It speaks of those who loved and betrayed him; of charming ladies and brilliant men around him; of his greatness and of the crafty stupidity of his contemporaries; os the wit and folly of his times; and of the struggle of men and ideas when faced with the march of history. Based on extensive research and original sources, The Sword of Tipu Sultan is an original contribution to historical literature which gives insights into the character of its hero, and the period in which he lived.Tipu, maligned by historians as a cruel and bigoted ruler, emerges here as a humane, enlightened ruler who believes that God is not confined to any one religion and that all religions therefore require equal respect. He was opposed to colonialism; welcomed the American Declaration of Independence and applauded the spirit of the French Revolution. The author establishes him as the first among modern Indian nationalists who knew also that India was weakened not by outside powers but by sickness, decadence and disunity within.The novel vividly portrays the drama of Tipu's times and recaptures the amazing spirit of the man who in the midst of disaster lost neither his dignity nor his love nor his faith in the values he cherished. He chose to court death when he could have saved himself, for he firmly believed that his sacrifice would serve as an example for the future generations of India.

    This derives directly from the view that the real world is fundamentally unstable and unpredictable (i.e., it’s not a matter of having a better forecasting model). The best response to such a world, therefore, is to have a good grasp of what is currently happening and to respond quickly and flexibly to the evolving situation.My worldview derives from many sources ranging from religious philosophy and long-range history, to Chaos Theory and Network Theory–with many of them integrated under a broad CAS framework. Some of the foreign writers and thinkers who have influenced me include Friedrich Hayek, Joseph Schumpeter, Daniel Kahneman, Lee Kuan Yew, Nassim Taleb, Karl Popper, Charles Darwin, Sun Tzu, Vidiadhar Naipaul and Jane Jacobs, to name a few. The Indian influences are even more varied and range from ancient texts such as the Ramayana, Mahabharata, and Kautilya’s Arthashastra, to more modern thinkers such as Swami Vivekananda and Sri Aurobindo.

    Kesavante Vilapangal is the life of Kesavan, a clark cum novelist who has written a novel on EMS.Kesavante Vilaapangal received Vayalar Award in 2003.

    

    Ayyappan's courage is unlimited and his wisdom unmatched. Vicious tigresses fall under his spell just as avenging demons succumb to his divine strength. Only power-crazed human beings are foolish enough to try to destroy this extraordinary lad. But, as he ascends to his rightful place as the god of Shabarimala, the glow of Ayyappan's compassion makes even earthly riches lose their glitter.

    On a trip to India, they fall in love with Jyothi: a small, shy girl, whose family has been ruined by poverty. Jyothi has been living on the streets of Bombay, seeking comfort in the music she hears around her. When her mother is involved in a tragic accident, Jack and Monika are determined to adopt the orphan child. Eventually they return to England, but Jyothi finds it difficult to adapt to her new home. She feels more alone than ever and music becomes her solace once more. Even when Jyothi’s extraordinary musical talent transforms into a promising career, she still doesn’t feel like she belongs. Then a turbulent love affair causes her to question everything. And Jyothi realises that before she can embrace her future, she must confront her past...

    In this new translation, Indra Sinha captures the beautiful, vivid language of the original as well as the humor that's been lost in previous versions.

    Discover the Om Puri no one knows about - the tongue-tied actor from Punjab with stars in his eyes; the incorrigible flirt in drama school; the connoisseur of food and expert cook; and the complete family man. Featuring amusing anecdotes with his family, shocking episodes with the stalwarts of Indian and British cinema, and the nail-biting suspense of his love life, the tale is complemented by rare and unusual photographs. Told with wit, honesty, and élan, this book is a fitting tribute to the inspirational tale of Om Puri - one of the most talented actors of India.

    A lifetime ago. Before the murder of her father. Before she became Kota Rani, the wise regent who rules over Kashmir with a firm hand.As invaders and immigrants disturb the tranquillity of her land, Kota must find a way to protect her people. But at what personal cost? Can she weather the political intrigues and power-play of the court? Will she succeed in preserving the splendour and diversity of her society? Will social hypocrisy and notions of what a woman should be keep Kota from being the sovereign she knows she is?Set in fourteenth-century Kashmir, The Last Queen of Kashmir is the sweeping saga of a civilization in peril. It is also the tale of one of the greatest queens of the land - one that will speak to the men and women of today.

    But Dharavi is much more than cold a statistic. What makes it special are the extraordinary people who live there, many of whom have defied fate and an unhelpful State to prosper through a mix of backbreaking work, some luck and a great deal of ingenuity. It is these men and women whom journalist Kalpana Sharma brings to life through a series of spellbinding stories. While recounting their tales, she also traces the history of Dharavi from the days when it was one of the six great koliwadas or fishing villages to the present times when it, along with other slums, is home to almost half of Mumbai.

    The country’s periphery, however, is dotted with sleepy towns and desolate villages whose people, simply by having more in common with citizens of neighbouring nations than with their own, have to prove their Indian identity every day.It is these specks on the country’s map that Pradeep Damodaran rediscovers as he travels across India’s borders for a little more than a year, experiencing life in far-flung areas that rarely feature in mainstream conversations. In Borderlands, he recounts his encounters with the war-weary fishermen of Dhanushkodi at the southernmost tip of Tamil Nadu, who live in fear both of the Indian Coast Guard and the Sri Lankan navy; farmers in Hussainiwala, a village on Punjab’s border with Pakistan, who are unwilling to build concrete houses for fear of them being destroyed in an ever looming war; Tamil traders of Moreh, a town straddling the Manipur–Myanmar border, who pay bribes to at least ten different militant organizations so they can safely conduct their business; and ex-servicemen in Campbell Bay who were resettled there three generations ago and have long been forgotten by the mainland.From Minicoy in Lakshadweep to Taki in West Bengal, Tawang in Arunachal Pradesh to Raxaul in Bihar, Damodaran’s compelling narrative reinforces the idea that, in India, a land of contrasts and contradictions, beauty and diversity, conflict comes in many forms.

    He broke hearts and he broke rules. He tinkered as furiously with his car as he did with his instrument, which he transformed technically to create the new sitar standard. And always there was the music, at the centre of his being, protected and unharmed—music that contained the sound of ‘fairies dancing, elephants walking’. Vilayat Khan saw music. He was the man who made the sitar sing. .Namita Devidayal, author of the acclaimed bestseller, The Music Room, recreates the extraordinary life of an artiste who fundamentally and forever changed Indian instrumental music. She follows his footsteps from Calcutta, through Delhi, Bombay, Shimla and Dehradun, to Princeton, USA, where he spent his last years. Filled with previously untold stories about the man and the musician, this is an intimate portrait of an uncommon genius. .It is also an absolute feat of research—and storytelling. .‘Vilayat Khan and Ravi Shankar promised each other they would never perform together after this. Kishan Maharaj later told someone, ‘If these two eyes of India play together again, one will shut for ever.’ i

    And his disciple, Saint Thomas, who was the apostle of India, built upon the foundation of that connection. The result is that unique form of Christianity known as Saint Thomas Christianity.In The Christ of India, Abbot George Burke presents the growing evidence that Jesus spent much of his "Lost Years" in India and Tibet, and reveals the philosophical unity of Jesus' teachings with the Eternal Way of Truth known in India as Sanatana Dharma. The history of Saint Thomas Christianity from the times of Jesus and Saint Thomas to the present day is also outlined.The Christ of India: The Story of Saint Thomas Christianity includes the following:The Christ of India, about the Essene roots of Jesus and the early Christians; the spiritual training of Jesus; The "lost years" of Jesus, with much information never before gathered together in one place; Jesus' return to the West, and how his teachings were misunderstood; Jesus return to India after his resurrection; and much more.The Apostle of India, about how Jesus' apostle Saint Thomas went to India, and how the Christianity which grew up in India had a totally unique character compared to elsewhere in the world; the history of Saint Thomas Christianity in India and the story of mission from the Church of India to America in the 1800's and what happened to it.Basic Beliefs of Saint Thomas Christianity, and The Saint Thomas Christian View of Dharma You will learn about the Tibetan adn Indian manuscripts which proved Jesus lived in the "East" and the efforts to suppress the news of their discovery.You will learn about the Indian Saint Thomas Christian bishop of the 18th century who taught karma and reincarnation, who later became a wonderworking saint revered by Christians, Hindus, and Muslims alike.Those who find themselves attracted to both Jesus and the Dharma of India will find this book fascinating and illuminating.

    Starting with her birth in 1939—in philosophic silence, till the doctor’s slap on her bottom made her bawl—she recounts her childhood, youth and middle and old age in chapters built around the many elements and processes of the physical self: tonsils and adenoids, breasts and misaligned teeth; childbirth and fluctuating weight, cancer and bunions. And through these memories emerge others, less visible but just as defining: a carefree childhood growing up in a progressive Marathi household in Mumbai’s Shivaji Park; the pleasures, in adolescence, of badminton, Kathak and hairdressing; the warmth of friends and an almost love in cold England; finding and losing a mate—twice—and bringing up her children as a single parent; the great thrill of her first translation from Marathi into English; nursing her mother, dying of cancer, as she would a baby; surviving cancer herself, and writing her second novel through the recovery. Told with effortless humour and candour, One Foot on the Ground is the story of a life full of happiness, heartbreak, wonder and acceptance. It will rank among the finest personal histories written in India.

    From the Indian Ocean to the South China Sea, from Calcutta to Canton, the Company ships were famous for their speed and daring. The "Bombay Buccaneers" who sailed them were the stuff of legend.For Percival Merewether, 1806 would be a year to remember. For in January of that year he was promoted from First Lieutenant to become the junior Captain in the Company’s Service and given the command of his first ship - the "Rapid."Armed with ten 9-pounders, the "Rapid" was a match for any pirate ship that crossed its bows, and in it Captain Merewether was to spend as action-packed and eventful a first year as any ambitious young sea-farer could have wished.Merewether had quick wits and daring to match his ambition. And with mutinies, diplomatic intrigues and skirmishes with the French to occupy him, he soon found that he needed both qualities as never before...About the Author: Ellis K. Meacham (1913-1998) was a Commander in the US Naval Reserve serving as a gunnery officer in the Pacific during the Second World War. He was an attorney in Chattanooga from 1937 to 1972, when he became a judge in the Chattanooga Municipal Court. He won the "Friends of American Writers Major Award in Fiction" in 1969 for THE EAST INDIAMAN.