A schoolteacher in Sydney, Anna juggles her busy life with a daughter in the throes of first love and increasingly demanding aging parents.When Anna’s husband of twenty-five years leaves her, on Christmas morning, without warning or explanation, her safe and secure world collapses. Marcus King returns to Australia from the USA, leaving behind a broken marriage and a young son. When he takes up the position of Headmaster at Anna’s school, they form a fragile friendship through their mutual hurt and loneliness. Can Anna leave the past behind and make a new life for herself, and does Marcus have a part to play in her future?

    The girl bears a striking resemblance to the victims of three brutal murders that occurred twenty years ago and Abby fears the killer is still on the loose.But the newspaper Abby works for wants to suppress the story for fear it will scare off tourists to the struggling township. Haunted by her own turbulent memories, Abby is desperate to learn the truth and enlists the help of Tom Gabriel, a reclusive crime writer. At first resentful of Abby’s intrusion, Tom’s reluctance vanishes when they discover a hidden attic room in his house that shows evidence of imprisonment from half a century before.As Abby and Tom sift through the attic room and discover its tragic history, they become convinced it holds the key to solving the bushland murders and finding the missing girl alive.But their quest has drawn out a killer, someone with a shocking secret who will stop at nothing to keep the truth buried.

    Set against the backdrop of the small, close-knit Pittwater community with its colorful characters and quirky history, this story is about what happens when you open the door to life, adventure, and love. But it's also about mothers and daughters, as Susan confronts her mother's new frailty and her own role in what has always been a difficult relationship. Where Salvation Creek was about mortality—living life in the face of death—The House is about stepping outside your comfort zone and embracing challenges, at any age. In turn funny and moving, Susan Duncan's beautifully written sequel reminds us to honor what matters in life, and to disregard what really doesn't.

    Very unusual cops . . .Homicide detective Frank Bennett has an intriguing new partner. Dark, beautiful, coldly efficient, Eden Archer is one of the most enigmatic colleagues Frank has ever worked with—that includes her brother Eric, who’s also on the Sydney Metro police force. All of them are tested to the core when a local man discovers a graveyard of large steel toolboxes lying at the bottom of the harbor. Each box contains a grisly trove of human body parts.For Frank, the madman’s clues are a tantalizing puzzle. For Eden and Eric, the case holds chilling links to a scarred childhood—and a murderous mentor named Hades. But the true evil goes beyond the bloody handiwork of a serial killer…

    How far would you go to follow your dream?Queensland, 1994 When location manager Claire Montgomery arrives in rural Queensland to work on a TV mini-series, she's captivated by the beauty of Starlight Creek and the surrounding sugarcane fields. Working in a male-dominated industry is challenging, but Claire has never let that stop her pursuing her dreams-until now. She must gain permission to film at Australia's most historically significant art deco cinema, located at Starlight Creek. But there is trouble ahead. The community is fractured and the cinema's reclusive owner, Hattie Fitzpatrick, and her enigmatic great nephew, Luke Jackson, stand in her way, putting Claire's career-launching project-and her heart-at risk.Hollywood, 1950 Lena Lee has struggled to find the break that will catapult her into a star with influence. She longs for roles about strong, independent women but with Hollywood engulfed in politics and a censorship battle, Lena's timing is wrong. Forced to keep her love affair with actor Reeves Garrity a secret, Lena puts her career on the line to fight for equality for women in an industry ruled by men. Her generous and caring nature steers her onto a treacherous path, leaving Lena questioning what she is willing to endure to get what she desires.Can two women-decades apart-uncover lies and secrets to live the life they've dared to dream?

    When Londoner, Rose Porter, arrives on the shores of Sydney with little more than her suitcase, she is forced to take a job as a parlourmaid at the mysterious North Head Quarantine Station. It’s a place of turmoil, segregated classes and strict rules concerning employee fraternisation. But as Rose learns, some rules were made to be broken.2019 ... Over a century later, Emma Wilcott lives a secluded life in Sydney. Still reeling from a devastating loss, her one-hundred-year-old grandmother, Gwendoline, is all she has left. Suffering the early stages of dementia, Gwendoline’s long-term memories take her wandering at night and Emma realises she is searching for something or someone from her past.Emma’s investigation leads her to the Quarantine Station where she meets Matt, the station carpenter, and together they begin to unravel a mystery so compelling it has the power to change lives, the power to change everything Emma ever knew about herself.

    Someone comes into your orbit and swivels you on your axis, like the wind working on a rooftop weather vane. And when they leave, as the wind always does, you are different; you have a new direction. And it’s not always north.Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: Insidiously. Irreparably. Like a puzzle, he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again. So Taylor consulted The Art of War and made a plan. Then she took the next step – one that would change her life forever. Then things get really out of control – and The Sunday Girl becomes impossible to put down.

    Her so-called friends bully her, whatever semblance of a mother she had has been drowned at the bottom of a gin bottle ever since her dad left them for another woman, and now a teenage ghost is speaking to her through a broken phone booth. Kirra and the ghost make a pact. She'll prove who murdered him almost twenty years ago if he does three things for her. He makes her popular, he gets her parents back together, and he doesn't haunt her. Things aren't so simple however, and Kirra realises that people can be haunted in more ways than one.

    But when Sylvie dies, the ground shifts dangerously for the remaining three.They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather at Sylvie's old beach house--not for festivities this time, but to clean it out before it is sold. Can they survive together without her?Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface--and threatens to sweep away their friendship for good.The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.

    Darwin, 1942, and as Japanese bombs rain down, motherless Molly Hook, the gravedigger's daughter, turns once again to the sky for guidance. She carries a stone heart inside a duffel bag next to the map that leads to Longcoat Bob, the deep-country sorcerer who put a curse on her family. By her side are the most unlikely travelling companions: Greta, a razor-tongued actress and Yukio, a fallen Japanese fighter pilot. Run, Molly, run, says the daytime sky. Run to the vine forests. Run to northern Australia's wild and magical monsoon lands. Run to friendship. Run to love. Run. Because the graverobber's coming, Molly, and the night-time sky is coming with him. So run, Molly, run.All Our Shimmering Skies is a story about gifts that fall from the sky, curses we dig from the earth and the secrets we bury inside ourselves. It is an odyssey of true love and grave danger, of darkness and light, of bones and blue skies; a buoyant, beautiful and magical novel abrim with warmth, wit and wonder; and a love letter to Australia and the art of looking up.

    To escape her guilt and her parents' bitter disapproval, Cate leaves Perth for her aunt Ida's isolated farm in country Western Australia.Henry is a drifter, a young swagman-like character who wanders onto the Christie family property and takes up residence in a disused shed. With secrets of his own, the last thing he wants is to get tangled up in Cate and Ida's lives.Against their own better judgement, the fates of Cate and Henry and Ida inexorably intertwine and they learn to face the realities of life, death and letting go.A witty, charming and moving debut rural romance about what makes a good death and, more importantly, what makes a good life.

    Let me tell you my story.Not just the facts I know you want to hear.If I’m going to tell you my story,I’m telling it my way.Strap yourself in...Eliza Boans has everything.A big house.A great education.A bright future.So why is she sitting in a police station confessing to murder?

    The trouble is Anna and Sera haven't spoken in years, and Anna hasn't returned home since she and her mother were run out of town in disgrace.But Anna and Sera do have one thing in common: they want Juliette to fight her cancer by any means possible. When they realise the only way may be to find a man called Noah, they reluctantly agree to put aside their differences and search for him.But, as Anna and Sera discover, sometimes facing the past is the best way to face the future, and perhaps the only way they will find the strength for their last summer with Juliette

    I buried my mother. My grandfather buried a swimming pool. A boy who can’t speak has adopted me. A girl kissed me. I broke and entered. Now I’m fantasizing about a guy who’s a victim of crime and I am the criminal. I’m going nowhere and every minute I’m not moving, I’m being tail-gated by a curse that may or may not be real. They call me Friday. It has been foretold that on a Saturday I will drown…Friday, 17, flees memories of her mother, granddad, and the family curse. She joins Silence in a street gang led by beautiful charismatic Arden, and escapes to a ghost town in the outback. In Murungal Creek, the town of never leaving, Friday faces the ghosts of her past. Sometimes you have to stay to finish what you started, and before you can find out who you are, you have to become someone you never meant to be.

    When she travels to Sydney on assignment and finds her best friend murdered, she soon discovers a deadly puzzle of suspicious photographers, hired thugs, mysterious lovers and the handsome, jaded Detective Andy Flynn investigating the Stiletto Murders - the most violent serial killings Australia has ever known. In her quest to uncover the truth behind her best friend's murder, Mak falls headlong into a deadly game of cat and mouse, unaware she has become the obsession of a sadistic psychopath. When a photo from her portfolio disappears, her borrowed flat is ransacked and Andy Flynn suddenly goes underground, Mak knows she must run. But where can she go and to whom can she turn? Mak has scratched the seedy underbelly of a foreign city and is driven into a corner, an evil place where, for her own well-being and state of mind, she must suspect everyone and everything... The first book in the Mak Vanderwall series, FETISH is followed by SPLIT, COVET, HIT, SIREN and ASSASSIN.