Chatursen studied the whole of Jaina, Buddhist and Hindu literature to research the life and times of the central character of this novel - Ambapali, the courtesan who ruled the hearts of the rulers.Set in the Buddhist era, some 2500 years ago in the North Indian kingdom of Vaishali; this thoroughly researched novel works on two levels. On one level, it is the story of the courtesan Ambapali, who is closely linked to the powerful rulers of Vaishali; and whose beauty and clout at the royal court are legendary. Her glamourous life comes to a standstill when she learns the Buddha's path. The change in her, her spiritual awakening, her spiritual ascension, and seeking enlightenment within - these elements make the second level, the spiritual high point ofthe novel.Ambapali, compelled into courtesanship, ruled the kingdom and its ruler's heart for nearly fifty years. Her parlour was a seat of power and her life the cynosure of the kingdom's eyes. From a setting like that, she could rise above it all, shrug itall off like a dream, and discover for herself the Budda's path. Alone and unafraid.This novel is a moving spiritual journey, and a feast for the lover of literature, history and spirituality. In the words of the author, a prolific writer actively writing for forty years before producing VKN, "Main ab tak ki apni sari rachanaao ko radd karta hun, aur 'Vaishali Ki Nagarvadhu' ko apni ekamaatra rachana ghoshit karta hun."Chatursen futher goes on to say that the while reading this book the reader ought to look out for a higher level in this book, which relates to spirituality and the ascension of the soul. Possibly the reader will find for himself the highest and most sublime truth of the universe; which took Chatursen ten years of the most intensive study of Jaina and Buddhist spiritual literature to discover.

    A prostitute, her lover and a policeman play for high stakes in BombDay. Injectionwala exposes chilling medical malpractices and a lovelorn vigilantes twisted game plan. In Coma Man, a man awakens from coma after twenty years, and sets out in search of his wife and himself. Gritty love stories, manipulative cops and hard-boiled slumlords form the backdrop of this unputdownable thriller. Its MUMBAISTAN all the way. Mumbai, a city of dreams for many. But for others, a nightmare. Behind the façade of lustre and glamour churns a seething underbelly of squalor, corruption and crime. Mumbaistan’s three explosive crime novellas unravel the subterranean secrets of maximum city—from the teeming maw of Dharavi and the wanton streets of Kamathipura to the swank high-rises of Bandra. A prostitute, her lover and a policeman play for high stakes in Bomb-Day. Injectionwala exposes chilling medical malpractices and a lovelorn vigilante’s twisted game plan. In Coma Man, a man awakens from coma after twenty years, and sets out in search of his wife— and himself. Macabre love stories, conniving cops and hard-boiled slumlords form the backdrop of a schizophrenic city that is brooding...dying. Welcome to Mumbaistan; a gritty, compelling take on the megalopolis that lives on the edge.

    But he’s harboring a secret from his daughter, a love affair he’s keeping all to himself. In “A Choice of Accommodations,” a husband’s attempt to turn an old friend’s wedding into a romantic getaway weekend with his wife takes a dark, revealing turn as the party lasts deep into the night. In “Only Goodness,” a sister eager to give her younger brother the perfect childhood she never had is overwhelmed by guilt, anguish, and anger when his alcoholism threatens her family. And in “Hema and Kaushik,” a trio of linked stories—a luminous, intensely compelling elegy of life, death, love, and fate—we follow the lives of a girl and boy who, one winter, share a house in Massachusetts. They travel from innocence to experience on separate, sometimes painful paths, until destiny brings them together again years later in Rome. Unaccustomed Earth is rich with Jhumpa Lahiri’s signature gifts: exquisite prose, emotional wisdom, and subtle renderings of the most intricate workings of the heart and mind. It is a masterful, dazzling work of a writer at the peak of her powers.

    Filmmaker and writer Anungla Zoe Longkumer brings together, for the first time, a remarkable set of stories, poems, first-person narratives, and visuals that showcase the breadth of Naga women’s creative and literary expression. The essays are written in English, a language the Nagas—who had no tradition of written literature—made their own after the arrival of Christianity in the region during the nineteenth century. In The Many That I Am, each writer speaks of the many journeys women undertake to reclaim their pasts and understand their complex present.

    A hunted, haunted Brahmin youth vows revenge for the gruesome murder of his beloved father. Cold, calculating, cruel and armed with a complete absence of accepted morals, he becomes the most powerful political strategist in Bharat and succeeds in uniting a ragged country against the invasion of the army of that demigod, Alexander the Great. Pitting the weak edges of both forces against each other, he pulls off a wicked and astonishing victory and succeeds in installing Chandragupta on the throne of the mighty Mauryan empire.History knows him as the brilliant strategist Chanakya. Satisfied—and a little bored—by his success as a kingmaker, through the simple summoning of his gifted mind, he recedes into the shadows to write his Arthashastra, the ‘science of wealth’. But history, which exults in repeating itself, revives Chanakya two and a half millennia later, in the avatar of Gangasagar Mishra, a Brahmin teacher in smalltown India who becomes puppeteer to a host of ambitious individuals—including a certain slumchild who grows up into a beautiful and powerful woman.Modern India happens to be just as riven as ancient Bharat by class hatred, corruption and divisive politics and this landscape is Gangasagar’s feasting ground. Can this wily pandit—who preys on greed, venality and sexual deviance—bring about another miracle of a united India? Will Chanakya’s chant work again? Ashwin Sanghi, the bestselling author of The Rozabal Line, brings you yet another historical spinechiller.

    Set in Bengal, it tells the story of a family of executioners with a long lineage, beginning in the fourth century BC. The protagonist of the novel, Chetna, is a strong and tenacious woman who struggles to inherit this profession.According to noted literary critic M. Leelavathy, Aarachaar is one of the best literary works produced in Malayalam and follows the legacy of O. V. Vijayan's classic work Khasakkinte Itihasam. The novel received the 2013 Kerala Sahitya Akademi Award. It was also awarded the prestigious Odakkuzhal Award in 2013 and Vayalar Award in 2014.

    Winner of the Hutch Crossword Book Award 2006, this collection is an enduring testimony of the ideology and belief that Ambai's writings affirm-the need to know and be in touch with a stable or 'grounded' self that allows fluidity and change in modern times of travel, dislocation, and exile.

    The work is divided into two parts, Purva-megha and Uttara-megha. It recounts how a yakṣa, a subject of King Kubera (the god of wealth), after being exiled for a year to Central India for neglecting his duties, convinces a passing cloud to take a message to his wife at Alaka on Mount Kailāsa in the Himālaya mountains. The yakṣa accomplishes this by describing the many beautiful sights the cloud will see on its northward course to the city of Alakā, where his wife awaits his return.

    Often used to get around the provisions of constitutions and legal codes.A late-night phone call from his ex-girlfriend Anasuya forces writer Arjun Kumar to leave his wife and home in Delhi and travel to the mofussil town of Noma on the UP-Bihar border. The reason — Anasuya's husband, Rafique Neel, a college professor and theatre director, has mysteriously disappeared.Soon after he arrives, Arjun realizes that things are not as they seem: the police are refusing to register a missing-persons case, Rafique's student Janaki has also disappeared, and the locals are determined to turn it into a case of 'love jihad'. And when Arjun begins to dig deeper, what he finds endangers him and everyone around him.Inspired by true events from today's India, Legal Fiction is a brilliant existential thriller and a chilling parable of our times.

    Damayanthi, along with the bunch of unsuitable prospective husbands her Amma throws at her, a dead-end job as an accountant in a decrepit firm, the oppressiveness of Chennai. When she finally jettisons her job and some of her inhibitions to join a bank in Mumbai, Amma's parting words are: 'Be good. Don't do anything silly.' Translation: 'Stay away from sex and alcohol! ' Soon Damayanthi is negotiating competitive corporate corridors and big-city life. Aided by dubious words of wisdom from the cherub-faced Jimmy, she must impress the intellectual C.G., who has a low opinion of her; battle Sonya Sood, flatmate and size-zero sophisticate, for the TV remote; choose between resisting or giving in to temptation in the form of the seductive Rahul; deal with the moral dilemma of 'stealing' a million-dollar idea for her project. Can a good girl have a really good time? Can the conservative, curd-rice-eating Damayanthi become a cool, corporate babe? Keep the Change is a rollicking, wickedly witty story of every girl's journey to fulfill her dreams and find her own place in the world.

    The popularity of the book is so great that it has run into forty two impressions ever since it was originally published in the year 1951

    Gods disguised as beggars and beasts, animals enacting Machiavellian intrigues, sagacious jesters and magical storytellers, wise counselors and foolish kings--all inhabit a fabular world, yet one that is also firmly grounded in everyday life. Here is an indispensable guide to India's ageless folklore tradition.With black-and-white illustrations throughoutPart of the Pantheon Fairy Tale and Folklore Library

    "Conveys a world that is spiritual, foreign, and entirely accessible."--Vanity Fair. Reading tour.

    ‘Our purpose is to fulfil our destiny…All life is light and shadow.’ Like any other place on earth, the territory of the Adis in the mountains of Arunachal Pradesh is ‘Pensam’—the ‘in-between’ place. Anything can happen here, and everything can be lived, and ‘the narrow boat that we call life sails along somehow in calm or stormy weather’. A mysterious boy who fell from the sky is accepted as a son of the village and grows up to become a respected elder. A young woman wounded in love is healed by a marriage of which she expected little. A mother battles fate and the law for a son she has not seen since she lost him as an infant. A remote hamlet gets a road, but the new world that comes with it threatens upheaval. And as villages become small towns and towns approximate cities, the brave and patient few guard the old ways, negotiating change with memory and remembrance. An intricate web of stories, images and the history of a tribe, The Legends of Pensam is a lyrical and moving tribute to the human spirit. With a poet’s sense for incident and language, Mamang Dai paints a memorable portrait of a land that is at once particular and universal.

    Critics around the world have embraced the book as a major work by this exciting young writer.