IT IS THEIR RESIDENTS WHO ARE SCREAMING... "No-one could be that unhappy and be alive..." A chambermaid's seemingly innocent request is granted, an act of kindness that has dire consequences for the guest at THE ELMS, MORECAMBE. Human despair has a power of its own after death, and it is contagious... "I wish I had been right; I wish that it had been a man, or death alone, that had found her..." An unearthly light in an abandoned bungalow resolves the mystery of a missing child, but no human force has taken her. An entity that fishes for children is in THE MERRY HOUSE, SCALE HALL. But will it remain there? "Go beyond the graves, and they will come to you." An invitation to a clifftop graveyard leads to a harrowing chase by burrowing things that remain unseen, their hunger unknown and never satisfied, BEYOND ST PATRICK'S CHAPEL. "The great delight in being part of the Save Our Shit crew was that sometimes they could persuade those designers of the present and the future to save or incorporate the past into their designs." There is no need in THE OCEAN GRAND, NW COAST, because the original artists created a living work of art for the hotel. Art that celebrates the triumph of the natural world over the man-made. A life force that transcends - and brings death... "Something white came out. Something white, screaming and screaming..." Homes fit for heroes, they were promised after the Great War. They were given something else in THE TEMPLE OF RELIEF AND EASE. There is a hidden agenda to paranormal researcher Richard Nakata's investigations into these houses. A commission that witnesses cattle lowing in the cowsheds of STACK'S FARM long after they've been slaughtered, and a reckoning in the showhouse of 24 GLASSHOUSE, as he and his colleagues pay the price for creating their own ghost... Simon Kurt Unsworth reinvents the classic English ghost story with a portmanteau collection that takes the haunted house genre and makes it scream...quietly. Because the most terrifying screams are the silent ones. "A major new talent in the horror genre." - Pete Tennant

    They unlock opportunities for wealth and travel, but also create incredible chaos--uprooting populations and blighting landscapes. Work on or around the rails leads to unwelcome discoveries and, in light of the Mythos, dire implications in the spread of the rail system as a whole. A certain path to uncovering unwelcome truths about the universe is to venture beyond our own "placid island of ignorance" and encounter foreign cultures. The Orient Express serves as the perfect vehicle for such excursions, designed as a bridge between West and East. Movement into mystery forms the central action for many stories in this volume. The only limitation placed upon writers for this collection was that their works somehow involve the Orient Express and the Mythos. The last warning whistle has blown, and we are getting underway. Have your tickets at the ready and settle in for a journey across unexpected landscapes to a destination that--well, we'll just let you see for yourself when you arrive. We promise this though: murder will be the least of your problems on this trip aboard the Orient Express!

    . .Featuring new and original tales from:Bridget CollinsSunday Times bestselling author of The BindingImogen Hermes GowarSunday Times bestselling author of The Mermaid and Mrs HancockKiran Millwood HargraveSunday Times bestselling author of The MerciesAndrew Michael HurleySunday Times bestselling author of The LoneyJess KiddInternational award-winning author of Things in JarsElizabeth MacnealSunday Times bestselling author of The Doll FactoryNatasha PulleySunday Times bestselling author of The Watchmaker of Filigree StreetLaura PurcellAward-winning author of The Silent Companions

    Although In Darkness Waiting begins in much the same vein as many horror novels (mysterious deaths; a small town invaded by evil; plucky, attractive young lovers; the logical level-headed doctor; some salt-of-the-earth townsfolk...) by its end you will have discovered it is not "just another horror novel." With its exploration of the "insect" inside us all, In Darkness Waiting proves more relevant today than ever. Considering a read of In Darkness Waiting is like considering a trip through the Amazon with no weapons and no vaccinations and no shoes. It's like contemplating a journey in the Arctic clad only in your underwear. Or maybe it's more like dropping into one of those spelunker's challenges, those chilling pitch-black shafts into the Earth's crust-and when you get down there your light burns out and you remember the chitinous fauna of the cavern... Unlike undertaking those endeavors, you can get through the harrowing pages of In Darkness Waiting alive (although we are not promising you'll remain unscathed.) Towards the end you'll discover one of the most extreme yet literate passages ever written. It may well be the most outré scene ever created. But John Shirley wasn't after shock alone. Shock is never enough for him.

    But visitors Gerald Sternbruck and Ernst Carlsberg soon realise that the still waters of the lake conceal a frightful evil that preys on flora, fauna - and human beings.Then they discover that the same evil first manifested itself before the valley was flooded - and may have been the basis for H.P. Lovecraft's classic story The Colour out of Space.For fifty years one waman has been planning her revenge on the monstrous force which caused the strange shimmering colours -- and sucks the very life from the people in its clutches....

    This volume includes four fine examples, including The Canterville Ghost, the comical tale of a spirit who terrorized the residents of Canterville Chase for three centuries. When the manor is acquired by a no-nonsense American family with no use for the supernatural, hilarity ensues.Three other stories feature "The Sphinx Without a Secret," a tale of an enigmatic woman who carries a mystery's key to her grave; "The Model Millionaire," recounting the exploits of a "delightful, ineffectual young man with a perfect profile and no profession"; and "Lord Arthur Savile's Crime," in which an aristocrat learns that he is destined to commit murder. Rounding out the volume are Wilde's lyrical Poems in Prose: "The Artist," "The Doer of Good," "The Disciple," "The Master," "The House of Judgment," and "The Teacher of Wisdom."

    She has no memory, no idea who she is or where she came from. Blood runs from a wound on one side of her head. She hears strange sounds coming from one of the rooms upstairs. She still doesn't remember anything, but she's starting to realize the awful truth.She's trapped inside a haunted house.Not even knowing her own name, the woman starts searching for clues. The strange sounds continue. Is she truly alone, or are there others in the house? And if there are others, are they friend or foe? After making her first shocking discovery, the woman begins to fear the worst. Time is running out. The doors and windows are sealed shut. Nothing makes sense, but a grandfather clock in the hallway seems to offer clues.Who is this woman? What was she doing in the house before she lost her memory? And even if she remembers in time, will she be able to stop the evil that lurks in the shadows?

    It was later included as part of his first published book, The Opener of the Way (1945), and his 1994 collection The Early Fears. As a Cthulhu Mythos tale it is notable for introducing the forbidden tome De Vermis Mysteriis (Mysteries of the Worm), and being a prequel to Lovecraft's own short story The Haunter of the Dark, which was dedicated to Bloch.-- Wikipedia

    The characters in these stories live as interlopers in a world shaped by mysterious disappearances and unfathomable discrepancies between the real and imagined. Brian Evenson, master of literary horror, presents his most far-ranging collection to date, exploring how humans can persist in an increasingly unreal world. Haunting, gripping, and psychologically fierce, these tales illuminate a dark and unsettling side of humanity.Praised by Peter Straub for going "furthest out on the sheerest, least sheltered narrative precipice," Brian Evenson is the author of ten books of fiction. He has been a finalist for the Edgar Award, the Shirley Jackson Award, and the World Fantasy Award, and the winner of the International Horror Guild Award, and the American Library Association's award for Best Horror Novel. Fugue State was named one of Time Out New York's Best Books of 2009. The recipient of a National Endowment for the Arts fellowship and three O. Henry Prizes, including one for the title story in "Windeye," Evenson lives in Providence, Rhode Island, where he directs Brown University's Literary Arts Department.

    May of these stories are from the pages of Weird Tales and other classic magazines which brought the work of masters like H.P. Lovecraft, Seabury Quinn, Clark Ashton Smith, August Derleth, Robert E. Howard, and many others to the public. Includes an active table of contents.

    This should be a time of rest, of contemplation and reconnection with his elderly father, a chance to recharge in the fresh air of the remote village. However, grim nightmares and daytime visions of hellish environments populated by insidious creatures serve only to fray his already ragged nerves. A chance encounter with a fellow sufferer leads to an unlikely alliance as imaginary threats suddenly become manifest, and the entire village falls under the sway of the Black Star. As neighbours become enemies and the world around him crumbles, Ben must search for the truth but, more importantly, he must be prepared to accept it. Black Star, Black Sun – an unsettling new novella from Rich Hawkins, the author of the critically acclaimed novel, The Last Plague.

    Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.” Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

    When originally published in 1985 by Harry Morris’s Silver Scarab Press, the book was hardly noticed. In 1989, an expanded version appeared that garnered accolades from several quarters. Writing in the Washington Post, the celebrated science fiction and fantasy author Michael Swanwick extolled: “Put this volume on the shelf right between H. P. Lovecraft and Edgar Allan Poe. Where it belongs.”The revisions in the present volume of Songs of a Dead Dreamer have been calculated to make its stories into enhanced incarnations of the originals. This edition is and will remain definitive.For those already familiar with the stories in Songs of a Dead Dreamer, an invitation is extended to return to them in their ultimate state. For those new to the collection, it is submitted to engage them with some of the most extraordinary tales of their kind. In either case, this publication of Songs of a Dead Dreamer offers evidence for why Ligotti has been judged to be among the most important authors in the history of supernatural horror.

    Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories.Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story.Also includes two afterwords: Andrew Martin's Within These Walls: How the Abbeys and Houses of England Inspired the Ghost Story, and Katherine Davey's A Gazetteer of English Heritage Hauntings, properties which are said to be haunted, including the eight locations which inspired the stories in this book.

    Kathleen Drover has come back to her house in London to pick up a a few things that were left behind when she and her husband fled the bombing of London by the Germans in 1940-1941. What ensues is not what she expected from this mundane trip.