The 6 ladies are reminiscent of an elite high school clique where there is heavy competition and an odd man out. The story focuses on the visit of a famous guest author, that doesn't turn out quite as planned. The only topic presented that the guest will discuss is Xingu. The ladies all state that they have just studied it ... but have they and do they even know what it is?

    G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald—the acknowledged master of memory's uncanniness—takes the painful pleasures of unknowability to new intensities in Vertigo. Here in their first flowering are the signature elements of Sebald's hugely acclaimed novels The Emigrants and The Rings of Saturn. An unnamed narrator, beset by nervous ailments, is again our guide on a hair-raising journey through the past and across Europe, amid restless literary ghosts—Kafka, Stendhal, Casanova. In four dizzying sections, the narrator plunges the reader into vertigo, into that "swimming of the head," as Webster's defines it: in other words, into that state so unsettling, so fascinating, and so "stunning and strange," as The New York Times Book Review declared about The Emigrants, that it is "like a dream you want to last forever."

    The Overcoat which is generally acknowledged as the finest of Gogol's memorable Saint Petersburg stories, is a tale of the absurd and misplaced obsessions.

    In "Pastor Dowe at Tecaté," a Protestant missionary is sent to a faraway place where his God has no power. In "Call at Corazón," an American husband abandons his alcoholic wife on their honeymoon in a South American jungle. In "Allal," a boy's drug-induced metamorphosis into a deadly serpent leads to his violent death. Here also are some of Bowles's most famous works, including "The Delicate Prey," a grimly satisfying tale of vengeance, and "A Distant Episode," which Tennessee Williams proclaimed "a masterpiece."

    Born in Wellington, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, 'In a German Pension', appeared in 1911, and she went on to write and publish an extraordinary body of work. This edition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923. With an introduction and head-notes, this volume allows the reader to become familiar with the complete range of Mansfield's work from the early, satirical stories set in Bavaria, through the luminous recollections of her childhood in New Zealand, and through the mature, deeply felt stories of her last years. Admired by Virginia Woolf in her lifetime and by many writers since her death, Katherine Mansfield is one of the great literary artists of the twentieth century.

    Written in two versions, male and female (both available in Vintage International), which are identical save for seventeen crucial lines, Dictionary is the imaginary book of knowledge of the Khazars, a people who flourished somewhere beyond Transylvania between the seventh and ninth centuries. Eschewing conventional narrative and plot, this lexicon novel combines the dictionaries of the world's three major religions with entries that leap between past and future, featuring three unruly wise men, a book printed in poison ink, suicide by mirrors, a chimerical princess, a sect of priests who can infiltrate one's dreams, romances between the living and the dead, and much more.

    With Ugresic’s characteristic wit, Fox takes us from Russia to Japan, through Balkan minefields and American road trips, and from the 1920s to the present, as it explores the power of storytelling and literary invention, betrayal, and the randomness of human lives.

    Throughout these stories, Tagore's main interest is people and the kaleidoscope of human emotions, as men and women struggle with the restrictions and prohibitions of contemporary Hindu society.

    Writing about his native Sicily and its culture of secrecy and suspicion, Sciascia matched sympathy with skepticism, unflinching intellect with a street fighter's intransigent poise. Sciascia was particularly admired for his short stories, and The Wine-Dark Sea offers what he considered his best work in the genre: thirteen spare and trenchant miniatures that range in subject from village idiots to mafia dons, marital spats to American dreams. Here, in unforgettable form, Sciascia examines the contradictions—sometimes comic, sometimes deadly, and sometimes both—of Sicily's turbulent history and day-to-day life.

    In this haunting novel, distinctions are eroded between oppressor and oppressed, perpetrator and victim, narcissism and anonymity. Kosinski portrays men and women both aroused and desensitized by an environment that disdains the individual and seeks control over the imagination in his unforgettable and immensely provocative work.

    The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    He almost desperately wished to publish his early stories in The New Yorker magazine, the pinnacle, he felt, of America’s literary world. But such was not to be for several long years and the length of one long world war. The New Yorker, whose tastes in literary matters were and remain notoriously prim and fickle, was not quite ready for this brash and over-confident newcomer with the cynical worldview and his habit of slangy dialogue. But other magazines were quick to recognize a new talent, a fresh voice at a time when the world verged on madness. Story magazine, an esteemed and influential small circulation journal devoted exclusively to the art of the short story and still active and respected today, was the first publication to publish the name J.D. Salinger and the story “The Young Folks” in 1940, an impressive view of New York’s cocktail society and two young people talking past one another, their conversation almost completely meaningless and empty. His next short story was published in a college journal, The University of Kansas City Review. “Go See Eddie” is a tale of quiet menace as an unsavory male character gradually turns up the pressure on a young lady to see a man named Eddie. Also published in 1940, the story is notable for the backstory that is omitted — a technique that Hemingway used to great effect. Four years later toward the end of Salinger’s war experience saw the publication of “Once A Week Won’t Kill You,” again in Story magazine. Ostensibly about a newly minted soldier trying to tell an aging aunt he is going off to war, some may see the story as a metaphor for preparing one’s family for the possibility of wartime death. Devault-Graves Digital Editions, a publisher that specializes in reprinting the finest in American period literature, is proud to bring you this anthology by one of America’s most innovative and inspiring authors.

    Drawing on Matthew Lewis's The Monk, Sade's Justine, K.H. Macha's May, and Murnau's Nosferatu as well as the form and language of the pulp serial novel, Nezval has constructed a lyrical, menacing dream of sexual awakening involving a vampire with a taste for chicken blood, changelings, a lecherous priest, a malicious grandmother desiring her lost youth, and an androgynous merging of brother with sister.In his Foreword Nezval states: "I wrote this novel out of a love of the mystique in those ancient tales, superstitions and romances, printed in Gothic script, which used to flit before my eyes and declined to convey to me their content." Part fairy tale, part Gothic horror, Valerie and Her Week of Wonders is a meditation on youth and age, sexuality and death — an exploration of the grotesque that juxtaposes high and low genres, with shifting registers of language and moods that was a trademark of the Czech avant-garde. The 1970 film version is considered one of the outstanding achievements of Czech new-wave cinema.

    Her jumping-off points might be statistics, romance, the art world’s piranha tank, games of chance and games of skill, the travails of publishing, or success. “Look,” a character begins to explain, laying out some gambit reasonably enough, even if facing a world of boomeranging counterfactuals, situations spinning out to their utmost logical extremes, and Rube Goldberg-like moving parts, where things prove “more complicated than they had first appeared” and “at 3 a.m. the circumstances seem to attenuate.”In various ways, each tale carries DeWitt’s signature poker-face lament regarding the near-impossibility of the life of the mind when one is made to pay to have the time for it, in a world so sadly “taken up with all sorts of paraphernalia superfluous, not to say impedimental, to ratiocination.”

    Akira Kurosawa used this story as the basis for his award-winning movie Rashōmon."In a Grove" is an early modernist short story consisting of seven varying accounts of the murder of a samurai, Kanazawa no Takehiro, whose corpse has been found in a bamboo forest near Kyoto. Each section simultaneously clarifies and obfuscates what the reader knows about the murder, eventually creating a complex and contradictory vision of events that brings into question humanity's ability or willingness to perceive and transmit objective truth.The story is often praised as being among the greatest in Japanese literature.