No more traffic gridlock or getting stuck on the tube in tunnels (you’re claustrophobic); now you’ve got an iconic Thames view, fresh air ?— a whole lifestyle upgrade. You’ve made new friends onboard — led by your hedonistic young neighbour, Kit ?— and just had your first ‘water rats’ Christmas drinks. But the first day back after Christmas, Kit isn’t on the morning boat. The river landmarks are all the same, but something’s off. You disembark to find the police waiting. Kit’s wife, Melia, has reported him missing and another passenger witnessed the two of you arguing on the last boat home after your drinks. Police say you had a reason to lash out at him. To kill him.You protest. You and Kit are friends ?— ask Melia, she’ll vouch for you. And who exactly is this other passenger pointing the finger? What do they know about your private lives? No, whatever coincidences might have occurred that night, you are innocent, totally innocent.Aren’t you?

    . . wishing he looked more like Hugh Grant. Scarlett loves the movies. But does she love sensible fiancé David just as much? With a big white wedding on the horizon, Scarlett really should have decided by now . . . When she has the chance to house-sit in Notting Hill - the setting of one of her favourite movies - Scarlett jumps at the chance. But living life like a movie is trickier than it seems, especially when her new neighbour Sean is so irritating. And so irritatingly handsome, too. Scarlett soon finds herself starring in a romantic comedy of her very own: but who will end up as the leading man?

    Soon his plans for a magnificent terrace built above the two-hundred-foot drop of the Gorge come under threat.Diner believes that Lizzie’s independent, questioning spirit must be coerced and subdued. She belongs to him: law and custom confirm it, and she must live as he wants.In a tense drama of public and private violence, resistance and terror, Diner’s passion for Lizzie darkens until she finds herself dangerously alone.

    Fletcher, an explosive and thought-provoking novel about the far-reaching repercussions of an illicit relationship between a young girl and a man twenty years her senior.A rising star in the London arts scene of the early 1970s, gifted composer Ralph Boyd is approached by renowned novelist Edmund Greenslay to score a stage adaptation of his most famous work. Welcomed into Greenslay’s sprawling bohemian house in Putney, an artistic and prosperous district in southwest London, the musical wunderkind is introduced to Edmund’s beautiful activist wife Ellie, his aloof son Theo, and his nine-year old daughter Daphne, who quickly becomes Ralph’s muse.Ralph showers Daphne with tokens of his affection—clandestine gifts and secret notes. In a home that is exciting but often lonely, Daphne finds Ralph to be a dazzling companion. Their bond remains strong even after Ralph becomes a husband and father, and though Ralph worships Daphne, he does not touch her. But in the summer of 1976, when Ralph accompanies thirteen-year-old Daphne alone to meet her parents in Greece, their relationship intensifies irrevocably. One person knows of their passionate trysts: Daphne’s best friend Jane, whose awe of the intoxicating Greenslay family ensures her silence.Forty years later Daphne is back in London. After years lost to decadence and drug abuse, she is struggling to create a normal, stable life for herself and her adolescent daughter. When circumstances bring her back in touch with her long-lost friend, Jane, their reunion inevitably turns to Ralph, now a world-famous musician also living in the city. Daphne’s recollections of her childhood and her growing anxiety over her own young daughter eventually lead to an explosive realization that propels her to confront Ralph and their years spent together.Masterfully told from three diverse viewpoints—victim, perpetrator, and witness—Putney is a subtle and enormously powerful novel about consent, agency, and what we tell ourselves to justify what we do, and what others do to us.

    But office life goes downhill with the departure of her work wife, Ruby, and the arrival of new guy Cameron - a chauvinist, a womaniser and the very opposite of a team player. But is Cameron the bad guy he seems to be?When a best-forgotten ex decides to get back in touch, Edie's work life, love life and home life are on a collision course. Exactly what she will be able to salvage from the twisted wreckage, is anybody's guess.A funny and feel-good romance for fans of Mhairi McFarlane and Jo Watson.

    But when they start crashing the same parties, the mittens are off!As much as she loves Christmas, after her mother’s death, events planner Nat can’t face the jolly season anymore. So to get her festive hit she crashes everyone else’s party. It’s a sweet gig, until she meets her competition, tech empire millionaire, Dean, under the mistletoe…!When it comes to relationships, Dean doesn’t do serious—being left at the altar will do that to a guy. So when he meets feisty Nat, the first woman in ten years to pique his interest, he’s tempted to break his one-night rule…just for the holidays!Nat and Dean might get more than they bargained for in their stockings this Christmas!

    After unceremoniously dumping everything in her bag in front of the most attractive man she's ever seen in real life, she arrives at her hotel only to realize she's grabbed the wrong suitcase from the airport. Her only consolation? The irresistibly appealing contents of the case: a copy of her favorite book; piano music; and a rugged, heavy knit fisherman sweater only a Ryan Gosling lookalike could pull off. The owner of this suitcase is Laura's dream man--she's sure of it. Now, all she has to do is find him.The mix-up seems written in the stars. After all, what are the odds that she'd find The One on the same remote island where her mom and dad had first fallen in love, especially as she sets out to write an article about their epic romance? Commissioning surly cab driver Ted to ferry her around seems like her best bet in both tracking down the mystery suitcase owner and retracing her parents' footsteps. And if beneath Ted's gruffness lies a wit that makes their cab rides strangely entertaining, so much the better. But as Laura's long-lost luggage soulmate proves difficult to find--and as she realizes that the love story she's held on a pedestal all her life might not have been that perfect--she'll have to rethink her whole outlook on love to discover what she really wants.

    Rule #1: The poison must never be used to harm another woman.Rule #2: The names of the murderer and her victim must be recorded in the apothecary’s register.One cold February evening in 1791, at the back of a dark London alley in a hidden apothecary shop, Nella awaits her newest customer. Once a respected healer, Nella now uses her knowledge for a darker purpose - selling well-disguised poisons to desperate women who would kill to be free of the men in their lives. But when her new patron turns out to be a precocious twelve-year-old named Eliza Fanning, an unexpected friendship sets in motion a string of events that jeopardizes Nella’s world and threatens to expose the many women whose names are written in her register.In present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, reeling from the discovery of her husband’s infidelity. When she finds an old apothecary vial near the river Thames, she can’t resist investigating, only to realize she’s found a link to the unsolved “apothecary murders” that haunted London over two centuries ago. As she deepens her search, Caroline’s life collides with Nella’s and Eliza’s in a stunning twist of fate - and not everyone will survive.

    Matilda Simpkin, rooting through a cupboard, comes across a small wooden club – an old possession of hers, unseen for more than a decade.Mattie is a woman with a thrilling past and a chafingly uneventful present. During the Women’s Suffrage Campaign she was a militant. Jailed five times, she marched, sang, gave speeches, smashed windows and heckled Winston Churchill, and nothing – nothing – since then has had the same depth, the same excitement.Now in middle age, she is still looking for a fresh mould into which to pour her energies. Giving the wooden club a thoughtful twirl, she is struck by an idea – but what starts as a brilliantly idealistic plan is derailed by a connection with Mattie’s militant past, one which begins to threaten every principle that she stands for.Old Baggage is a funny and bittersweet portrait of a woman who has never, never given up the fight.

    At nineteen, he’s proud of the fact his relationship flies in the face of social convention.As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.Tender and profound, The Only Story is an achingly beautiful novel by one of fiction’s greatest mappers of the human heart.

    But life comes with expectations, there are choices to be made, boxes to tick and – sometimes – stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices – because life according to Olive looks a little bit different.Moving, memorable and a mirror for every woman at a crossroads, OLIVE has a little bit of all of us. Told with great warmth and nostalgia, this is a modern tale about the obstacle course of adulthood, milestone decisions and the ‘taboo’ about choosing not to have children.

    Ivy is skint, single, and scared that she isn't a 'hot mess' any more - she's a walking disaster.But one night, Ivy switches her phone off, peels last night's drunken pizza off the sofa, and makes a list. A list that changes everything . . .The new Ivy has a proper job. She goes on fancy dates in wine bars. She's starting to think: maybe 'faking it till you make it' is easy?But then she meets Scott.Curly-haired, sarcastic Scott.Sh*t.

    Growing up in a typically Victorian household, the Pargiter children must learn to find their footing in an alternative world, where the rules of etiquette have shifted from the drawing-room to the air-raid shelter. A work of fluid and dazzling lucidity, The Years eschews a simple line of development in favour of a varied and constantly changing style, emphasises the radical discontinuity of personal experiences and historical events. Virginia Woolf's penultimate novel celebrates the resilience of the individual self and, in her dazzlingly fluid and distinctive voice, she confidently paints a broad canvas across time, generation and class.

    Vanessa, Virginia, Thoby, and Adrian are leaving behind their childhood home and taking a house in the leafy heart of avant-garde Bloomsbury. There they bring together a glittering circle of bright, outrageous artistic friends who will grow into legend and come to be known as the Bloomsbury Group. And at the center of this charmed circle are the devoted, gifted sisters: Vanessa, the painter, and Virginia, the writer.   Each member of the group will go on to earn fame and success, but so far Vanessa Bell has never sold a painting. Virginia Woolf’s book review has just been turned down by The Times. Lytton Strachey has not published anything. E. M. Forster has finished his first novel but does not like the title. Leonard Woolf is still a civil servant in Ceylon, and John Maynard Keynes is looking for a job. Together, this sparkling coterie of artists and intellectuals throw away convention and embrace the wild freedom of being young, single bohemians in London.   But the landscape shifts when Vanessa unexpectedly falls in love and her sister feels dangerously abandoned. Eerily possessive, charismatic, manipulative, and brilliant, Virginia has always lived in the shelter of Vanessa’s constant attention and encouragement. Without it, she careens toward self-destruction and madness. As tragedy and betrayal threaten to destroy the family, Vanessa must decide if it is finally time to protect her own happiness above all else.   The work of exciting young newcomer Priya Parmar, Vanessa and Her Sister exquisitely captures the champagne-heady days of prewar London and the extraordinary lives of sisters Vanessa Bell and Virginia Woolf.Advance praise for Vanessa and Her Sister   “Priya Parmar is on a high-wire act all her own in this radiantly original novel about the Bloomsbury Set. Irrepressible, with charm and brio to spare, Vanessa and Her Sister boldly invites us to that moment in history when famous minds sparked and collided. Prepare to be dazzled.”—Paula McLain, author of The Paris Wife   “With sparkling wit and insight, Priya Parmar sets us down into the legendary Bloomsbury household of the Stephen siblings, where sisters Vanessa and Virginia vie for love and primacy amidst a collection of eccentric guests. Vanessa and Her Sister kidnapped me for a couple of days. I couldn’t put it down.”—Nancy Horan, author of Under the Wide and Starry Sky   “I loved this brilliant depiction of the true price of genius. Parmar’s novel shines a bright light into the empty spaces between the lines of history.”—Helen Simonson, author of Major Pettigrew’s Last Stand   “This is the novel I didn’t know I was waiting for, and it is, quite simply, astonishing: not just because of Priya Parmar’s preternatural skill at evoking the moment when the lid was coming off the Victorians, but because of how she has caught the two sisters at the center of that swirl. It is beautiful, wise, and as deft as a stroke upon the canvas.”—Sarah Blake, author of The Postmistress

    She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.