It assures you that tomorrow will be a better day and encourages you to realise your potential and achieve your aspirations. Petit à Petit is centred on themes like self-love, self-confidence and taking life into your own hands.No matter how far-away and impossible your dreams seem, don't be afraid to reach for them.

    

    Tap Out, Edgar Kunz’s debut collection, reckons with his working‑poor heritage. Within are poignant, troubling portraits of blue‑collar lives, mental health in contemporary America, and what is conveyed and passed on through touch and words―violent, or simply absent.   Yet Kunz’s verses are unsentimental, visceral, sprawling between oxys and Bitcoin, crossing the country restlessly. They grapple with the shame and guilt of choosing to leave the culture Kunz was born and raised in, the identity crises caused by class mobility. They pull the reader close, alternating fierce whispers and proud shouts about what working hands are capable of and the different ways a mind and body can leave a life they can no longer endure. This hungry new voice asks: after you make the choice to leave, what is left behind, what can you make of it, and at what cost?

    Like the last kiss from a scorned one-nighter. Like the walls of inch-thick dirt that have been there for 14 years. Redundant conversations in a basement that echo for months on end. A staircase with old, stinky wood. Prime time kabobohan. 4-day old socks. Reflective surfaces in moments of discomfort. Blood all the wrong places. A painful gut. And just like the pain of process-oriented frustration, I hate it.

    Santos has presented what may well be the essence of those years - the loneliness and hunger of a people who were almost all of them hurt and broken to the bone. But for an ideal, which Santos so eloquently dramatizes in this book, they would have lost their very souls. In this sense YOU LOVELY PEOPLE is a document and at once a portrait of the Filipino heart.

    With a different die-cut on every page, Tree of Codes explores previously unchartered literary territory. Initially deemed impossible to make, the book is a first — as much a sculptural object as it is a work of masterful storytelling. Tree of Codes is the story of an enormous last day of life — as one character's life is chased to extinction, Foer multi-layers the story with immense, anxious, at times disorientating imagery, crossing both a sense of time and place, making the story of one person’s last day everyone’s story. Inspired to exhume a new story from an existing text, Jonathan Safran Foer has taken his "favorite" book, The Street of Crocodiles by Polish-Jewish writer Bruno Schulz, and used it as a canvas, cutting into and out of the pages, to arrive at an original new story told in Jonathan Safran Foer's own acclaimed voice.

    Caught up in a whirlwind romance, the two lovebirds get hitched. But when Lex, who is the CEO of a prestigious family-owned firm, wakes up the next morning and realizes what he's done, he gets cold feet and pressures April for an annulment. In a fit of rage, April decides to fly to New York and announce their nuptials. But is she really strong enough to withstand Lex's demands to end the marriage? Or will he stand up to his family and finally follow his heart?

    The opening chapter outlines initial reactions to the novel from English and Caribbean critics, charting the differences between them. Chapter Two explores Wide Sargasso Sea 's dialogue with Jane Eyre and the theoretical questions it has raised. Succeeding chapters examine how critics have assessed the racial politics of Rhys's text, discuss the novel's African Caribbean cultural legacy, and explore how critics read the work both in terms of its moment of production and the early Victorian period in which it is set.

    Hailed as “an essential book for those seeking self-love,” this heartfelt anthology lends voice to the heartbreak and healing of our soul’s quest to reunite with whom we always hoped we could be—ourselves.

    It never quite plays out as beautifully as I imagine this scene to be. I am still a normal girl, after all, and in my head I've blocked it perfectly: We wake up with a slow stretch, cuddle for a few minutes, conduct a short conversation with our husky sleepy voices..."Even for a struggling actress like 26-year-old Kach, love doesn't come easy. Especially if your timing is off and you miss your cue and forget to deliver the right lines at the right time...Beautiful, talented and starving, theater actress Kach, who has a real penchant for drama, lives off the refrigerators and affection of her childhood friends: Nats, a chef who has taken it upon herself to play mother to Kach, and Jorge, an overachieving research genius who balances off Kach when she starts overreacting and who gladly supplies much-needed warm hugs when her world - or her tiny Makati apartment - dramatically turns cold.Now Kach has finally landed a legitimate role costarring an intense, sexy and brooding young stage actor named Sanchez. Their onstage chemistry quickly reaches boiling point and overflows into real-life, and suddenly Kach finds herself in a super-kilig affair, complete with snatches of smooches behind closed stage curtains.But their romance takes a dramatic turn when Kach discovers that Sanchez isn't tailor-made for the role of her real-life leading man...and that someone else is ready and willing to audition!

    I was, you see, a person with no history. Lacking this, I developed a curiosity about other's people's stories. . . ."Clara Perez is a reporter on a small South seas island. An orphan raised by nuns, she is a young woman with origins shrouded in mystery. Full of idealistic ambition, she grows tired of the trivial assignments she's given at the daily paper, yearning to write articles of substance. So when the tiny street of Calle de Leon bursts into flames after a student demonstration--and a soldier kills an unarmed man--Clara seizes the chance to cover the explosive story.Yet after Clara rushes to the burning street to investigate the tragedy, she discovers another, more personal one involving some remarkable truths about her unknown past--ghosts, she realizes, which have been silently pursuing her all her life. And as family secrets begin to unfold, Clara's missing history slowly spreads itself out on the tumultuous backdrop of a country wracked by revolution. . . .An evocative and multilayered tale, at once political and personal, Eating Fire and Drinking Water is an extraordinary work, a powerful and pulsing novel of politics and commitment, loyalty and love, and the poignant search for truth.From the Trade Paperback edition.

    Man versus monster; conflict versus conversation; age versus youth; humanity versus its environment; utopia versus what we're living through now. This is a combative and moving book and an answer to anyone who's ever accused poetry of receding into irrelevance.

    The author takes readers on an emotional roller-coaster ride no one will wnat to stop before its emotionally-draining, thoroughly satisfying conclusion.

    But payback - in the shape of a man - will be hers.

    With the help of the entire creative collective, Gordon-Levitt culled, edited and curated over 8,500 contributions into this finely tuned collection of original art from 67 contributors. Reminiscent of the 6-Word Memoir series, The Tiny Book of Tiny Stories: Volume 1 brings together art and voices from around the world to unite and tell stories that defy size.