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Hysteria
Terry Johnson - 1994
It is "one of the most brilliantly original and entertaining new plays I have seen in years: wild, weird and funny, serious, compassionate and shocking, blasphemous and reverential, intellectual and frivolous, a factual fantasy, a demented farce, a black nightmare." (Sunday Times)
The Son
Florian Zeller - 2018
Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.
The Revisionist
Jesse Eisenberg - 2013
The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.
The Kindness of Strangers
Katrina Kittle - 2006
But when a shocking revelation rips apart the family of her closest friend, Sarah finds herself welcoming yet another troubled young boy into her already tumultuous life.Jordan, a quiet, reclusive elementary school classmate of Sarah's son Danny, has survived a terrible ordeal. By agreeing to become Jordan's foster mother, Sarah will be forced to question the things she has long believed. And as the delicate threads that bind their family begin to unravel, all the Ladens will have to face difficult truths about themselves and one another—and discover the power of love necessary to forgive and to heal.
Lorca Plays: One: Blood Wedding, Doña Rosita the Spinster, and Yerma
Federico García Lorca - 1935
Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Doña Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.
Italian American Reconciliation
John Patrick Shanley - 1998
He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.
An Oresteia
Anne Carson - 2009
After the murder of her daughter Iphegenia by her husband Agamemnon, Klytaimestra exacts a mother’s revenge, murdering Agamemnon and his mistress, Kassandra. Displeased with Klytaimestra’s actions, Apollo calls on her son, Orestes, to avenge his father’s death with the help of his sister Elektra. In the end, Orestes, driven mad by the Furies for his bloody betrayal of family, and Elektra are condemned to death by the people of Argos, and must justify their actions—signaling a call to change in society, a shift from the capricious governing of the gods to the rule of manmade law.Carson’s accomplished rendering combines elements of contemporary vernacular with the traditional structures and rhetoric of Greek tragedy, opening up the plays to a modern audience. In addition to its accessibility, the wit and dazzling morbidity of her prose sheds new light on the saga for scholars. Anne Carson’s Oresteia is a watershed translation, a death-dance of vengeance and passion not to be missed.
Tender Delirium
Tania De Rozario - 2013
It brings together (but is not limited to) estranged lovers, despairing mothers and the avenging spirits of murdered women, in an assortment of words that celebrate queer desire, obsessive longing and a general disregard for "proper" subject matter. Comprising selected work written over the course of a decade, the largely confessional collection has been described as dark and hysterical ... but in a good way.
All This Intimacy
Rajiv Joseph - 2010
In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women
The Last Five Years
Jason Robert Brown - 2002
The show's unconventional structure consists of Cathy, the woman, telling her story backwards while Jamie, the man, tells his story chronologically; the two characters meet only once, at their wedding in the middle of the show.Jason Robert Brown won Drama Desk Awards for the music and the lyrics after the Off-Broadway premiere in 2002 starring Norbert Leo Butz and Sherie Rene Scott. The show has since been produced at almost every major regional theater in the U.S., and has been seen in Korea, Japan, the Philippines, Germany, Italy, Canada, Spain, and the UK.
A Singapore Love Story
Kay Hwa Low - 2011
It can either be stretched to its limit so that it can hold the most number of things, or it can be stretched till it breaks. If you stretch till it breaks, it means that the relationship will not last. The one who stretches the rubber band is reality. No matter how much two lovers love each other, reality will stretch that love. Whether it holds or breaks doesn’t just depend on how strong the love is. It depends on how aggressive reality is stretching as well. If the rubber band has broken, there is no way to fix it.”“Have you broken a rubber band before?”“Who hasn’t?”
We Rose Up Slowly
Jon Gresham - 2015
11, No. 1, June 2017 "Gresham's surrealistic stories, at their best, shake us from within, and deepen the notion that we are islands of consciousness; in this way, they compel us to confront our own intellectual detachments and emotional blindspots in order for us to engage better with the world. They are also fundamentally stories about our modern world, its cross-cultural realities, and the fractured lives we lead in them. We Rose Up Slowly is an absorbing and disturbing read definitely worth spending an afternoon with." Sam Ng in Quarterly Literary Review Singapore, July 2016 Read more about the book on the We Rose Up Slowly Facebook Page or on the author's website.