Frank Rich in "The New York Times" wrote about "Prelude," "It is rare to find a play so suffused with sorrow that sends one home so high." Also included are "Missing Persons," "a truly intelligent play, one that is literary and heartfelt, beautifully written...a well-crafted, moving story, a dramatic rarity in these or any times "("New York Post"), and "Three Postcards," an offbeat and uniquely imaginative free form musical play. Craig Lucas is also the author of "Reckless and Blue Window" and "What I Mean Was." He lives in Putnam Valley, New York.

    After all, she's moved a dozen times in her twelve years. But this time is different. They are leaving in the middle of the night, and Megan won't even have a chance to say good-bye to her best friend. What's worse, Megan senses that her mother is frightened. It's almost as if they are running away—but from what?

    But beware! Surprises lurk at the turn of every page. . . .Discover a time line of ALIEN LIFE on earth--beginning 4 billion years ago! Meet a man recruited by the U.S. government to become a PSYCHIC SUPERSPY. Spend a dark and stormy night with professional GHOSTBUSTERS. Visit a mysterious library in search of DRACULA's shocking origins. Witness new photos of the actual sea monster that inspired the mythical KRAKEN. And much more!

    Now, in a series of intelligent and candid essays, Rodriguez ranges over five centuries to consider the moral and spiritual landscapes of Mexico and the US and their impact on his soul.

    Just before his works are celebrated at an exhibition in London, Jonathan journeys to the village where his former lover, Patricia, lives with her British husband, Nick. Archaeologists working on a dig, their spare existence is spent sifting through a Roman rubbish heap to discover the past. In their cold, remote house, Jonathan discovers an early painting of Patricia he'd done when they were young lovers. The subsequent struggle for the painting embodies the unreconciled passions of the past. Patricia has never forgiven Jonathan for leaving her, Nick despises Jonathan and the kind of art he produces, and Jonathan has never been able to recapture the inspiration and purity he felt when he painted Patricia. In taut scenes that dart from past to present and back, the characters are forced to deal with the unanswerable question of anti-Semitism, the legacy of the Holocaust and assimilation, the sadness of lost love, the role of the artist and the location of the human soul at the end of a ragged century.

    To millions, the loss of this American folk hero seemed nearly as great as the loss of the wartime president.If the hidden horrors and valor of combat persist at all in the public mind, it is because of those writers who watched it and recorded it in the faith that war is too important to be confined to the private memories of the warriors. Above all these writers, Ernie Pyle towered as a giant. Through his words and his compassion, Americans everywhere gleaned their understanding of what they came to call “The Good War.” Pyle walked a troubled path to fame. Though insecure and anxious, he created a carefree and kindly public image in his popular prewar column—all the while struggling with inner demons and a tortured marriage. War, in fact, offered Pyle an escape hatch from his own personal hell. It also offered him a subject precisely suited to his talent—a shrewd understanding of human nature, an unmatched eye for detail, a profound capacity to identify with the suffering soldiers whom he adopted as his own, and a plain yet poetic style reminiscent of Mark Twain and Will Rogers. These he brought to bear on the Battle of Britain and all the great American campaigns of the war—North Africa, Sicily, Italy, D-Day and Normandy, the liberation of Paris, and finally Okinawa, where he felt compelled to go because of his enormous public stature despite premonitions of death. In this immensely engrossing biography, affectionate yet critical, journalist and historian James Tobin does an Ernie Pyle job on Ernie Pyle, evoking perfectly the life and labors of this strange, frail, bald little man whose love/hate relationship to war mirrors our own. Based on dozens of interviews and copious research in little-known archives, Ernie Pyle's War is a self-effacing tour de force. To read it is to know Ernie Pyle, and most of all, to know his war.

    She knows about pain and how to inflict it, she knows about guilt and she knows about survival. And because of her own experiences, she knows what these things can do to a child. So when she and a nine-year-old boy are the only ones left alive in a freezing Glasgow tenement after a Special Branch undercover operation she was spearheading has gone disastrously wrong, there's no way Orla McLeod's going to hand Jamie Buchanan over to social services. Not when Jamie's the sole witness to Tord Svensen committing an act of savagery so awful it's rapidly turning him into one of the most feared criminals in Europe. Especially since Svensen knows a lot about survival too.

    There are relatively recent stories based on modern technology, such as the classic microwaved pet, and yarns that have been making the urban-legend circuit for decades, such as the solid-cement-Cadillac story, which can be traced back to the 1940s, at least, involving a cement-truck driver who spies a new Cadillac convertible in his driveway and his wife talking to some strange man. He dumps his load of concrete on the Cadillac, but later discovers the stranger was a car dealer and the car was to be a gift from his wife, one she'd spent years saving her pennies for. The stories are grouped by subject, including "Dog Tales" and "Just Desserts," "Sexcapades" and "Losing Face." There are baby stories and work stories, criminal tales and college anecdotes, plus stories of mistaken identity, human nature, and technology. Brunvand achieves more, however, than a mere compendium of highly entertaining stories. He discusses the nature of urban legends--those almost believable, addictively retellable tales that always happened to a friend of a friend (FOAF, in folklorist parlance)--and for each individual story, Brunvand includes as much of its history as he has been able to trace, including newspaper accounts, alternative versions, and the story's natural cycle, that is, how many years, typically, between resurfacings. The result is an exceptionally engaging book and a great resource for debunking that next story, as heard from a friend by that unnamed acquaintance of unassailable honesty, that sounds just a little too perfect to swallow whole. --Stephanie Gold

    But unless she marries one of the gentlemen her grandfather has sent for her inspection, she'll lose custody of her nephew. So she must persuade them—and Adam Barr, her grandfather's envoy—that she'd make a thoroughly unsuitable wife.Adam isn't convinced. Regina might be unconventional, but she has wit, spirit and warmth. His job was to make sure Regina chose from the men he escorted to Texas—not to marry her himself! Can they overcome the secrets in her past, and the shadows in his, to find a perfect future together?