Poems, journallike entries, and musings--by turn lyrical, meditative, and philosophical--make up this new collection by the Polish poet, essayist, novelist and winner of the Nobel Prize for Literature

    Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

    

    

    He had a gift for hearing what was in people's hearts, for listening to sand dunes sing and insects whisper. Even as a young boy, acting as an interpreter between his warring Mayan grandmother and his Spanish-speaking mother, he would translate words of spite into words of respect, so that their mutual hatred turned to love. When he grew up, he put his gift to good use in his job as a humble telegraph operator. But now the telegraph lies abandoned, obsolete as a form of communication in the electronic age, and don Júbilo is on his deathbed, mute and estranged from his beloved wife, Lucha, who refuses to speak to him. What tragic event has come between two such sensuous, loving people to cause their seemingly irreparable rift? What mystery lies behind the death of the son no one ever mentions? Can their daughter bring reconciliation to her parents before it is too late, by acting as an interpreter between them, just as Júbilo used to do for other people? Swift as Desire is Laura Esquivel's loving tribute to her father, who worked his own lifelong magic as a telegraph operator. In this enchanting, bittersweet story, touched with graphic earthiness and wit, she shows us how keeping secrets will always lead to unhappiness, and how communication is the key to love.

    Two feuding crime families with blood on their hands need our hard-boiled hero, The Redeemer, to broker peace. Both his instincts and the vacant streets warn him to stay indoors, but The Redeemer ventures out into the city’s underbelly to arrange for the exchange of the bodies they hold hostage.Yuri Herrera’s novel is a response to the violence of contemporary Mexico. With echoes of Romeo and Juliet, Roberto Bolaño and Raymond Chandler, The Transmigration of Bodies is a noirish tragedy and a tribute to those bodies – loved, sanctified, lusted after, and defiled – that violent crime has touched.

    (It was adapted as the Kurt Russell/Mariel Hemingway film The Mean Season.) Katzenbach's tale blazes with local color, and his depiction of the newspaper life is accurate, entertaining, and animated by an interesting dilemma: What does a newshound do when he becomes part of the story he's covering? That's what happens to Malcolm Anderson of The Miami Journal. One day in 1975, fate hands him Page One material: a beautiful teenager found with the back of her head removed by a .45 bullet. Katzenbach takes us through the reporter's paces: eliciting quotes from the victim's family and friends (the girls at school wonder who'll replace the deceased on the cheerleading squad); getting great "art" for the photographer; negotiating the story's space, timing, and emphases with the city editor. But this is no ordinary killing. The only thing worse than a dead teen is a dead teen with a note in her pocket reading, "Number One." Worse yet, Malcolm gets a call at his desk from the "Numbers Killer," who taunts him with an elliptical account of his tormented childhood and violent Vietnam experiences. As Malcolm desperately tries to deduce the killer's motives and prevent the next murder, he wrestles with the terrible question of his own complicity. The bad guy here is just OK, but the reporter is a very good character, and the novel well merits its Edgar Award nomination. --Tim Appelo

    Truthful and tender, profoundly aware of the possibility of magic and the miraculous, these poems are beautiful, informed, and, even at their darkest moments, filled with courage and hope. Alongside old favorites, this edition will contain a selection of new, unpublished poems. This is a must for poetry lovers.

    It is an acquired taste, for those who do not mind profanity and dishevelled emotions.

    He builds on those bricks of tedium a greatly enjoyable and splendidly well-written suburban farce.” —Yuri HerreraRodrigo likes his vacant lot, its resident chicken, and being left alone. But when passivity finds him accidentally married to Cecilia, he trades Mexico City for the sun-bleached desolation of his hometown and domestic life with Cecilia for the debauched company of a poet, a philosopher, and Micaela, whose allure includes the promise of time travel. Earthy, playful, and sly, Among Strange Victims is a psychedelic ode to the pleasures of not measuring up. Daniel Saldaña París (born Mexico City, 1984) is an essayist, poet, and novelist whose work has been translated into English, French, and Swedish and anthologized, most recently in Mexico20: New Voices, Old Traditions, published in the United Kingdom by Pushkin Press. Among Strange Victims is his first novel to appear in the United States. He lives in Montreal, Quebec.

    100 mitos de la historia de Mexico recovers reliable documents and harsh dissertations on the laws, wars, dominations and mandates. Supported by a revealing bibliography, this work draws the true face of the nation; it brings to our attention the greatest errors of the government heads and their bloody plots, but also describes heroes and memorable events in the lives of true patriots. Mexico's official history will tremble at its roots.

    He died in 1965 virtually unrecognized, yet in the following years his work and thought have attracted and intrigued an international audience. Now this comprehensive biography gives a pivotal poet his due. Based on interviews with scores of Spicer's contemporaries, Poet Be Like God details the most intimate aspects of Spicer's life-his family, his friends, his lovers-illuminating not only the man but also many of his poems. Such illumination extends also to the works of others whom Spicer came to know, including the writers Frank O'Hara, Robert Duncan, Denise Levertov, Helen Adam, Robin Blaser, Charles Olson, Philip K. Dick, Richard Brautigan, and Marianne Moore and the painters Jess, Fran Herndon, and Jay DeFeo. The resulting narrative, an engaging chronicle of the San Francisco Renaissance and the emergence of the North Beach gay scene during the 50s and 60s, will be indispensable reading for students of American literature and gay studies.

    Someone needs to forgive.‘Charming, quirky, magical’ Joanne HarrisNothing hurts like not knowing who you are.Nobody will tell Cadi anything about her father and her sister. Her mother Violet believes she can only cope with the past by never talking about it. Lili, Cadi’s aunt, is stuck in the middle, bound by a promise she shouldn’t have made. But this summer, Cadi is determined to find out the truth.In a world of hauntings and magic, in a village where it rains throughout August, as Cadi starts on her search, the secrets and the ghosts begin to wake up. None of the Hopkins women will be able to escape them.‘Carol Lovekin’s prose is full of beautifully strange poetry.’Rebecca Mascull, author of The Visitors and Song of the Sea Maid.‘Drawing on nature, witchcraft, age-old fairytales and secrets, Lovekin weaves a powerful, spellbinding tale.’Judith Kinghorn, author of The Last Summer.

    There, he falls under the spell of the rich and eccentric Damory family.

    Bukowski's last journals candidly and humorously reveal the events in the writer's life as death draws inexorably nearer, thereby illuminating our own lives and natures, and to give new meaning to what was once only familiar. Crumb has illustrated the text with 12 full-page drawings and a portrait of Bukowski.