However, behind closed doors, cracks are beginning to appear in her seemingly comfortable relationship with her professionally consumed husband, Rakesh. Although Rakesh seems content with his alpha neatness-fetish-melodramatic wife and bright son; Natasha yearns for romance, passion and excitement. Ironically, the Psychologist husband fails to read between the lines and Natasha is left to her own devices to deal with her unresolved emotions. An unexpected call from India takes her through a journey of self-discovery with her devastatingly handsome work colleague, Steve. She uncovers in some aspects urban India has changed considerably but equally, deep-rooted social issues still prevail in the so called modern, educated, changing society. A chance encounter with her 'blast from the past' - Veer, adds to the emotional rollercoaster ride. Her one-man-woman status of many years has failed to equip her with vital tools to deal with the unanticipated surge of attention from Steve and Veer. As she attempts to master the finer points of courtship, flirtation and seduction; her life spirals out of control. Natasha is compelled to make tough decisions about her love, friendship, marriage and parenthood.

    A land where history, myth and email forwards have come together to create a sense of a glorious past that is awe-inspiring...and also kind of dubious. But that is what happens when your future is uncertain and your present is kind of shitty—it gets embellished until it becomes a totem of greatness and a portent of potential. Sidin Vadukut takes on a complete catalogue of ‘India's Greatest Hits’ and ventures to separate the wheat of fact from the chaff of legend. Did India really invent the zero? Has it truly never invaded a foreign country in over 1,000 years? Did Indians actually invent plastic surgery before those insufferable Europeans? The truth is more interesting—and complicated—than you think.

    When footage of a team of archaeologists bursting into flames at the ancient site of Mohenjodaro goes viral, the world is horrified and shaken. While authorities suspect it to be an incendiary terrorist attack, Nadia Osbourne determines to find her archaeologist sister, Layla, convinced that she has survived. Her frantic search takes her to the ruins and forces her to confront her own demons – her inexplicable dreams about a woman named Jaya.3800 BC. The city of Meluhha is on the brink of a revolution and Iaf and his coterie of corrupt priests will do anything to maintain their power. Jaya is the only one who can read the Bloodstone, the heart of the Goddess Shakari, and divine the future. But with her daughter under Iaf’s control, will Jaya be able to prevent what is to come?Inspired by the legends surrounding the lost Indus Valley city, The Curse of Mohenjodaro is a gripping thriller about a powerful relic, a sinister cult, and family secrets that haunt generations.Maha Khan Phillips is a multiple award-winning financial journalist, and the author of Beautiful from This Angle and The Mystery of the Aagnee Ruby. She grew up in Karachi, Pakistan. She has a bachelors degree in Politics and International Relations and a masters in International Conflict Analysis from the University of Kent at Canterbury. In 2006, she completed a masters degree in Creative Writing from City University in London, where she currently lives with her husband and son.

    I was itching to defeat the single most powerful person, but there wasn't any. I was left with only one choice — to create one."Little does Ashwin Jamwal know that the last twenty-five years of his life have been controlled by a master manipulator, who wanted to make him the most powerful man on earth, though for a reason! Ashwin steps up to take oath as the youngest Prime Minister of India and is unknowingly thrown into a vortex of power and authority as the entire world is threatened by a faceless enemy — Hades.The world starts to look up to Ashwin as the savior, but he was just a pawn, reared only to be sacrificed in the end.A story of greed, lies, deceptions, manipulations and corruption, Ashvamedha is a thriller revolving around the infamous game of power in a maddening bid to seek absolute control.

    Contained here in this volume are the following short stories: The Strange Ride of Morrowbie Jukes; The Phantom 'Rickshaw; Gemini; A Wayside Comedy; At Twenty-Two; The Education of Otis Yeere; The Hill of Illusion; Dray Wara Yow Dee; The Judgment of Dungara; With the Main Guard; In Flood Time; Only a Subaltern; Baa Baa, Black Sheep; At the Pit's Mouth; Black Jack; On the City Wall; and The Man Who Would be King.

    India. In the thriving city of Nanivardhana, lives Shaunaka, a young man who yearns to go to Pataliputra to see the world and make his fortune. But he is forced to join his father's jewellery making business and soon finds himself in the workshop a job in which his heart clearly did not lie. Thankfully, along comes distraction in the form of two extravagant weddings royal nuptials at the palace and another wedding at the extravagant corner house in the Buddhist quarter of the city. This house, known for its opulence and sheer size, is owned by Vinayashura, an affluent trader fabled to have mysteriously deep connections to the royal family. Shaunaka is given the charge to work on the bride's jewellery at the corner house, but instead of the mundane task at hand, a morbid sight awaits the trader's wife's bloodcurdling screams bring Shaunaka to Vinayashura's bedroom where he is found murdered and lying in a pool of blood! Who killed Vinayashura? Why? Shaunaka finds himself at the heart of the mystery and his logic and keen observation skills land him the duty of assisting the head of police to solve this murder.

    Bhyrappa. Aavarana means enveloping or covering something. This novel deals with the historical period in Indian history when the Mogul Emperor Aurangzeb ruled most part of India. Aavarana was sold out even before its release in February 2007. The novel went on to create a record in the Indian literary world by witnessing 10 reprints within five months of its release. S.L.Bhyrappa says that 'Aavarana' is the result of his search for truth about history.

    She is a perplexed botch, who never thinks before she talks. Megha realises that she fancies the creative course of action involved in making ad films, rather than her current job of creating marketing strategies for products. Her ornery boss is not electrified with the idea of brand managers turning into ad conceptualizing officers, though.Megha then meets the creative head of the company, Yudhistir Joshi. Yudi seems to bring out Megha’s atrocious side. Although he’s an exceptionally good looking man, Megha and Yudi publicly fight and argue. He hates her guts and she vice-versa. Yudi apprises her to quit from the creative team every single time, however, Megha, who’s finally in a blissful atmosphere, refuses to abandon her ecstatic ship. Little does she know that their friction will give way to sparks!Concurrently, ‘Vile’ Varun, Megha’s boss, puts her down in front of his bosses at every opportunity. He claims that she is inadequate for her profile.On the other hand, there is a crowd of eligible NRI bachelors on her list of problems, as Megha’s mother decides to put her up on the marriage market.No Deadline For Love is a first person narrative by the protagonist, Megha. The book reads almost like a journal entry, and is full of icy observations. The occasional hilarious quotes lighten up the reader’s mood, and the elementary pinch in the storyline, apart from her spontaneous description of the events, are the comical nicknames given to characters.

    Aravamudan narrates the gripping story of the people who built India s space research programme and how they did it from the rocket engineers who laid the foundation to the savvy young engineers who keep Indian spaceships flying today. It is the tale of an Indian organisation that defied international bans and embargos, worked with laughably meagre resources, evolved its own technology and grew into a major space power. Today, ISRO creates, builds and launches gigantic rockets which carry the complex spacecraft that form the neural network not just of our own country but those of other countries too.This is a made-in-India story like no other.

    * New Edition. * Includes a new translation of 'Fotikchand'.

    After being a hard-as-nails reporter who covered crime stories of the goriest kind, Mythili is now just a ‘dependent’. On top of that, unemployment, encounters with expat-wives and culture shock leave her feeling like she has fallen down a rabbit hole. Will their love survive, or will she become just another unhappily married expatriate wife?Will this real life Alice ever embrace her Wonderland?

    The East India Company is seeking to make inroads into the region and the local people—in particular the Abor and Mishmee tribes—fear their coming and are doing all they can to keep them out of their territories. The author takes a recorded historical event—the mysterious disappearance of a French priest, Father Nicolas Krick in the 1850s and the execution of Kajinsha from the Mishmee tribe for his murder—and woven a gripping, densely imagined work of fiction around it. And, even as the novel tells the story of an impossible journey and an elopement, it explores the themes of the lure of unknown worlds, the love people have for each other and their land and the forces of history. Gimur, a girl from the Abor tribe, runs away with Kajinsha from the Mishmee tribe, and they settle down on his land near the Tibetan border. Father Krick’s attempts to reach Tibet to set up a Jesuit mission are foiled repeatedly by the local people not because of any personal animus towards the priests or their work, but because they feel—rightly—that once the priests come, the British, with their guns and their garrisons will follow. The story revolves around events in Gimur’s and Kajinsha’s villages and is also seen from the point of view of Father Krick, a gentle, intelligent man, devout but no bigot, whose determination to reach Tibet no matter what the cost, impacts tragically on all those who encounter him.

    The Mahabharata is obsessed with the elusive notion of dharma - in essence, doing the right thing. When a hero falters, the action stops and everyone weighs in with a different and often contradictory take on dharma. The epic's characters are flawed, but their incoherent experiences throw light on our familiar dilemmas. Gurcharan Das's best-selling book India Unbound examined the classical aim of artha, material well being. This, his first book in seven years, dwells on the goal of dharma, moral well being. It addresses the central problem of how to live our lives in an examined way - holding a mirror up to us and forcing us to confront the many ways in which we deceive ourselves and others. What emerges is a doctrine of dharma that we can apply to our business decisions, political strategies and interpersonal relationships - in effect, to life itself.

    The play is a political satire, written as historical drama. Based on the life of Nana Phadnavis (1741–1800), one of the prominent ministers in the court of the Peshwa of Pune. Its theme is how men in power give rise to ideologies to serve their purposes, and later destroy them when they become useless.