Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive "History of Crome." Denis's stay proves to be a disaster amid his weak attempts to attract the girl of his dreams and the ridicule he endures regarding his plan to write a novel about love and art. Lambasting the post-Victorian standards of morality, Crome Yellow is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too ironic to be called satire and too scornful to be called irony."

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    A magnificently crafted novel of Regency manners and mores that will delight Austen enthusiasts with its wit and elegant expression.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    L. Carr's deeply charged poetic novel, Tom Birkin, a veteran of the Great War and a broken marriage, arrives in the remote Yorkshire village of Oxgodby where he is to restore a recently discovered medieval mural in the local church. Living in the bell tower, surrounded by the resplendent countryside of high summer, and laboring each day to uncover an anonymous painter's depiction of the apocalypse, Birkin finds that he himself has been restored to a new, and hopeful, attachment to life. But summer ends, and with the work done, Birkin must leave. Now, long after, as he reflects on the passage of time and the power of art, he finds in his memories some consolation for all that has been lost.

    Thirty years later, Alex and Christine are spending a leisurely summer’s evening at home when they receive a call from a distraught Lydia: she is at the hospital. Zach is dead.In the wake of this profound loss, the three friends find themselves unmoored; all agree that Zach, with his generous, grounded spirit, was the irreplaceable one they couldn’t afford to lose. Inconsolable, Lydia moves in with Alex and Christine. But instead of loss bringing them closer, the three of them find over the following months that it warps their relationships, as old entanglements and grievances rise from the past, and love and sorrow give way to anger and bitterness.The lives of two close-knit couples are irrevocably changed by an untimely death in the latest from Tessa Hadley, the acclaimed novelist and short story master who “recruits admirers with each book” (Hilary Mantel).

    The lush and sensuous series consists of Justine(1957) Balthazar(1958) Mountolive(1958) Clea(1960).Justine, Balthazar and Mountolive use varied viewpoints to relate a series of events in Alexandria before World War II. In Clea, the story continues into the years during the war. One L.G. Darley is the primary observer of the events, which include events in the lives of those he loves, and those he knows. In Justine, Darley attempts to recover from and put into perspective his recently ended affair with a woman. Balthazar reinterprets the romantic perspective he placed on the affair and its aftermath in Justine, in more philosophical and intellectual terms. Mountolive tells a story minus interpretation, and Clea reveals Darley's healing, and coming to love another woman.

    At thirty-four she finds that her external life of dreary routine fails to match up to her lush, wistful and dreamy internal life. Norah, her energetic and chaotic friend, is equally settled in her own marriage to an irritable university professor.Then Hugh Miller and his sister Claire descend upon the quiet town. On all four, the hypnotic charm of these two visitors exerts an enchanting spell. And after their departure, life - having been violently disrupted - will never be quite the same again . . .

    Yet even the happiest relationship can be sabotaged easily--and quickly, too, if the wrong person should come along.

    She has clawed her way up since leaving the Birmingham slum where she was born. She's lost her Birmingham accent, run away from her drunken husband, and found a job at a public relations office as a secretary. Then her boss asks Agatha to go to the home of Brian Devese to tell him that he is soon going to be arrested for the murder of his wife and that the agency no longer wants to represent him.Brian, impressed with the pugnacious Agatha, asks her to handle PR for him and even offers her an office and tells her she can hire a staff. Certainly the best thing Agatha can do for her first client is to find out who really murdered his wife and clear his name. And with her wits and gumption, Agatha sets out to do just that. New York Times bestseller M. C. Beaton's Agatha Raisin—now the star of a hit show on Acorn TV and public television—is beloved by millions and this brand new short story take us back to where it all began with Agatha's first case.

    The Soho that Precious and Tabitha live and work in is barely recognisable anymore. And now, the building they call their home is under threat; its billionaire-owner Agatha wants to kick the women out to build expensive restaurants and luxury flats. Men like Robert, who visit the brothel, will have to go elsewhere. The collection of vagabonds and strays in the basement will have to find somewhere else to live. But the women are not going to go quietly. They have plans to make things difficult for Agatha but she isn't taking no for an answer.Hot Stew is an insightful and ambitious novel about property, ownership, wealth and inheritance. It is about the place we occupy in society, especially women, and the importance placed on class and money. It doesn't shy away from asking difficult questions but does so with humour and intelligence.

    John Galsworthy, a Nobel Prize-winning author, chronicles the ebbing social power of the commercial upper-middle-class Forsyte family through three generations, beginning in Victorian London during the 1880s and ending in the early 1920s.

    But owner Emilia Nightingale is struggling to keep the shop open after her beloved father's death, and the temptation to sell is getting stronger. The property developers are circling, yet Emilia's loyal customers have become like family, and she can't imagine breaking the promise she made to her father to keep the store alive.There's Sarah, owner of the stately Peasebrook Manor, who has used the bookshop as an escape in the past few years, but it now seems there's a very specific reason for all those frequent visits. Next is roguish Jackson, who, after making a complete mess of his marriage, now looks to Emilia for advice on books for the son he misses so much. And the forever shy Thomasina, who runs a pop-up restaurant for two in her tiny cottage--she has a crush on a man she met in the cookbook section, but can hardly dream of working up the courage to admit her true feelings.Enter the world of Nightingale Books for a serving of romance, long-held secrets, and unexpected hopes for the future--and not just within the pages on the shelves. How to Find Love in a Bookshop is the delightful story of Emilia, the unforgettable cast of customers whose lives she has touched, and the books they all cherish.

    To her overbearing family in London, it is a disturbing and inexplicable act of defiance. But Lolly will not be swayed, and in the depths of the English countryside she gradually discovers not only freedom and independence, but also, unexpectedly, her true vocation.

    Mary in Catherine Lloyd's charming Regency-set mystery debut.Major Robert Kurland has returned to the quiet vistas of his village home to recuperate from the horrors of Waterloo. However injured his body may be, his mind is as active as ever. Too active, perhaps. When he glimpses a shadowy figure from his bedroom window struggling with a heavy load, the tranquil façade of the village begins to loom sinister. . .Unable to forget the incident, Robert confides in his childhood friend, Miss Lucy Harrington. As the dutiful daughter of the widowed rector, following up on the major's suspicions offers a welcome diversion--but soon presents real danger. Someone is intent on stopping their investigation. And in a place where no one locks their doors, a series of thefts and the disappearance of two young serving girls demands explanation. . .As Robert grapples with his difficult recovery, he and Lucy try to unearth the dark truth lurking within the village shadows, and stop a killer waiting to strike again...