While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

    Its protagonist Leonard (Guy Pearce) is a puzzle, even to himself. He sports the trappings of an expensive lifestyle, yet he lives in seedy motels, and seems to be on a desperate mission of revenge to find the man who murdered his wife. Worse, Leonard suffers from a rare form of amnesia that plagues his short-term memory, so in order to keep track of his life, he must surround himself with written reminders, some of them etched onto his own flesh. In this state, Leonard finds that nothing is what it seems, and no one can easily be trusted.Following (1998) was Christopher Nolan's micro-budgeted debut feature. Bill (Jeremy Theobald), a lonely would-be writer, spends his considerable free time stalking strangers at random through the streets of London. This vicarious form of 'research' takes an unexpected turn when Bill is caught out by one of his quarries: a suave cat burglar who introduces him to the art of breaking and entering. Soon Bill is striking up a liaison with a girl whose flat he has turned over. But Bill discovers too late that he is out of his depth.This volume includes both screenplays, plus an interview with Christopher Nolan and Jeremy Theobald in which they talk to James Mottram about the making of Following, and a piece by Christopher Nolan and his brother Jonathan Nolan, author of the story on which Memento was based, in which they recall the conception of the film.

    Refusing to fight, Joe stays behind as a conscientious objector battling against the propaganda.On the Western front, George soon discovers that war is not the great adventure he was led to believe. Surrounded by mud, blood and horror his mindset begins to shift as he questions everything he was once sure of.At home in Liverpool, Joe has his own war to win. Judged and imprisoned for his cowardice, he is determined to stand by his convictions, no matter the cost.By the end of The Great War only one brother will survive, but which?

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    But when history reveals a shocking truth about the man himself, the entire family is forced to confront questions of honesty and allegiance they thought had been resolved. AFTER THE REVOLUTION is a bold and moving portrait of an American family, thrown into an intergenerational tailspin, forced to reconcile a thorny and delicate legacy.

    His sheltered childhood in the home he loves has not prepared Vernon for the harsh reality of his adult years, and in order to write the great masterpiece of his life, he has to make a crucial decision with no time left to count the cost. But there is a high price to be paid for his talent, especially by his family and the two women in his lifee - the one he loves and the one who loves him. Young Nell Vereker had always loved Vernon, loved him with a consuming passion that was alien to the proper social world in which she lived. But when Vernon sought solace in the arms of Jane Harding, a stranger and enigmatically beautiful older woman, Nell felt she could endure no greater pain. But Fate had only begun to work its dark mischief on this curious romantic triangle -- for before their destinies were sealed, one would live, one would die, and one would return from the grave to be damned…

    He broke the complex German code called Enigma, enabling allied forces to foresee German manoeuvres. Since his work was classified top secret for years after the war, no one knew how much was owed to him when he was put on trial for breaking another code: the taboo against homosexuality. Turing, who was also the first to conceive of computers, was convicted of the criminal act of homosexuality and sentenced to undergo hormone treatments which left him physically and mentally debilitated. He died a suicide, forgotten and alone. This play is about who he was, what happened to him and why.

     The victories won by British arms in the years which followed that great deliverance have made men forget those soldiers – the first of the many – upon whom it fell to withstand the shock of Hitler’s great attack. It is now fitting that these men and their Commander-in-Chief, Lord Gort, should be worthily remembered, and their story fully told, from those first landings in France, in the autumn of 1939, until the climax of Dunkirk. The authors, both professional writers, themselves served as officers with the B.E.F., and have recaptured the gallantry and comradeship of that little force. The result is a moving story of courage and devotion in the face of odds which no other British Force has ever been called upon to face. It is chivalrous to admire a gallant enemy, and of that chivalry we have lately seen much. Justice demands that the courage and devotion of our own fighting men be no less clearly recognised. There were no medals for the B.E.F., hardly even today the laurels of memory. They were soldiers, doing a soldier’s job against odds which no British Force had ever been called upon to face, and which, it is to be hoped, no British Force will ever face again. What were they then, the men of that small Expeditionary Force, a mere army in one of the groups of French armies? How did they spend the months of what has been called the “twilight war”, and how, when the shock of battle came at last, did they withstand the blow? Dunkirk tells the true story of those brave men who fought to save the lives of so many. With the 2017 movie release of Christopher Nolan’s Dunkirk now is the time to remember the real history of the battle in the words of those who experienced it. Lt. Colonel Ewan Butler and Major J. Selby Bradford M.B.E., M.C. served in France as young officers during the last months of 1939 and the first five of 1940 with that small British Expeditionary force commanded by Lord Gort, which first faced the full might of Nazi Germany. Dunkirk was first published in 1950 under the title Keep The Memory Green. It was used as inspiration for the 1958 film, Dunkirk, starring Richard Attenborough.

    William Boyd's novel Any Human Heart is his disjointed autobiography, a massive tome chronicling "my personal rollercoaster"--or rather, "not so much a rollercoaster", but a yo-yo, "a jerking spinning toy in the hands of a maladroit child." From his early childhood in Montevideo, son of an English corned beef executive and his Uraguayan secretary, through his years at a Norfolk public school and Oxford, Mountstuart traces his haphazard development as a writer. Early and easy success is succeeded by a long half-century of mediocrity, disappointments and setbacks, both personal and professional, leading him to multiple failed marriages, internment, alcoholism, and abject poverty.Mountstuart's sorry tale is also the story of a British way of life in inexorable decline, as his journey takes in the Bloomsbury set, the General Strike, the Spanish Civil War, 1930s Americans in Paris, wartime espionage, New York avant garde art, even the Baader-Meinhof gang--all with a stellar supporting cast. The most sustained and best moment comes mid-book, as Mountstuart gets caught up in one of Britain's murkier wartime secrets, in the company of the here truly despicable Duke and Duchess of Windsor. Elsewhere Boyd occasionally misplaces his tongue too obviously in his cheek--the Wall Street Crash is trailed with truly crashing inelegance--but overall Any Human Heart is a witty, inventive and ultimately moving novel. Boyd succeeds in conjuring not only a compelling 20th century but also, in the hapless Logan Mountstuart, an anti-hero who achieves something approaching passive greatness. --Alan Stewart, Amazon.co.uk

    Taking his inspiration from the popular, and often lurid, "pulp" crime stories of the thirties and forties, Tarantino intertwines three narratives and introduces a variety of fascinating characters; thick-witted hit men, a double-crossing prizefighter on the run, his absent-minded French girlfriend, the hit men-hiring mob boss, his exotic but drug-addled wife, and two young lovers contemplating a career change - namely whether to start sticking up restaurants instead of liquor stores. Full of wicked humor, dazzling dialogue, and riveting action, "Pulp Fiction" is a master screenwriter's look at today's Hollywood and its dark criminal culture.

    The poem recounts Venus' attempts to woo Adonis, their passionate coupling, and Adonis' rejection of the goddess, to which she responds with jealousy, with tragic results.

    "Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation"—Time Out "There are few stage authors writing more interestingly than Mark Ravenhill … He is - it is now yet more evident - a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism."—Financial Times Shopping and Fucking: "is a darkly humorous play for today's twenty-somethings … a real coup de theatre"—Nicholas de Jongh, Evening Standard Faust: "…an intelligent and witty reappropriation of the legend … alive, pertinent and disturbing"—Michael Coveney, Observer Handbag: "…combines urban grit with sly wit, and reveals Mark Ravenhill as a writer of real daring" —Daily Telegraph Some Explicit Polaroids: "laudably ambitious, pulsates with energy … very funny"—Financial Times

    And because she has a child with her, seemingly out of marriage, they want nothing to do with her – except for pub landlord Mick Castle. When Emma opens an academy and sets herself up in competition with the local school, she provokes a savage response from the community. But she will not be deterred – even when her past catches up with her and Mick is forced to choose between family and love.