Revealing himself to be a consummate storyteller, stage and screen star Everett ("My Best Friend's Wedding") pens a delightfully witty memoir in which he reveals his life experiences as an up-and-coming actor, detailing everything from the eccentricities of the British upper class to the madness of Hollywood.

    The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Milly and Jared’s adopted son Mateo grows to see the opportunity for both self-realization and oblivion that New York offers. As the junkies and protesters of the 1980's give way to the hipsters of the 2000's and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020's, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them. Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a true response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself.

    The man he loved for years, Andrew Morris, cheated on him, and Ryan isn't sure he could ever endure anything serious right now. Only casual will do. But Officer Paul Grayling has had his eye on his sad, sexy neighbor for months. He knows that Ryan's heart was broken, but when a chance to get together for a night of fun presents itself, he takes full advantage. Their chemistry is surprising, and Ryan isn’t sure what to think about how well he and Paul hit it off. Ryan is still hesitant to pursue anything serious, but Paul isn't making it easy, and what they have together could turn into love. It doesn't help that Ryan's ex keeps popping up at the wrong time, asking to get back together again. In the end, though, Ryan and Paul have to decide what they truly want, no matter the obstacles that come their way.

    But when the king and Ren’s half-brother, Crown Prince Hellic are brutally murdered, Ren is accused. Now, he is forced to flee the city together with the mysterious prisoner Anik who may know how to survive in the wild, but who seems to have an agenda of his own, one that may spell danger for Ren.Ren’s accuser now sits on his family’s throne, and things are about to get much, much worse. It may be time to seek help in unexpected places.

    A graphic and uncompromising autobiographical bender, the story of Tea's years as a prostitute, with provocative illustrations by Laurenn McCubbin.

    in this audacious, satirical tale of a struggling screenwriter, his media-whore best friend, and their circle of celebrity-seeking pals."(213)?" you'll likely ask.Well, the area code, of course."Misadventures?"Just the high jinks underemployed Tinseltown wannabes are usually up to. Like making off with fish from Tina Louise's koi pond. Or harassing Alicia Silverstone with tales of watermelon-loving porn stars. Or auctioning off Andrew Shue's chicken wing and Heather Locklear's lip print for charity. You know.Packed with Hollywood life lessons and more B-level celebs than you can shake a casting sheet at, Misadventures in the (213) is a brilliantly witty dagger straight through the heart of the L.A. entertainment machine.

    In setting the stage for her extraordinary tale, she recreates the aura of turn-of-the-century Frankfurt, Boston, and Saratoga Springs and of an age when private passions were hidden below the surfaces of private selves. She recalls her marriage as a sheltered young woman to the brilliantly promising Robert Maclaren, his swift rise to international musical fame, the darker story of his angry silences, and eventually, the grim details of his illness and death. In the final phase of her story she tells of the late-blossoming passion she discovers with Anna, the serene nurse who tended Robert in his dying days, and about the artists' colony they found as a tribute to his life and work.

    But as he approaches midlife and realizes something is missing, can he forgive himself for the worst mistake he ever made—the one that left a hole no amount of career success can fill? Or will fear keep him from the full life he really wants?Liam and Ben were childhood sweethearts, then college boyfriends. But when Liam cheated on Ben, Ben forced himself to cut ties and move on. He’s still living in the small town where they grew up, teaching, but it’s not the life he imagined for himself as a younger man. Still, when Liam returns, he can’t risk his heart again. He certainly can’t allow himself to love Liam again after fighting so hard to get over him.Neither man wants to let go of the past and face their apprehension at starting over. They don’t want to fall in love a second time—but sometimes love happens whether it’s wanted or not.

    In his search for new friends and potential lovers, he becomes sucked into London’s gay drug culture, soon becoming addicted to partying and the phenomenon that is ‘chemsex’. Exploring his own journey through this dark but popular world, James looks at the motivating factors that led him to the culture, as well as examining the paths taken by others. He reveals the real goings-on at the weekends for thousands of people after most have gone to bed, and how modern technology allows them to arrange, congregate, furnish themselves with drugs and spend hours, often days, behind closed curtains, with strangers and in states of heightened sexual desire.Something for the Weekend looks compassionately at a growing culture that’s now moved beyond London and established itself as more than a short-term craze.

    With a spacious loft, a college-age daughter in Boston, and lively friends, they are admirable, enviable contemporary urbanites with every reason, it seems, to be happy. Then Rebecca’s much younger look-alike brother, Ethan (known in thefamily as Mizzy, “the mistake”), shows up for a visit. A beautiful, beguiling twenty-three-year-old with a history of drug problems, Mizzy is wayward, at loose ends, looking for direction. And in his presence, Peter finds himself questioning his artists, their work, his career—the entire world he has so carefully constructed.Like his legendary, Pulitzer Prize–winning novel, The Hours, Michael Cunningham’s masterly new novel is a heartbreaking look at the way we live now. Full of shocks and aftershocks, it makes us think and feel deeply about the uses and meaning of beauty and the place of love in our lives.<

    This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine's 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe's most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.

    His plans include running for class president, becoming head of the yearbook committee and having his choice of colleges. They do not include falling head over heels for his best friend and next-door neighbour, Kyle. It's a distraction. It's pointless, as Kyle is already dating the gorgeous and popular head cheerleader, Ruby. And Gideon doesn't know what to do . . .Kyle finally feels like he has a handle on life. He has a wonderful girlfriend, a best friend willing to debate the finer points of Lord of the Rings, and social acceptance as captain of the basketball team. Then, both Ruby and Gideon start acting really weird, just as his spot on the team is threatened, and Kyle can't quite figure out what he did wrong . . .

    Award-winning science fiction author Samuel Delany and Dennis, a homeless New Yorker selling books from a blanket, discover sexual joy and explode stereotypes while exploring the possibilities for compassion and acceptance in this moving graphic novel -- all the more touching because it's true.

    Co-published by two of the premiere publishers in comics—DC and IDW, this oversize comic contains moving and heartfelt material from some of the greatest talent in comics, mourning the victims, supporting the survivors, celebrating the LGBTQ community, and examining love in today’s world. All material has been kindly donated by the writers, artists, and editors with all proceeds going to victims, survivors, and their families. Be a part of an historic comics event! It doesn’t matter who you love. All that matters is you love.

     The last thing Tori wants is to live her life by anyone else’s rules but her own. Ever since she left the world of country clubs and debutante balls behind, she has lived free of the standards imposed by others. But something is missing… …and that something is Madeleine, a carefree grad student from the same upper class social circles. The attraction is unexpected and, to Tori’s surprise, more liberating than the life she has cultivated for herself. Piece by piece, Madeleine takes down the wall that conflict and heartbreak have built around Tori’s emotions. Is loving Madeleine the key to Tori’s healing and happiness? And is Tori willing to step back into that world, even just a little, to take a chance on a love that could last?