss subsequent Berlin offensive led to his promotion as Staffelkapitan (squadron leader) of Nachtjagdgeschwader and a move to Mainz. During a sortie from there, his Bf 110 was hit by return fire and he was forced to land in Switzerland. He and his crew were interned by the authorities. The Germans were deeply worried about leaving a sophisticatedly equipped night fighter and its important air crew in the hands of a foreign government, even if it was a neutral one. After negotiations involving Gring, the prisoners were released.Johnens unit moved to Hungary and by October 1944 his score was standing at 33 aerial kills. His final one came in March the following year, once Johnen had moved back to Germany.

    In 1942, however, after a series of defeats in the Pacific and the struggle to establish a beachhead on the European front, America seemed to be on the brink of defeat and was beginning to splinter from within.   Exploring this precarious moment, Tracy Campbell paints a portrait of the deep social, economic, and political fault lines that pitted factions of citizens against each other in the post–Pearl Harbor era, even as the nation mobilized, government-aided industrial infrastructure blossomed, and parents sent their sons off to war. This captivating look at how American society responded to the greatest stress experienced since the Civil War reveals the various ways, both good and bad, that the trauma of 1942 forced Americans to redefine their relationship with democracy in ways that continue to affect us today.

    Steve Maharidge, like many of his generation, hardly ever talked about the war. The only sign he'd served in it was a single black and white photograph of himself and another soldier tacked to the wall of his basement, where he would grind steel. After Steve Maharidge’s death, his son Dale, now an adult, began a twelve-year quest to understand his father’s preoccupation with the photo. What had happened during the battle for Okinawa, and why his father had remained silent about his experiences and the man in the picture, Herman Mulligan? In his search for answers, Maharidge sought out the survivors of Love Company, many of whom had never before spoken so openly and emotionally about what they saw and experienced on Okinawa.In Bringing Mulligan Home, Maharidge delivers an affecting narrative of war and its aftermath, of fathers and sons, with lessons for the children whose parents are returning from war today.

    Tracing the interaction between food and strategy, on both the military and home fronts, this title demonstrates how the issue of access to food was a driving force within Nazi policy and contributed to the decision to murder hundreds of thousands of 'useless eaters' in Europe.

    This is without a doubt one of the most fascinating testimonies of that dark period, thanks to the author's ability not only to recount what he endured, but also to reflect on his feelings back then, in the camps. Existential difficulties preceded the deportation of Hungarian Jewry, yet nothing could have been worse than the extermination camps.Moshe was 15 years old when he arrived at Auschwitz-Birkenau, yet he passed the selection and survived. The Nazis sent the occupants of his barrack to their death, while he managed to slip out of their hands, and survived. He was sent to Buchenwald, worked in hard labor in the quarry, and survived. By joining a new work group, on the spur of the moment, he arrived at a labor camp in Magdeburg Germany, where he also managed to survive. There were 2,800 prisoners with him at Magdeburg, 400 remained when the Nazis dismantled the camp and returned its inhabitants to Buchenwald. Only 200 completed the journey, and when liberation day came only 40 survived, including the 17-year-old author.

    As they had done throughout Europe, the Nazis could now plunder the masterpieces of the Renaissance, the treasures of the Vatican, and the antiquities of the Roman Empire. On the eve of the Allied invasion, General Dwight Eisenhower empowered a new kind of soldier to protect these historic riches. In May 1944 two unlikely American heroes--artist Deane Keller and scholar Fred Hartt--embarked from Naples on the treasure hunt of a lifetime, tracking billions of dollars of missing art, including works by Michelangelo, Donatello, Titian, Caravaggio, and Botticelli. With the German army retreating up the Italian peninsula, orders came from the highest levels of the Nazi government to transport truckloads of art north across the border into the Reich. Standing in the way was General Karl Wolff, a top-level Nazi officer. As German forces blew up the magnificent bridges of Florence, General Wolff commandeered the great collections of the Uffizi Gallery and Pitti Palace, later risking his life to negotiate a secret Nazi surrender with American spymaster Allen Dulles.Brilliantly researched and vividly written, the New York Times bestselling Saving Italy brings readers from Milan and the near destruction of The Last Supper to the inner sanctum of the Vatican and behind closed doors with the preeminent Allied and Axis leaders: Roosevelt, Eisenhower, and Churchill; Hitler, Goring, and Himmler.An unforgettable story of epic thievery and political intrigue, Saving Italy is a testament to heroism on behalf of art, culture, and history.

    In her diary, along with innocent adolescent longings, she recorded what happened next: the humiliations and terrors, the murder of her beloved family and the startling story of her own survival. Leaving Europe after the war, Sabina forged a new life in Australia, juggling a thriving design business, her family, and an unorthodox love life. But as time wore on, she began asking herself why had she survived when so many died? And what kind of justice fitted such crimes? In May 2005, when Germany opened its controversial Memorial to the Murdered Jews of Europe, in Berlin, Sabina was chosen to speak as the voice of the six million dead. In her speech she noted that although the Holocaust had taken everything she valued, it had also taught her that hatred and discrimination are doomed to fail. Her ability to survive, to love, and to live well, has been her greatest triumph. 'I couldn't put down this engaging, honest story of love, loss and survival.' Diane Armstrong, bestselling author of THE VOYAGER OF THEIR LIFE 'important and wonderfully written' Australian Literary Review

     The victories won by British arms in the years which followed that great deliverance have made men forget those soldiers – the first of the many – upon whom it fell to withstand the shock of Hitler’s great attack. It is now fitting that these men and their Commander-in-Chief, Lord Gort, should be worthily remembered, and their story fully told, from those first landings in France, in the autumn of 1939, until the climax of Dunkirk. The authors, both professional writers, themselves served as officers with the B.E.F., and have recaptured the gallantry and comradeship of that little force. The result is a moving story of courage and devotion in the face of odds which no other British Force has ever been called upon to face. It is chivalrous to admire a gallant enemy, and of that chivalry we have lately seen much. Justice demands that the courage and devotion of our own fighting men be no less clearly recognised. There were no medals for the B.E.F., hardly even today the laurels of memory. They were soldiers, doing a soldier’s job against odds which no British Force had ever been called upon to face, and which, it is to be hoped, no British Force will ever face again. What were they then, the men of that small Expeditionary Force, a mere army in one of the groups of French armies? How did they spend the months of what has been called the “twilight war”, and how, when the shock of battle came at last, did they withstand the blow? Dunkirk tells the true story of those brave men who fought to save the lives of so many. With the 2017 movie release of Christopher Nolan’s Dunkirk now is the time to remember the real history of the battle in the words of those who experienced it. Lt. Colonel Ewan Butler and Major J. Selby Bradford M.B.E., M.C. served in France as young officers during the last months of 1939 and the first five of 1940 with that small British Expeditionary force commanded by Lord Gort, which first faced the full might of Nazi Germany. Dunkirk was first published in 1950 under the title Keep The Memory Green. It was used as inspiration for the 1958 film, Dunkirk, starring Richard Attenborough.

    He introduces characters and incidents with his unusual literary style and grace, bringing to the fore those that have "Puritans as Democrats," "The Monarch's Revolution," "The Artist Prophet and Jester" -- show the recurrent role of great themes throughout the eras.The triumphs and defeats of five hundred years form an inspiring saga that modifies the current impression of one long tale of oppression by white European males. Women and their deeds are prominent, and freedom (even in sexual matters) is not an invention of the last decades. And when Barzun rates the present not as a culmination but a decline, he is in no way a prophet of doom. Instead, he shows decadence as the creative novelty that will burst forth -- tomorrow or the next day.Only after a lifetime of separate studies covering a broad territory could a writer create with such ease the synthesis displayed in this magnificent volume.

    The siege was not lifted for two and a half years, by which time some three quarters of a million Leningraders had died of starvation.Anna Reid's Leningrad is a gripping, authoritative narrative history of this dramatic moment in the twentieth century, interwoven with indelible personal accounts of daily siege life drawn from diarists on both sides. They reveal the Nazis' deliberate decision to starve Leningrad into surrender and Hitler's messianic miscalculation, the incompetence and cruelty of the Soviet war leadership, the horrors experienced by soldiers on the front lines, and, above all, the terrible details of life in the blockaded city: the relentless search for food and water; the withering of emotions and family ties; looting, murder, and cannibalism- and at the same time, extraordinary bravery and self-sacrifice.Stripping away decades of Soviet propaganda, and drawing on newly available diaries and government records, Leningrad also tackles a raft of unanswered questions: Was the size of the death toll as much the fault of Stalin as of Hitler? Why didn't the Germans capture the city? Why didn't it collapse into anarchy? What decided who lived and who died? Impressive in its originality and literary style, Leningrad gives voice to the dead and will rival Anthony Beevor's classic Stalingrad in its impact.

    William Manchester's account of the rise and fall of the Krupp dynasty is history as it should be written, alive with all its terrifying power.