For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls “all its wildnesses of character and voice.” These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.

    . . this duet is worth contemplating." (Philadelphia Inquirer)In the first novella, A Married Woman, Caroline Betts keeps a careful vigil over her husband's deathbed. For 40 years, she had been a devoted wife. But during one awful moment in their otherwise good marriage, her husband William was in love with someone else. At the end of William's life, Caroline confronts her sorrow, anger, and odd flashes of relief and feelings of rebirth.In the second novella, A Married Man, David -- husband, father, businessman -- finds his sense of well-being and achievement undermined by the betrayal of his wife, who's had a brief affair. The novella takes readers inside the couple's heartbreaking efforts to reclaim their marriage. Elegantly written, profoundly affecting, and subtly illuminating, Fleming's fiction debut is a revelation.