Jing of the north, and Wei of the south.One was the Prince of the grass plains who had no worries nor sorrow. One was a lawful Princess who received exclusive favour of the Emperor.A war turned the Prince of the grass plains into an orphan, she who had laid dormant for ten years had originally planned to become a sycophantic official, to manipulate the enemy kingdom into chaos, but was appointed as Fuma at the Chionglin banquet.Wait and see, how this debt of grudge from a fallen kingdom and devastated home will be settled.

    In a country where patriarchal favoritism and the primacy of sons survived multiple revolutions and an ideological earthquake, this epic novel is first and foremost about women, with the female body serving as the book’s central metaphor. The protagonist, Mother, is born in 1900 and married at seventeen into the Shangguan family. She has nine children, only one of whom is a boy—the narrator of the book. A spoiled and ineffectual child, he stands in stark contrast to his eight strong and forceful female siblings.Mother, a survivor, is the quintessential strong woman who risks her life to save several of her children and grandchildren. The writing is picturesque, bawdy, shocking, and imaginative. The structure draws on the essentials of classical Chinese formalism and injects them with extraordinarily raw and surprising prose. Each of the seven chapters represents a different time period, from the end of the Qing dynasty up through the Japanese invasion in the 1930s, the civil war, the Cultural Revolution, and the post-Mao years. Now in a beautifully bound collectors edition, this stunning novel is Mo Yan’s searing vision of twentieth-century China.

    But then an unexpected pregnancy puts everything at risk, and Dorothy is left alone – with Robbie nowhere to be seen.Heartbroken, Dorothy picks up the pieces of her life as a working girl in Battersea helping to support her mother and father. But before long, things start to become difficult. Her father’s health is worsening, money is tight and worst of all, Robbie hasn’t come back for her.Can Dorothy find a way back to happiness in the face of real adversity? Will she have the courage to make it on her own – or is someone else waiting in the wings to save her?Gritty and moving, this is the perfect read for fans of Dilly Court and Maggie Hope.

    At its outset, the Bishop of Iceland dispatches a young emissary to investigate certain charges against the pastor at Sn?fells Glacier, who, among other things, appears to have given up burying the dead. But once he arrives, the emissary discovers that this dereliction counts only as a mild eccentricity in a community that regards itself as the center of the world and where Creation itself is a work in progress.What is the emissary to make, for example, of the boarded-up church? What about the mysterious building that has sprung up alongside it? Or the fact that Pastor Primus spends most of his time shoeing horses? Or that his wife, Ua (pronounced “ooh-a,” which is what men invariably sputter upon seeing her), is rumored never to have bathed, eaten, or slept? Piling improbability on top of improbability, Under the Glacier overflows with comedy both wild and deadpan as it conjures a phantasmagoria as beguiling as it is profound.

    The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.

    What if you could change it back? Stephen King’s heart-stoppingly dramatic new novel is about a man who travels back in time to prevent the JFK assassination—a thousand page tour de force. Following his massively successful novel Under the Dome, King sweeps readers back in time to another moment—a real life moment—when everything went wrong: the JFK assassination. And he introduces readers to a character who has the power to change the course of history.Jake Epping is a thirty-five-year-old high school English teacher in Lisbon Falls, Maine, who makes extra money teaching adults in the GED program. He receives an essay from one of the students—a gruesome, harrowing first person story about the night 50 years ago when Harry Dunning’s father came home and killed his mother, his sister, and his brother with a hammer. Harry escaped with a smashed leg, as evidenced by his crooked walk. Not much later, Jake’s friend Al, who runs the local diner, divulges a secret: his storeroom is a portal to 1958. He enlists Jake on an insane—and insanely possible—mission to try to prevent the Kennedy assassination.So begins Jake’s new life as George Amberson and his new world of Elvis and JFK, of big American cars and sock hops, of a troubled loner named Lee Harvey Oswald and a beautiful high school librarian named Sadie Dunhill, who becomes the love of Jake’s life—a life that transgresses all the normal rules of time.

    Soon after basketball player, swimmer, all-around excellent student, and game company president, Xiao Nai, uses both tactics on and off-line to take this beauty’s heart. Therefore this romance slowly bloomed. (Description borrowed from Shushengbar)

    Ten years later, Huo is now a beautiful young woman, who could not forget the boy she saved. However, the emperor has long forgotten Huo, and with a new love in his life, Xu Pingjun. The heartbroken Huo later meets a handsome Meng Jue, only later to find herself embroiled in a power struggles within the imperial palace

    There has been much international excitement too-to date, rights have been sold in thirteen countries. Wolf Totem is set in 1960s China-the time of the Great Leap Forward, on the eve of the Cultural Revolution. Searching for spirituality, Beijing intellectual Chen Zhen travels to the pristine grasslands of Inner Mongolia to live among the nomadic Mongols-a proud, brave, and ancient race of people who coexist in perfect harmony with their unspeakably beautiful but cruel natural surroundings. Their philosophy of maintaining a balance with nature is the ground stone of their religion, a kind of cult of the wolf. The fierce wolves that haunt the steppes of the unforgiving grassland searching for food are locked with the nomads in a profoundly spiritual battle for survival-a life-and-death dance that has gone on between them for thousands of years. The Mongols believe that the wolf is a great and worthy foe that they are divinely instructed to contend with, but also to worship and to learn from. Chen's own encounters with the otherworldly wolves awake a latent primitive instinct in him, and his fascination with them blossoms into obsession, then reverence. After many years, the peace is shattered with the arrival of Chen's kinfolk, Han Chinese, sent from the cities to bring modernity to the grasslands. They immediately launch a campaign to exterminate the wolves, sending the balance that has been maintained with religious dedication for thousands of years into a spiral leading to extinction-first the wolves, then the Mongol culture, finally the land. As a result of the eradication of the wolves, rats become a plague and wild sheep graze until the meadows turn to dust. Mongolian dust storms glide over Beijing, sometimes blocking out the moon. Part period epic, part fable for modern days, Wolf Totem is a stinging social commentary on the dangers of China's overaccelerated economic growth as well as a fascinating immersion into the heart of Chinese culture.

    Yet, after returning five years later, there was no place to fit in the Inner Palace.The beauty in his arms smiled brightly, “Older sister, the country is stabilized and you should retire.”Her daughter had met with a violent death and the Crown Prince, her son, was disposed. Not one of the Shen family members – who had sacrificed themselves for the country – were lucky enough to escape. In one dynasty, everything was overturned: her clan had perished and she needed to mourn for her children!Shen Miao never did thought that as a married couple who went through trials and tribulations and mutually assisted one another was just a stage joke to him!He said, “Seeing that you have followed Zhen for twenty years, Zhen will grant you with an intact corpse. You should be grateful this great act of kindness.”Under the three Chi of white silk, Shen Miao made a malicious vow: In the time to come, she will take part in each and everyone’s end!Upon rebirth, she returned to the time when she was fourteen, where the tragedy had yet to occur: her family were still alive and she was still the pure, amiable, quiet and yielding Di daughter of military lineage.Her relatives had all been hiding their black hearts. Her female cousins are ruthless and malicious, her new Yiniang is like a tiger watching its prey, and the disreputable man is wanting to repeat of events.Her family must be protected, the huge enmity must be avenged, the Imperial seat of the country must also be part of the trophy. In this lifetime, let’s see who can beat the others!But that little marquis from the Xie family, the arrogant and obstinate spear carrying youth, stood biasedly at her side and proudly said, “It is only the measly fall of the Imperial power. Remember this, the world belongs to you. You– Belong to me!”

    It is the story of the roguish Monkey and his encounters with major and minor spirits, gods, demigods, demons, ogres, monsters, and fairies. This translation, by the distinguished scholar Arthur Waley, is the first accurate English version; it makes available to the Western reader a faithful reproduction of the spirit and meaning of the original.

    Empty eyes – the empty eyes of her mother – stare right through her and Meara thinks her world has ended. She has no idea.Ebullient and feisty, eighteen-year-old Meara MacDonald lives an idyllic life with her family, on the mist-enfolded Isle of Skye, dreaming of the day when she will wed her heart, the gallant Duncan MacLeod. But fate has other plans and when Aunt Deirdre and Uncle Sloan seep into their midst, Meara’s family is taken, one-by-one, for reasons she discovers are both personal and nefarious. Mother is found dead, Da disappears, Duncan is taken by the Napoleonic Wars, Meara’s younger sister, Hannah – with child by Uncle Sloan – takes her own life and while Meara sleeps, her newborn son is snatched from her arms. Unable to reign in her spirit or her tongue, Meara finds herself catapulted from Scotland to a household steeped in mystery in Nova Scotia where, guided by her strength of will, she will fight her way back to the remains of her family; her heart and soul.**Warning ~ This novel is NOT suitable for the faint of heart. It is NOT a fluffy romance but a gritty tale of tragedy, betrayal and deception with true love, faith and justice. The dialogue throughout is authentic Scottish dialect with true-to-life swearing, violence and sex.Show more Show less

    During the next four decades, Wang Qiyao indulges in the decadent pleasures of pre-liberation Shanghai, secretly playing mahjong during the antirightist Movement and exchanging lovers on the eve of the Cultural Revolution. Surviving the vicissitudes of modern Chinese history, Wang Qiyao emerges in the 1980s as a purveyor of "old Shanghai"--a living incarnation of a new, commodified nostalgia that prizes splendor and sophistication--only to become embroiled in a tragedy that echoes the pulpy Hollywood noirs of her youth.From the violent persecution of communism to the liberalism and openness of the age of reform, this sorrowful tale of old China versus new, of perseverance in the face of adversity, is a timeless rendering of our never-ending quest for transformation and beauty.

    If finding her mother Nellie in hospital after a savage beating from her husband wasn’t enough, Emily’s plight deepens when she yields to the advances of Tommy, a young soldier, and becomes pregnant with his child.Not for nothing is Victoria station nicknamed the ‘palace of tears’. As trainloads of men leave for the Western Front, and Emily says goodbye to Tommy, she is left contemplating the life of a single mother. Yet amidst the devastation, happiness still lies within her grasp… A classic saga of World War One, Palace of Tears is a perfect read for fans of Carol Rivers, Sally Warboyes, and Annie Murray.

    On the French liner home, he meets two Chinese beauties, Miss Su and Miss Pao. Qian writes, "With Miss Pao it wasn't a matter of heart or soul. She hadn't any change of heart, since she didn't have a heart." In a sort of painful comedy, Fang obtains a teaching post at a newly established university where the effete pseudo-intellectuals he encounters in academia become the butt of Qian's merciless satire. Soon Fang is trapped into a marriage of Nabokovian proportions of distress and absurdity. Recalling Fielding's Tom Jones in its farcical litany of misadventures and Flaubert's "style indirect libre," Fortress Besieged is its own unique feast of delights.