Sophia never saw herself falling in love and she certainly didn't see herself falling in love with the golden boy at her high school. But it happened and before she knew it, she was pulled into his world. She thought everything was going great — till he dumped her, on her birthday — in front of all her family and friends and on top of that was cheating on her with her best friend Kayla. He didn't just break her heart; he smashed it to pieces. A month after Kyle breaks her heart.  She is forced to start a new year without her boyfriend or best friend. How could her life get any worse? Well cue her parent’s sudden departure and where does Soph have to stay while they are away? At Kyles. She is forced to stay with him and his family but she soon finds the man that keeps her sane, isn't the golden boy — Kyle any more. It's his older bad boy brother, who just got out of prison.

    From the moment Daisy walked barefoot on to the stage at the Whisky, she and the band were a sensation. Their sound defined an era. Their albums were on every turntable. They sold out arenas from coast to coast. This is the story of their incredible rise: the desire, the rivalry – and the music.Then, on 12 July 1979, Daisy Jones and the Six split up. Nobody knew why. Until now…The Flatshare: ( 9781250295651 / 1250295653)By Beth O'LearyTiffy Moore needs a cheap flat, and fast. Leon Twomey works nights and needs cash. Their friends think they're crazy, but it's the perfect solution: Leon occupies the one-bed flat while Tiffy's at work in the day, and she has the run of the place the rest of the time.But with obsessive ex-boyfriends, demanding clients at work, wrongly imprisoned brothers and, of course, the fact that they still haven't met yet, they're about to discover that if you want the perfect home you need to throw the rulebook out the window...Such a Fun Age: (9780525541905 / 052554190X)By Kiley ReidWhen Emira is apprehended at a supermarket for 'kidnapping' the white child she's actually babysitting, it sets off an explosive chain of events. Her employer Alix, a feminist blogger with the best of intentions, resolves to make things right.But Emira herself is aimless, broke and wary of Alix's desire to help. When a surprising connection emerges between the two women, it sends them on a crash course that will upend everything they think they know - about themselves, each other, and the messy dynamics of privilege.

    He’s also the most reserved and plays his cards close to his chest – not only when it comes to his job, but also his personal life. The wild and crazy bachelor lifestyle doesn’t appeal to him. He’d rather have one girl in his life than a revolving door of many and he’s got his eye on the one that he wants. The only problem is he needs to convince her of his sincerity.   Dr. Ara Palmer worked hard to get where she was in her career. As a Navy psychologist and trauma therapist, she finds satisfaction in helping her clients cope with problems and situations inherent to military service. Most would call it boring, but she found it to be thrilling – a little too thrilling lately as her life seems to have become one long list of accidents and mishaps. But, what if those accidents weren’t misfortune?   A mission gone wrong gets Railroad captured in a hostile country. He’s surprised to find someone from the team’s past has masterminded the whole thing in a bid to take them out, one at a time. With the others hurt, another team, headed by Wolf Steel, is sent in to rescue the hostages. Time is of the essence as one of them is critically wounded. They have to get them out, and now, before it’s too late for one of Railroad’s friends and for Ara. She’s been targeted and it’ll be game over if he doesn’t get home in time to save her.

    The time: closer than we may realize.Unemployment is in high double-digits. The acrid stench of civil war smokes the air. The 1930s Great Depression all over . . . just a little more high-tech.Arch and Tess Uglias are blue-collar residents of the desolate Rust Belt city of Gary, Indiana. Arch, an unemployed auto-plant worker and ex-race car driver, and Tess, an unemployed nurse, are both staring homelessness and starvation in face.Meanwhile, Frank Regis, an aging disciple of the legendary bank robber Willie Sutton, is masterminding a string of bank robberies throughout Indiana. The Regis gang is a fractious collage of professional criminals, like Frank, and once law-abiding folks who have turned to crime out of desperation.After one of their drivers is killed during a getaway, the Regis gang goes in search of a replacement, a road that leads them to Arch Uglias. Though a law-abiding citizen and square guy his whole life, Arch, like some of the other gang members, feels compelled to take the wheel. And Tess becomes an outspoken, unwilling, uncooperative part of the package.From there, it’s a boisterous, bawdy and dangerous drive through a desperate world for the Regis gang, from the ruins of the Midwest to the ruins of the West Coast with ruthless law enforcement in pursuit and mistrust and murder blossoming among them. In the end, the war that has been raging at the edges suddenly draws them into its bloody vortex, leading to a fierce climax of double cross and desperate escape.“The Uglies,” an original screenplay by Thomas Burchfield (“Dragon’s Ark,” “Whackers”), drives the same perilous roads as such classics as “Bonnie and Clyde” and “The Getaway. It is a wild, bawdy, and action-packed saga about crime and pursuit, friendship and survival. It’s also the story of people who realize the need to stick together as the world around them falls to pieces.

    It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.Cast of five women and 12 men.

    drunk, Effie is the kind of girl you'd avoid eye contact with, silently passing judgement. We think we know her, but we don't know the half of it. Playwright Gary Owen uses the Greek myth of Iphigenia to tell a modern story: exploring social deprivation, poverty and class in contemporary Wales.

    He has written to Rick to say that, as long as he is alive, "you will have somebody on Earth who will do anything for you," so Willum is delighted when Rick shows up unexpectedly at his apartment on the night of his thirty-fourth birthday party. But his delight soon fades as it becomes apparent that Rick is a hopeless "nerd," a bumbling oaf with no social sense, little intelligence, and even less tact. Rick stays on and on, his continued presence among Willum and his friends leading to one uproarious incident after another, until the normally placid Willum finds himself contemplating violence, a dire development which, happily, is staved off by the surprising "twist" ending of the play.

    A short critical essay which considers the significance of the title.

    As the full force of a horrific past crashes into the good intentions of the present, what seemed a far-away place and time is suddenly all too close to home. Just whose story are they telling?Award-winning playwright Jackie Sibblies Drury collides the political with the personal in a play that is irreverently funny and seriously brave.We Are Proud To Present . . . received its European premiere at the Bush Theatre, London, on 28 February 2014.

    She wants to make Carrie look beautiful, smell beautiful—and then she wants to eat her! Will Carrie survive as her slave? Will Jimmie be cured? Starring a host of Hollywood’s brightest stars, including Coco Chanel, Lon Chaney and the Carter Family, The Show That Smells is a thrilling tale of hillbillies, high fashion, and horror!

    From the writer of the award-winning film Lantana.It interweaves a series of connected stories as seven people confront the mysteries of their past in order to understand their future, revealing how patterns of betrayal, love and abandonment are passed on. Until finally, as the desert is inundated with rain, one young man finds the courage to defy the legacy.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    Inspired by Frank Wedekind’s controversial 1891 play about teenage sexuality and society’s efforts to control it, the piece seamlessly merges past and present, underscoring the timelessness of adolescent angst and the universality of human passion.Steven Sater’s plays include the long-running Carbondale Dreams, Perfect for You, Doll (Rosenthal Prize/Cincinnati Playhouse), Umbrage (Steppenwolf New Play Prize), and a reconceived version of Shakespeare’s Tempest, which played in London.Duncan Sheik is a singer/songwriter who also collaborated with Sater on the musical The Nightingale. He has composed original music for The Gold Rooms of Nero and for The Public Theater’s Twelfth Night in Central Park.

    Taken in by an aunt bent on ridding herself of this unexpected burden, "Baby" Teegarten plots her escape using the only means at her disposal: a voice that makes church ladies cry and angels take notice. "I'm gonna sing jazz up to New York City," she brags to anybody who'll listen. 'Cept that Big Apple--well, it's an awful long way from that dry patch of earth she used to call home. So when the smoky stages of New Orleans speakeasies give a whistle, offering all kinda shortcuts, Emily soon learns it's the whorehouses and drug joints promising to tickle more than just a young girl's fancy that can dim a spotlight . . . and knowing the wrong people can snuff it out. Jazz Baby just wants to sing--not fight to stay alive.

    A nubile young actress wrestles with an aging Hollywood star for the affections of a renowned novelist. And everyone discovers just how disappointing love, art, and growing up can be. In this irreverent, contemporary, and very funny remix of Chekhov’s The Seagull, Aaron Posner stages a timeless battle between young and old, past and present, in search of the true meaning of it all. Original songs composed by James Sugg draw the famously subtextual inner thoughts of Chekhov’s characters explicitly to the surface. STUPID FUCKING BIRD will tickle, tantalize, and incite you to consider how art, love, and revolution fuel your own pursuit of happiness.