It was the worst natural disaster to strike the Netherlands in three hundred years.The morning of the storm, Armanda asks her sister, Lidy, to take her place on a visit to her godchild in the town of Zierikzee. In turn, Armanda will care for Lidy's two-year-old daughter and accompany Lidy’s husband to a party. The sisters, both of them young and beautiful, look so alike that no one may even notice. But what Armanda can’t know is that her little comedy is a provocation to fate: Lidy is headed for the center of the deadly storm. Margriet de Moor interweaves the stories of these two sisters, deftly alternating between the cataclysm and the long years of its grief-strewn aftermath. While Lidy struggles to survive, surrounded by people she barely knows, Armanda must master the future, trying to live out the life of her missing sister as if it were her own.A brilliant meshing of history and imagination, The Storm is a powerfully dramatic and psychologically gripping novel from one of Europe’s most compelling writers.

    The story begins on a tropical Antilles night. A man drinks and awaits the coming dawn with his dogs, thinking he might well commit suicide in “the roar of morning.” While contemplating his possible end, the events of his life on Curaçao and on mainland Venezuela come rushing back to him. Some memories are recent, others distant; all are tormented by the politics of a colonialist “gone native.” He recalls sickness and sexual awakening as well as personal encounters with the extraordinary and unexplained. As the day breaks, he has an apocalyptic vision of a great fire engulfing the entire South American continent. The countdown to Armageddon has begun, in a brilliantly dissolute narrative akin to Malcolm Lowry’s Under the Volcano and the writings of Charles Bukowski.

    Tropical fish swimming in the canals. The magic of Mrs. Van Amersfoort, the Beethoven-loving witch next door. The fierce beauty of Eliza with her artificial leg. And the Lord Jesus, who tells him, "Just call me Jesus." Thomas records these visions in his "Book of Everything." They comfort him when his father beats him, when the angels weep for his mother's black eyes. And they give him the strength to finally confront his father and become what he wants to be when he grows up: "Happy."

    It is the day he celebrates his daughter Miriam's seventeenth birthday, meets his old friend Philip - with whom he has been out of touch for eighteen years and who now works for the Israel Ministry of Defense, and crosses paths with Erroll Washington (aka Godzilla) the owner of God's Gym -- a Venice health club Miriam frequents. Philip has sought out Joop for reasons that are more than personal, and Joop, in turn, has no choice but to let himself be carried along by political developments that he has previously tried to avoid, but that now inescapably control his life.

    Just a few years ago, Iris was confident and in control. But every day since Aaron’s birth, she’s condemned herself for being a failure—a bad parent who cannot cope with a difficult child. Though she loves her son fiercely, she despairs over his intense outbursts, which are becoming increasingly harder to control.One thing that keeps Aaron calm is the large aquarium in Iris’s mother’s home. Iris has never understood why Agatha, usually so detached, would keep an oversize tank filled with exotic tropical fish, and of course, her mother won’t say—until an incident involving one of the fish leads Iris to make a shocking discovery.She has an older brother. His name is Ray.Why did her mother hide Ray’s existence from her? Did her late father know? And why does Agatha still refuse to say anything about Ray?Curious about this sibling she has never known, Iris begins to search for long-buried truths. What she learns surprises—and horrifies—her. Her older brother is autistic—and in a hospital for the criminally insane for brutally murdering his neighbor and her little girl.When she meets Ray, she meets a man who looks heartbreakingly like her own son. A man who is devoted to his tropical fish and who loves baking bread. A man whose naïveté unnerves her. There is no question that Ray is odd and obsessive, unable to communicate like the rest of us. But is he really a killer—“The Monster Next Door,” as the media dubbed him—a beast who committed a brutal murder because of a broken heart?  Told in the alternating voices of Ray and Iris, Girl in the Dark is a compulsive, page-turning thriller about lies, murder, and the tenacity of a family determined to stay together, even as they are pulled apart at the most vulnerable seams.

    His older brother Lucien, physically and mentally disabled, has been institutionalized for years. While Lucien’s home is undergoing renovations, he is sent to live with his father and younger brother for the summer. Their detached father leaves Brian to care for Lucien’s special needs. But how do you look after someone when you don’t know what they need? How do you make the right choices when you still have so much to discover? Summer Brother is an honest, tender account of brotherly love, which will resonate with readers of "Rain Man."

    . . A profound portrayal of a group of people with no future.”—De Standaard der LetterenA comic novel on a very serious subject. Dimitri Verhulst, an investigative journalist, had himself locked up in the asylum-seekers center at Arendonk for several days for a Flemish magazine. He then wrote a magazine article, but the experience would not let go of him. He wrote this comic, unabashedly politically incorrect novel, which is told from the perspective of asylum-seeker Bipul Masli, a press photographer from Somalia. The action takes place in an asylum-seekers center in Belgium in the final weeks of 2001.

    Geert Mak crisscrosses Europe from Verdun to Berlin, SaintPetersburg to Srebrenica in search of evidence and witnesses of the last hundred years of Europe. Using his skills as an acclaimed journalist, Mak locates the smaller, personal stories within the epic arc ofhistory-talking to a former ticket-taker at the gates of the Birkenau concentration camp or noting the neat rows of tiny shoes in the abandoned nursery school in the shadow of Chernobyl. His unique approach makes thereader an eyewitness to a half-forgotten past, full of unknown peculiarities, sudden insights and touching encounters. Sweeping in scale, but intimate in detail "In Europe" is amasterpiece. "From the Trade Paperback edition."

    "Contexts" provides readers with invaluable materials on The Waste Land's sources, composition, and publication history. "Criticism" traces the poem's reception with twenty-five reviews and essays, from first reactions through the end of the twentieth century. Included are reviews published in the Times Literary Supplement, along with selections by Virginia Woolf, Gilbert Seldes, Edmund Wilson, Elinor Wylie, Conrad Aiken, Charles Powell, Gorham Munson, Malcolm Cowley, Ralph Ellison, John Crowe Ransom, I. A. Richards, F. R. Leavis, Cleanth Brooks, Delmore Schwartz, Denis Donoghue, Robert Langbaum, Marianne Thormählen, A. D. Moody, Ronald Bush, Maud Ellman, and Tim Armstrong. A Chronology and Selected Bibliography are included.

    Anton stands on the banks of his beloved river years later, on the wintry eve of Holland's liberation, and mourns a lost world. David, his Jewish teammate and quiet obsession from that magical summer, has disappeared, and the boathouse is now derelict and deserted. Spare, lyrical, and nuanced, On the Water is quietly enormous, capturing a moment so precise and exact it is as if caught in amber -- a rowing club in Amsterdam and two of its competitors from very different backgrounds, set against the backdrop of the oncoming war. The menace of tragedy to come is subtly woven into the story of the two boys whose only concerns are practices, races, and themselves. In the end, all that is left for Anton is the memory of his supreme happiness that summer.

    Plane ticket, purchased. Cute apartment, rented online. Subway map, printed and highlighted. This was no ordinary trip -- this was Emilia's declaration of independence. Her chance to escape the life her parents were ruining. To get away from the horrible scandal that had rocked Amsterdam, the scandal that was all her dad's fault. To see if her mom, the glamorous, world-famous artist, would even notice.New York steals Emilia's heart at first sight -- even though absolutely nothing goes to plan. She didn't plan to end up homeless on a stranger's doorstep. She didn't plan to make friends with Seth, Abby, and Jim. And she could never have known that Hurricane Sandy would be barreling up the coast, straight for the city.All she wanted was to get away from her parents, her problems, her life . . . and when the storm hits and the power goes out, Emilia feels farther from home than she could have imagined.

    Originally published in the Netherlands in 1978, The Rider became an instant cult classic, selling over 100,000 copies. Brilliantly conceived and written at a breakneck pace, it is a loving, imaginative, and, above all, passionate tribute to the art of bicycle road racing. Not a dry history of the sport, The Rider is beloved as a bicycle odyssey, a literary masterpiece that describes in painstaking detail one 150-kilometer race in a mere 150 pages. We are, every inch of the way, inside amateur biker Tim Krabbé's head as his mind churns at top speed along with his furious peddling. Privy to his every thought-on the glory and vagaries of the sport itself, the weather, the characters and lineage of his rival cyclists, almost hallucinogenic anecdotes about great riders of the past-the book progresses kilometer by kilometer, thought by thought, and the reader is left breathless and exhilarated. A thrillingly realistic look at what it is like to compete in a road race, The Rider is the ultimate book for bike lovers as well as the arm-chair sports enthusiast. Author Biography: Tim Krabbé is one of Holland's leading writers, and his novels are published all over the world. His many books include The Vanishing, which was made into a successful film, and The Cave. He lives in Amsterdam.

    Amsterdam is a city at the peak of its powers: science and art are flourishing in the Golden Age and Dutch ships bring back exotic riches from the Far East. Madam Van Nulandt passes her time taking expensive painting lessons from a local master, Rembrandt van Rigin, and when Catrin takes up a brush to finish some of her mistress's work, Rembrandt realizes the maid has genuine talent and encourages her to continue.When a figure from her past threatens her new life, Catrin flees to the smaller city of Delft. There, her gift as a painter earns her a chance to earn a living painting pottery at a local workshop. Slowly, the workshop begins to develop a new type of pottery to rival fancy blue-on-white imported Chinese porcelain—and the graceful and coveted Delft Blue designs she creates help revolutionize the industry. But when tragedy strikes, Catrin must decide whether to defend her newfound independence or return to the village that she'd fled.

    But they are not alone: Apart from Chaim and Magnus, two seventeenth-century family ghosts, there is another presence, unknown and unfriendly. As they wait for the storm to subside, Nathan and Nina piece together the story of their forefathers, a family of itinerant Jewish clockmakers who came to the Netherlands from Eastern Europe, and then fled to America in 1939. An extraordinary family history emerges, as well as many unsolved mysteries: For instance, what happened to the brilliant Zeno, who became a leader of a messianic sect and then vanished without a trace; why did Uncle Herman, a respected academic, end up dying in such undignified circumstances--underneath an eighteen-year-old call girl?

    He was very happy there, petted and made much of, until one day a treacherous rival, an alderman of the village, lay in wait for him early in the morning when he was coming out of the tavern, and would have beaten him with a wooden club. But Ulenspiegel, thinking to cool his rival's anger, threw him into a duck-pond that was full of water, and the alderman scrambled out as best he could, green as a toad and dripping like a sponge. -from Chapter XXXVII Based upon scatterings of European folktales and mythologies, this is a romantic drama of human vice and virtue spun around the wanderings of Tyl Ulenspiegel, artist, prankster, and fool. First published in 1867-this 1918 English translation is by British writer GEOFFREY WHITWORTH (1883-1951)-it is a saga of witches and martyrs, torture and heroism that sings of the national character of heartiness and generosity of the Flemish people, with Ulenspiegel the embodiment of Flemish spirit. From its fascinating depiction of Flemish life in the 16th century to its stalwart pluck in the face of the horrors of the Spanish Inquisition that then was raging, this is the first classic of Belgian literature, the personification of the tiny country's honor and courage. ALSO AVAILABLE AT COSIMO: deCoster's Flemish Legends OF INTEREST TO: readers of classic European literature, students of myth and folklore