In the trunk of the car rests a cache of diaries dating back 200 years, tied and retied with strings through generations. The diaries carry the rules for survival that have been handed down from mother to daughter since the 19th century. But how can Hannah escape an enemy with the ability to look and sound like the people she loves? Stephen Lloyd Jones's debut novel is a sweeping thriller that extends from the present day, to Oxford in the 1970s, to Hungary at the turn of the 19th century, all tracing back to a man from an ancient royal family with a consuming passion -- a boy who can change his shape, insert himself into the intimate lives of his victims, and destroy them. If Hannah fails to end the chase now, her daughter is next in line. Only Hannah can decide how much she is willing to sacrifice to finally put a centuries-old curse to rest.

    But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.

    To Tim Robertson, they're his worst nightmare From the Queen of Scream comes a novel that will raise the hair on the back of your neck. Not every grandmotherly type bakes cookies.What's more frightening than finding out that the kindly old ladies living across the street from you are anything but?As a child, Tim Robertson is selling cookies with his best friend Damien when they knock on the door of the house across the street from him. Two old ladies open the door and Tim never sees his best friend again.Twenty years later, Tim has tried to move on and forget what happened back then. He is married, has a son, and just bought the house of his dreams in small town Cocoa Beach. When the house across the street from them is sold, they are all looking forward to getting new neighbors, until Tim realizes the old ladies are back to haunt him and the rest of the town. To Hell in a Handbasket is Willow Rose, when she is at her most horrifying. Every page of this book is oozing with dread, and this novel stands shoulder to shoulder with the very best of Koontz and King. Anyone who has read a Willow Rose book knows it's harder to put the book down than to just finish it.

    Penthouse access is available via the broken freight elevator. Black tie optional.A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building. None of them know why they were selected to receive his invitation. Whether privileged or deprived, besides a postcode, they share only one thing in common - they've all experienced a shocking disturbance within the building's walls.By the end of the night, their host is dead, and none of the guests ever said what happened. His death remains one of the biggest unsolved mysteries - until now.But are you ready for their stories?Jonathan Sims' debut is a darkly twisted, genre-bending journey through one of the most innovative haunted houses you'll ever dare to enter.