Violet shares a blood type with Erica; soon, thanks to surgery and blackmail, she has the same face, body, and DNA. She knows every detail of the Silvermans’ lives, as well as the PTSD she will have to fake around them. And then, when the time is right, she “reappears”—Erica Silverman, brought home by some kind of miracle. But she is also Violet, and she has a job: Stay long enough to steal the Silverman Painting, an Old Master legendary in the Vegas crime world. Walking a razor’s edge, calculating every decision, not sure sometimes who she is or what she is doing it for, Violet is an unforgettable heroine, and Pretending to be Erica is a killer debut.

    Her way of dealing with death equates to daily bouts of coffin yoga and fake-tattooing Patti Smith quotes onto her arms. Once a talented writer, Anna no longer believes words matter, until shocking discoveries– in the form of origami cranes– force her to redefine family and love.As Anna goes in search of the truth, she discovers that while every story, every human being, has a last line, it might still be possible to find the words for a new beginning.

    Bestsellers. Award-winners. Superstars. This anthology has them all. With brilliantly entertaining short stories from beloved young adult authors Amie Kaufman, Melissa Keil, Will Kostakis, Ellie Marney, Jaclyn Moriarty, Michael Pryor, Alice Pung, Gabrielle Tozer, Lili Wilkinson and Danielle Binks, this all-new collection will show the world exactly how much there is to love about Aussie YA.

    She speaks High School, College, Friends, Boyfriends, Break-ups, and even the language of Beautiful Girls. But none of these is her native tongue -- the only people who speak that are her best friend Stu and her sister Kate. So when Kate gets engaged to an epically insufferable guy, how can Josie see it as anything but the mistake of a lifetime? Kate is determined to bend Josie to her will for the wedding; Josie is determined to break Kate and her fiancé up. As battles are waged over secrets and semantics, Josie is forced to examine her feelings for the boyfriend who says he loves her, the sister she loves but doesn't always like, and the best friend who hasn't said a word -- at least not in a language Josie understands.

    At a party she discovers her younger sister, Audrey, hooking up with her boyfriend, Mike—and she abandons them both in a rage. When Mike drunkenly attempts to drive Audrey home, he crashes and Audrey ends up in a coma. Now Harley is left with guilt, grief, pain and the undeniable truth that her ex-boyfriend (who is relatively unscathed) has a drinking problem. So it’s a surprise that she finds herself reconnecting with Raf, a neighbor and childhood friend who’s recently out of rehab and still wrestling with his own demons. At first Harley doesn’t want to get too close to him. But as Audrey awakens and slowly recovers, Raf starts to show Harley a path forward that she never would have believed possible—one guided by honesty, forgiveness, and redemption.

    But Lou is about to change her life—and that of her parents—all because of a school project about homeless teens. Whilst doing research, Lou meets No, a teenage girl living on the streets. As their friendship grows, Lou bravely asks her parents if No can live with them, and is astonished when they agree. No’s presence forces Lou’s family to come to terms with a secret tragedy. But can this shaky, newfound family continue to live together when No’s own past comes back to haunt her?Winner of the prestigious Booksellers’ Prize in France, No and Me is a timely and thought-provoking novel about homelessness that has far-reaching appeal.

    Four friends. It all adds up to a profound time of change in this poignant, sensitively written YA novel.Ellie remembers how the boys kissed her. Touched her. How they begged for more. And when she gave it to them, she felt loved. For a while anyway. So when Josh, an eager virgin with a troubled home life, leads her from a party to the backseat of his van, Ellie follows. But their "one-time thing" is far from perfect: Ellie gets pregnant. Josh reacts with shame and heartbreak, while their confidantes, Caleb and Corinne, deal with their own complex swirl of emotions. No matter what Ellie chooses, all four teenagers will be forced to grow up a little faster as a result. Told alternately from each character’s point of view, this deeply insightful novel explores the aftershocks of the biggest decision of one fragile girl’s life — and the realities of leaving innocence behind.

    Perfect for fans of The Handmaid’s Tale and Z for Zachariah.Even though she lives on the wrong side of town, 16-year-old Santee believes her world is like ours: that running late for curfew will only get you grounded, and that the government tries to keep its good citizens safe and secure. Until one night, everything changes.On her way home from school, Santee takes a detour to the outskirts of town with a boy that she likes – and then finds herself stranded overnight when his car breaks down. When she’s finally able to get a lift towards home the next morning, Santee discovers that everything has changed. A 'safety border' – a wall – has gone up around her part of town, imprisoning her family and trapping her on the outside...With its subtle familiarity and a tender, defiant teen romance at its core, Katy Warner’s powerful debut novel is about the importance of hope and standing up for what you believe in.From small cracks, big cracks grow.

    He officially came into my life exactly nine weeks and one day before our Year Ten Graduation Dance. And despite my very best efforts to wipe the day from my mind, I can still remember it clearly. It was a Friday. The thirteenth day of the month. Notice anything there? Maggie Butt is facing not only a stranger taking over her mother's life but her own as well, and she is not going to let that happen. But then there's the one-eyed snaggle-toothed cat, senior subject choices, the dream date and Cyber Boy, the geek in the library to contend with as well. It's going to be an interesting year.

    In a quest for independence, her neglected art, and no-strings-attached hookups, she signs up for a guided tour of Central America—the wrong one. Middle-aged tourists with fanny packs are hardly the key to self-rediscovery. When Bria meets Rowan, devoted backpacker and dive instructor, and his outspokenly humanitarian sister Starling, she seizes the chance to ditch her group and join them off the beaten path.Bria's a good girl trying to go bad. Rowan's a bad boy trying to stay good. As they travel across a panorama of Mayan villages, remote Belizean islands, and hostels plagued with jungle beasties, they discover what they've got in common: both seek to leave behind the old versions of themselves. And the secret to escaping the past, Rowan’s found, is to keep moving forward.But Bria comes to realize she can't run forever, no matter what Rowan says. If she ever wants the courage to fall for someone worthwhile, she has to start looking back.Kirsten Hubbard lends her artistry to this ultimate backpacker novel, weaving her drawings into the text. Her career as a travel writer and her experiences as a real-life vagabond backpacking Central America are deeply seeded in this inspiring story.

    Caring for her loved ones is what gives Arden purpose in her life and makes her feel like she matters. But lately she’s grown resentful of everyone—including her needy best friend and her absent mom—taking her loyalty for granted. Then Arden stumbles upon a website called Tonight the Streets Are Ours, the musings of a young New York City writer named Peter, who gives voice to feelings that Arden has never known how to express. He seems to get her in a way that no one else does, and he hasn’t even met her.Until Arden sets out on a road trip to find him. During one crazy night out in New York City filled with parties, dancing, and music—the type of night when anything can happen, and nearly everything does—Arden discovers that Peter isn’t exactly who she thought he was. And maybe she isn’t exactly who she thought she was, either.

    Before everyone in his family was killed in a freak rollover, he grew melons and played guitar in the family band. Robbed of all that, he has turned his back on music. There's too much emotion in it, too much memory and pain. One morning Fox is observed poaching by Georgie Jutland. Chance, or a kind of willed recklessness, has brought Georgie into the life and home of Jim Buckridge, the most prosperous fisherman in the area and a man who loathes poachers, Fox above all. But she's never fully settled into Jim's grand house on the water or into the inbred community with its history of violent secrets. After Georgie encounters Fox, her tentative hold on conventional life is severed. Neither of them would call it love, but they can't stay away from each other no matter how dangerous it is, and out on White Point it is very dangerous. Set in the dramatic landscape of Western Australia, Dirt Music is a love story about people stifled by grief and regret; a novel about the odds of breaking with the past and about the lure of music. Dirt music, Fox tells Georgie, is "anything you can play on a verandah or porch, without electricity." Even in the wild, Luther cannot escape it. There is, he discovers, no silence in nature. Ambitious, perfectly calibrated, Dirt Music resonates with suspense and supercharged emotion, and it confirms Tim Winton's status as the preeminent Australian novelist of his generation.

    If given the opportunity, what sixteen-year-old wouldn't jump at the chance to move in with a friend and live parent-free? Although maybe "opportunity" isn't the right word, since April had to tell her dad a tiny little untruth to make it happen (see #1: "Lied to Our Parents"). But she and her housemate Vi are totally responsible and able to take care of themselves. How they ended up "Skipping School" (#3), "Throwing a Crazy Party" (#8), "Buying a Hot Tub" (#4), and, um, "Harboring a Fugitive" (#7) at all is kind of a mystery to them. In this hilarious and bittersweet tale, Sarah Mlynowski mines the heart and mind of a girl on her own for the first time. To get through the year, April will have to juggle a love triangle, learn to do her own laundry, and accept that her carefully constructed world just might be falling apart . . . one thing-she-shouldn't-have-done at a time.

    They didn’t look all that great: they were worn, dirty, and speckled with bleach. On the night before she and her friends part for the summer, Carmen decides to toss them. But Tibby says they’re great. She'd love to have them. Lena and Bridget also think they’re fabulous. Lena decides that they should all try them on. Whoever they fit best will get them. Nobody knows why, but the pants fit everyone perfectly. Even Carmen (who never thinks she looks good in anything) thinks she looks good in the pants. Over a few bags of cheese puffs, they decide to form a sisterhood and take the vow of the Sisterhood of the Traveling Pants . . . the next morning, they say good-bye. And then the journey of the pants — and the most memorable summer of their lives — begins.

    Summer lives in Will's old hometown, Kettering, a small Tasmanian coastal community. Summer isn't telling the whole truth about herself, but figures it doesn't matter if they never see each other in person, right? When Will returns to Kettering, the two finally meet and Summer can no longer hide her secret – she is deaf. Can Summer and Will find a way to be friends in person even though they speak a completely different language?