With the gift of seeing the invisible, our explorer friend records each encounter in a journal of gorgeous, fully painted artwork, capturing every majestic and fearsome visual detail of the scaly behemoths, and accompanies his findings with snippets of local lore as evidence that these hidden beasts continue to shape the world in ways we may never expect!

    We listened to the Beatles, the Stones, the Doors, the Velvet Underground, the Grateful Dead, Cream, Jimi Hendrix, Janis Joplin, and Bob Dylan. We read Rimbaud, played guitars, smoked pot, fell in love, rebelled against the establishment, protested the war in Vietnam, barricaded our high school, and produced the first rock festival in our home town-a small city in a remote southwestern corner of Japan...SIXTY-NINE is a roman à clef about coming of age during a time that left its mark on baby boomers around the world-a time when we really believed we could change the world before it changed us. By turns hilarious, cynical, frivolous, and poignant, the book is infused from start to finish with Ryu Murakami's relentless energy and optimism; it simply refuses to get tedious, preachy, or "literary" for a single moment.

    Everyone but newly appointed yoriki Sano Ichiro.Despite the official verdict and warnings from his superiors, the shogun's Most Honorable Investigator of Events, Situations, and People suspects the deaths weren't just a tragedy; they were murder. Risking his family's good name and his own life, Sano will search for a killer across every level of society determined to find answers to a mystery no one wants solved. No one but Sano...As subtle and beautiful as the culture it evokes, Shinju vividly re-creates a world of ornate tearooms and gaudy pleasure-palaces, cloistered mountaintop convents and deathly prisons. Part love story, part mystery, Shinju is a tour that will dazzle and entertain all who enter its world.

    They had human bodies, long noses, and wings. They were tengu, creatures that appear in Japanese folktales.The tengu attach themselves to Tsukiko and begin to follow her everywhere. Where did they come from and why are they here? And what other invisible and unacknowledged forces are acting upon Tsukiko’s seemingly peaceful world?

    (And don't miss the manga adaptation, also available from Seven Seas.)An unhappy girl who engages in self-harm, a high schooler ostracized by her classmates, and an old woman looking to live out her twilight years in peace–what could three such different people have in common? That’s what grade schooler Nanoka Koyanagi is trying to find out. Assigned by her teacher to define what “happiness” means to her, Nanoka tries to find her place in the world by exploring her relationships with these three strangers, and through them, comes to know herself.

    There are more than 130 illustrators represented and 190 literary works over three volumes—many newly commissioned, some hard to find—reinterpreted here for readers and collectors of all ages.Volume 1 takes us on a visual tour from the earliest literature through the end of the 1700s. Along the way, we're treated to eye-popping renditions of the human race's greatest epics: Gilgamesh, The Iliad, The Odyssey (in watercolors by Gareth Hinds), The Aeneid, Beowulf, and The Arabian Nights, plus later epics The Divine Comedy and The Canterbury Tales (both by legendary illustrator and graphic designer Seymour Chwast), Paradise Lost, and Le Morte D'Arthur. Two of ancient Greece's greatest plays are adapted—the tragedy Medea by Euripides and Tania Schrag’s uninhibited rendering of the very bawdy comedy Lysistrata by Aristophanes (the text of which is still censored in many textbooks). Also included is Robert Crumb’s rarely-seen adaptation of James Boswell’s London Journal, filled with philosophical debate and lowbrow debauchery.Religious literature is well-covered and well-illustrated, with the Books of Daniel and Esther from the Old Testament, Rick Geary’s awe-inspiring new rendition of the Book of Revelation from the New Testament, the Tao te Ching, Rumi’s Sufi poetry, Hinduism’s Mahabharata, and the Mayan holy book Popol Vuh, illustrated by Roberta Gregory. The Eastern canon gets its due, with The Tale of Genji (the world’s first novel, done in full-page illustrations reminiscent of Aubrey Beardsley), three poems from China’s golden age of literature lovingly drawn by pioneering underground comics artist Sharon Rudahl, the Tibetan Book of the Dead, a Japanese Noh play, and other works from Asia.Two of Shakespeare’s greatest plays (King Lear and A Midsummer Night’s Dream) and two of his sonnets are here, as are Plato’s Symposium, Gulliver’s Travels, Candide, A Vindication of the Rights of Woman, Renaissance poetry of love and desire, and Don Quixote visualized by the legendary Will Eisner.Some unexpected twists in this volume include a Native American folktale, an Incan play, Sappho’s poetic fragments, bawdy essays by Benjamin Franklin, the love letters of Abelard and Heloise, and the decadent French classic Dangerous Liaisons, as illustrated by MollyCrabapple.   Edited by Russ Kick, The Graphic Canon is an extraordinary collection that will continue with Volume 2: "Kubla Khan" to the Bronte Sisters to The Picture of Dorian Gray in Summer 2012, and Volume 3: From Heart of Darkness to Hemingway to Infinite Jest in Fall 2012. A boxed set of all three volumes will also be published in Fall 2012.

    1891), one of the leading figures of the surrealistic movement and among the most original artists of the 20th century. From old catalog and pulp novel illustrations, Ernst produced this series of 182 bizarre and darkly humorous collage scenes of classic dreams and erotic fantasies which seem mysteriously to lure the unconscious into view: Stern, proper-looking women sprout giant sets of wings, serpents appear in the drawing-room and bed chamber, a baron has the head of a lion, a parlor floor turns to water on which some people can apparently walk while others drown.Une Semaine de Bonté is divided into seven parts, one for each day of the week, with each section illustrating one of Ernst’s “seven deadly elements.” “Oedipus,” “The Court of the Dragon,” and “Three Visible Poems” are among the startling episodes of Ernst's week. The Dada and surrealist epigraphs which introduce each section appear in this edition in both French and English.Une Semaine de Bonté first appeared in 1934 in a series of five pamphlets of fewer than 1,000 copies each, and has never been reprinted before this present edition. Previously available only to a few libraries and collectors, this is a major source and great treat for anyone interested in the surrealists and their work, in collage, visual illusion, dream visions, and the interpretations of dreams.

    Always outlaws, Mal, a very pregnant Zoe, new pilot River Tam, and the other surviving crew members are in greater danger than ever. Meanwhile, everyone is asking the same question . . .

    Stuffed with engaging supporting characters, villains, and even a romantic interest or two, Usagi Yojimbo chronicles the action-packed wanderings of a masterless samurai (a “ronin”) in feudal Japan — as told with funny-animals. (If Pixar and the late Akira Kurosawa were to collaborate on a movie, it might very well look like this.)For the first ten years of his career, the battling bunny was published by Fantagraphics Books. In honor of his 25th anniversary, Fantagraphics is releasing a deluxe slipcase set collecting the first seven Usagi books, including the earliest stories; the origin story, “Samurai”; “The Dragon Bellow Conspiracy,” a full graphic novel; and literally dozens more. With over 1000 pages of story, this is the complete, definitive, early Usagi. But that’s not all! This Special Edition will also be brimming with extra material, some from the long-out-of-print hardcover editions of those first seven volumes, some brand new. Just a few of the goodies are a complete full-color gallery of the more than 50 Usagi covers from that period (never-before-collected); many preparatory sketches, including Sakai’s original first draft of the “Samurai” story; two “non-canon” Usagi stories by Sakai co-starring the Teenage Mutant Ninja Turtles (with whom Usagi also shared screen time in the TMNTs’ TV series); and an updated and expanded, long out-of-print and feature-length, career-spanning interview with Sakai from the pages of The Comics Journal.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    This book chronicles their adventures across turnip fields, through barns and into bushes.

    Now, in this beautifully illustrated graphic novel adaptation, Hosseini brings his compelling story to a new generation of readers.

    Her grandson and her daughter, Yuko, perished nearly forty years ago during the bombing of Nagasaki. But the man carries with him a collection of sealed private letters that open a Pandora’s Box of family secrets Ama had sworn to leave behind when she fled Japan. She is forced to confront her memories of the years before the war: of the daughter she tried too hard to protect and the love affair that would drive them apart, and even further back, to the long, sake-pouring nights at a hostess bar where Ama first learned that a soft heart was a dangerous thing. Will Ama allow herself to believe in a miracle?

    Home is a new house with a loving husband in 1970s California that suddenly transformed in to the frightening world of the antebellum South. Dana, a young black writer, can't explain how she is transported across time and space to a plantation in Maryland. But she does quickly understand why: to deal with the troubles of Rufus, a conflicted white slaveholder--and her progenitor. Her survival, her very existence, depends on it. This searing graphic-novel adaptation of Octavia E. Butler's science fiction classic is a powerfully moving, unflinching look at the violent disturbing effects of slavery on the people it chained together, both black and white--and made kindred in the deepest sense of the word.

    Every genre and style, from the celebrated No plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yoshu” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshu” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki No Tsurayuki, “Yugao” from “Tales of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shonagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and Sections from Basho, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.