The Last World is the story of a young man's quest for the exiled poet Ovid and the masterwork he has consigned to the flames. Ransmayr has created a visionary landscape, a transformed place where the ancient world meets the twentieth century. A metaphysical thriller both compelling and profound. The Last World draws the reader into a universe governed by the power of mythology, a world of decay on the brink of apocalypse. A novel about exile, censorship, and the destruction of the planet, this is a cultural and political fable that is blazingly topical, yet timeless.

    Ransacking his Paris flat, a group of his faithful companions trawl through his diary for any indication, for any faint hint, as to his location.

    During early revolutionary stirrings in Russia, after an unexpected turn of events, Laura Rowan, the coddled granddaughter of an exiled British nobleman, becomes her grandfather’s sole companion on a fateful train ride. In France, a young revolutionary approaches Laura and her grandfather with information that will turn her world upside down, and their travels become a thrilling journey into the heart of the struggle against Tsarist Russia.In this suspenseful novel, West brings to life a battle between entitled imperials and the passionate, savvy communist revolutionaries who dare to face them.

    As the history progresses over three generations, Stein also meditates on her own writing, on the making of The Making of Americans, and on America.

    Three appalling crimes leave all of Paris aghast: the Marquise de Langruen is hacked to death, the Princess Sonia is robbed, and Lord Beltham is found dead, stuffed into a trunk. Inspector Juve knows that all the clues point to one suspect: the master of disguise, Fantômas. Juve cleverly pursues him in speeding trains, down dark alleys, through glittering Parisian salons, obsessed with bringing the demon mastermind to justice. As thrilling to read now as it was when first published in 1915, Fantômas is not a puzzle but an intoxicant” (The Village Voice).

    Expected to redeem himself in this magical land of opportunity, young Karl is swept up instead in a whirlwind of dizzying reversals, strange escapades, and picaresque adventures.Although Kafka never visited America, images of its vast landscape, dangers, and opportunities inspired this saga of the "golden land." Here is a startlingly modern, fantastic and visionary tale of America "as a place no one has yet seen, in a historical period that can't be identified," writes E. L. Doctorow in his new foreword. "Kafka made his novel from his own mind's mythic elements," Doctorow explains, "and the research data that caught his eye were bent like rays in a field of gravity."

    One day, when tidying Lady Dant's wardrobe, she comes across the most beautiful thing she has ever seen in her life - a Dior dress. In all the years of her drab and humble existence, she's never seen anything as magical as the dress before her and she's never wanted anything as much before. Determined to make her dream come true, Mrs Harris scrimps, saves and slaves away until one day, after three long, uncomplaining years, she finally has enough money to go to Paris. When she arrives at the House of Dior, Mrs Harris has little idea of how her life is about to be turned upside down and how many other lives she will transform forever. Always kind, always cheery and always winsome, the indomitable Mrs Harris takes Paris by storm and learns one of life's greatest lessons along the way. This treasure from the 1950s introduces the irrepressible Mrs Harris, part charlady, part fairy-godmother, whose adventures take her from her humble London roots to the heights of glamour.

    Mao, at least, is still on view for the masses to see, some two decades after his demise. But no corpse engendered as much intrigue as that of Eva Peron. Elevated to near sainthood in Argentina after her death in 1952, her perfectly preserved corpse was seized by the Argentine Army following the ouster of her husband in 1955. By then, her corpse was the equivalent of a sacred relic, and while army officials wanted to keep it out of the hands of Peronists, they were loath to destroy the corpse for fear of the wrath that might follow. Tomas Eloy Martinez has reassembled the story of the corpse of Eve Peron in Santa Evita, and in the process, produced a riveting, rich book that not only tells the tale of one of the more bizarre sagas in the history of South American politics, but that also gets to the heart of the age-old human impulse to create myths and tell stories.

    With his train of horses he carried salt and silk across distances incomprehensible to his ancient and static community. He brings ideas as well as gifts that have come, by many short journeys, from market town to market town, and from places as distant as the campfires of the Silk Road. John Turner's death in the 18th century leaves an emotional charge Ian and Sal find affects their relationship in the 21st, challenging the perceptions they have of themselves and of each other. A visionary fable firmly rooted in a verifiable place, this novel is an evocation of the lives and the language of all people who are called to the valley of Thursbitch.

    It follows the passage of strange, gentle Abel Tiffauges from submissive schoolboy to "ogre" of the Nazi school at the castle of Kaltenborn, taking us deeper into the dark heart of fascism than any novel since The Tin Drum. Until the very last page, when Abel meets his mystic fate in the collapsing ruins of the Third Reich, it shocks us, dazzles us, and above all holds us spellbound.

    The mind- and language-bending adventures of Hemon's endearing protagonist Jozef Pronek.

    The narrator, an anonymous graduate student, sets off on the trail of a French novelist named Paul Michel, who is currently confined to an asylum. Engineering his hero's release, the narrator finds himself enmeshed in bizarre love triangle, of which the three vertices are himself, the novelist, and the late Michel Foucault. Sex, it seems, can be made safe, but the oddball intimacy of reading cannot.

    In this novel, Juan Goytisolo, one of Spain's most celebrated novelists, speaks for a generation of Spaniards who were only small children during the Spanish Civil War, grew up under a stifling dictatorship, and, in many cases, emigrated in desperation from their dying country. Upon his return, the narrator confronts the most controversial political, religious, social, and sexual issues of our time with ferocious energy and elegant prose. Torn between the Islamic and European worlds around him, he finds both ultimately unsatisfactory. In the end, only displacement survives.

    Like all good coaching inns, the Green Man is said to boast a resident ghost: Dr Thomas Underhill, a notorious seventeenth-century practitioner of black arts and sexual deviancy, rumoured to have killed his wife. However, the landlord, Maurice Allington, is the sole witness to the renaissance of the malevolent Underhill. Led by an anxious desire to vindicate his sanity, Allington strives to uncover the key to Underhill's satanic powers. All the while, the skeletons in the cupboard of Allington's own domestic affairs rattle to get out too.

    The story relates the formative experiences of Vadim at school and with women before he turns to drug abuse and the philosophical reflections to which it gives rise. Although Ageyev makes little explicit reference to the Revolution, the novel's obsession with addictive forms of thinking finds resonance in the historical background, in which "our inborn feelings of humanity and justice" provoke "the cruelties and satanic transgressions committed in its name.