This short story is considered to be one of the first and most influential modern works written in vernacular Chinese. "A Madman's Diary" is an attempt by Lu Xun to describe the effects of feudal values upon the Chinese people. He uses an analogy of cannibalism to describe the way such outdated values eat away at the individual. In addition to "A Madman's Diary", the collection also includes the following: Remembrances of the past Kong yiji Medicine Tomorrow An unimportant affair The story of hair A passing storm Hometown Ah Q: the real story Dragonboat festival The white light Some rabbits and a cat A comedy of ducks Village opera New Year's sacrifice Upstairs in a wineshop A happy family Soap The eternal lamp A warning to the people The venerable schoolmaster Gao The loner Mourning the dead Brothers Divorce

    His people catch barely enough fish to live on, and so must distill salt to sell to neighboring villages. But this industry serves another, more sinister purpose: the fires of the salt cauldrons lure passing ships toward the shore and onto rocky shoals. When a ship runs aground, the villagers slaughter the crew and loot the cargo for rice, wine, and rich delicacies. One day a ship founders on the rocks. But Isaku learns that its cargo is far deadlier than could ever be imagined. Shipwrecks, the first novel by the great Japanese writer Yoshimura to be translated into English, is a stunningly powerful, Gothic tale of fate and retribution.

    Keiko has never fit in, neither in her family, nor in school, but when at the age of eighteen she begins working at the Hiiromachi branch of “Smile Mart,” she finds peace and purpose in her life. In the store, unlike anywhere else, she understands the rules of social interaction ― many are laid out line by line in the store’s manual ― and she does her best to copy the dress, mannerisms, and speech of her colleagues, playing the part of a “normal” person excellently, more or less. Managers come and go, but Keiko stays at the store for eighteen years. It’s almost hard to tell where the store ends and she begins. Keiko is very happy, but the people close to her, from her family to her coworkers, increasingly pressure her to find a husband, and to start a proper career, prompting her to take desperate action…A brilliant depiction of an unusual psyche and a world hidden from view, Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.

    Using the oral story-telling tradition, Rao has brought to the fore not just the social and cultural life of generations of Dalits, but their art forms. Through the stories of successive generations, we are taken on a journey to their heart from those who were exploited to those who discover their humanity through defiance. The reminiscences of Ruth take us to her husband Reuben's family in Yennela Dinni, to the boy Yellanna, his being chased away by his caste superiors , his music, his son Sivaiah's escape from the drought along with his wife, the latter's conversion to Christianity, the brutality against him and other Dalit Christians, the birth of Reuben when things seem to fall apart and he is later left in an orphanage, and then to Reuben's search for his roots. This faithful translation from the Telugu, arousing pity for all that is pitiable and rage at what man has done to man, points to the growing awareness of people's rights and how they are driven to armed struggle.

    The cold slows everything down. Bodies are red and raw, the fish turn venomous, beyond the beach guns point out from the North’s watchtowers. A young French Korean woman works as a receptionist in a tired guesthouse. One evening, an unexpected guest arrives: a French cartoonist determined to find inspiration in this desolate landscape.The two form an uneasy relationship. When she agrees to accompany him on trips to discover an ‘authentic’ Korea, they visit snowy mountaintops and dramatic waterfalls, and cross into North Korea. But he takes no interest in the Sokcho she knows – the gaudy neon lights, the scars of war, the fish market where her mother works. As she’s pulled into his vision and taken in by his drawings, she strikes upon a way to finally be seen.An exquisitely-crafted debut, which won the Prix Robert Walser, Winter in Sokcho is a novel about shared identities and divided selves, vision and blindness, intimacy and alienation. Elisa Shua Duspain’s voice is distinctive and unmistakable.

    These short fictions set in the Indonesian everyday—in corporate boardrooms, in shanty towns, on dangdut stages—reveal a soupy otherworld stewing just beneath the surface. Sometimes wacky and always engrossing, this is subversive feminist horror at its best, where men and women alike are arbiters of fear, and where revenge is sometimes sweetest when delivered from the grave.Mara finds herself brainstorming an ad campaign for Free Maxi Pads, with a little help from the menstruation-eating hag of her childhood. Jamal falls in love with the rich and powerful Bambang, but it is the era of the smiling general and, if he’s not careful, he may find himself recruited to Bambang’s brutal cause. Solihin would give anything to make dangdut singer Salimah his wife – anything at all. In the globally connected and fast-developing Indonesia of Apple and Knife, taboos, inversions, sex and death all come together in a heady, intoxicating mix full of pointed critiques and bloody mutilations. Women carve a place for themselves in this world, finding ways to subvert norms or enacting brutalities on themselves and each other.

    After a lifetime, her only real accomplishment is her longevity: everyone she reads about in the obituaries has died younger than she is now. Afraid that her life will be over before anyone knows that she lived, Mathea digs out her old wedding dress, bakes some sweet cakes, and heads out into the world—to make her mark. She buries a time capsule out in the yard. (It gets dug up to make room for a flagpole.) She wears her late husband’s watch and hopes people will ask her for the time. (They never do.) Is it really possible for a woman to disappear so completely that the world won’t notice her passing? The Faster I Walk, the Smaller I Am is a macabre twist on the notion that life “must be lived to the fullest.”

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    Containing completely new material not available anywhere else, this is a must-read for all fans of the show.The third in a collection of eight short stories to run alongside the second series of ITV's BAFTA award-winning show, Broadchurch. This story will be released at midnight following the broadcast of episode three.The stories, written by bestselling author Erin Kelly in close collaboration with Broadchurch creator Chris Chibnall, will consist of 100% original plotlines that are tied closely to that evening's episode. The stories will offer an unrivalled opportunity to spend more time with the characters, allowing you to delve deeper into their lives, histories and secrets in order to find out what really makes them tick.This first-time creative collaboration between author and series creator will enhance your enjoyment of the TV series in a completely ground-breaking style. You won't be able to wait for the next episode and story!

    They include supernatural tales, slices of life from Warsaw and the shtetls of Eastern Europe, and stories of the Jews displaced from that world to the New World, from the East Side of New York to California and Miami.