From there, they traveled across the Pacific to Japan, and then on to occupied France, landing in that country on the very day that Germany declared war on the United States. Their epic adventure had suddenly taken a dark turn. Wolfgang Wergin and Herbie Haupt were American citizens, though German by birth. Both had lived in America since the age of five, yet now they were given a choice by German officials. They could join a Nazi sabotage mission heading back to the United States to blow up aluminum factories, or they could be drafted into the German army and sent to the Russian front. One of these young men chose the first option, and one the second. Only one of them would survive. While this fragment of history is mostly forgotten today, the episode became one of the most sensational news stories of its time, garnering intense national interest. "Enemies: A War Story" is a fictionalized version of this true story, sticking as close to the facts as possible. This is a novel that raises challenging questions about the meanings of patriotism, justice, and American morality during difficult times.

    Medallion. While sitting in traffic heading to her great-grandfather's eighty-fourth birthday party, Hayden asks her dad why her great-grandfather speaks the way he does. What follows is a car ride she will never forget as she learns about his difficult childhood. From living in the Lodz ghetto at age ten to surviving the hells of Auschwitz and a death march from Gorlitz concentration camp at fifteen, Teddy Znamirowski faced unfathomable horrors, narrowly escaping death time and time again. Liberated at sixteen, he took on smuggling as a means to survive. It was not until the Bricha approached him and he became a lead operative - smuggling thousands of refugees across country borders - that he was finally able to begin his life again. Teddy's story is one of survival amidst horrific circumstances. The author does not sensationalize the suffering his grandfather and his family endured, but in this work of narrative nonfiction simply recreates this remarkable man's early life during one of the darkest moments of human history.

    Tells the history of the Nazi regime from a fascinating new perspective” (Military History Monthly).   Hitler’s Third Reich is covered in countless books and films: no conflict of the twentieth century has prompted such interest or such a body of literature. Here, two leading World War II historians offer a new way to look at the subject—through objects that come from this time and place, much like a museum exhibit.   The photographs gathered by the authors represent subjects including the methamphetamine known as Pervitin, Hitler’s Mercedes, jackboots, concentration camp badges, a 1932 election poster, Wehrmacht mittens, Hitler’s grooming kit, the Tiger Tank, fragments of flak, and, of course, the swastika and Mein Kampf, among dozens more—along with informative text that sheds new light on both the objects themselves and the history they represent.

    Navy, and a crazy billionaire spent six years and nearly a billion dollars to steal the nuclear-armed Soviet submarine K-129 after it had sunk to the bottom of the Pacific Ocean; all while the Russians were watching.In the early hours of February 25, 1968, a Russian submarine armed with three nuclear ballistic missiles set sail from its base in Siberia on a routine combat patrol to Hawaii. It never arrived. As the Soviet Navy searched in vain for the lost vessel, a top-secret American operation using sophisticated deep-sea spy equipment found it—wrecked on the sea floor at a depth of 16,800 feet, far beyond the capabilities of any salvage that existed. But the potential intelligence assets onboard the ship—the nuclear warheads, battle orders, and cryptological machines—justified going to extreme lengths to find a way to raise the submarine.So began Project Azorian, a top-secret mission that took six years, cost an estimated $800 million, and would become the largest and most daring covert operation in CIA history. After the U.S. Navy declared retrieving the sub “impossible,” the mission fell to the CIA's burgeoning Directorate of Science and Technology, the little-known division responsible for the legendary U-2 and SR-71 Blackbird spy planes. Working with Global Marine Systems, the country's foremost maker of exotic, deep-sea drill ships, the CIA commissioned the most expensive ship ever built and told the world that it belonged to the reclusive billionaire Howard Hughes, who would use the mammoth vessel to mine rare minerals from the ocean floor. In reality, a complex network of spies, scientists, and politicians attempted a project even crazier than Hughes’s reputation: raising the sub directly under the watchful eyes of the Russians. The Taking of K-129 is a riveting, almost unbelievable true-life tale of military history, engineering genius, and high-stakes spy-craft set during the height of the Cold War, when nuclear annihilation was a constant fear, and the opportunity to gain even the slightest advantage over your enemy was worth massive risk.

    It ended with the surrender of 76,000 Filipinos and Americans, the single largest defeat in American military history. The defeat, though, was only the beginning, as Michael and Elizabeth M. Norman make dramatically clear in this powerfully original book. From then until the Japanese surrendered in August 1945, the prisoners of war suffered an ordeal of unparalleled cruelty and savagery: forty-one months of captivity, starvation rations, dehydration, hard labor, deadly disease, and torture--far from the machinations of General Douglas MacArthur. The Normans bring to the story remarkable feats of reportage and literary empathy. Their protagonist, Ben Steele, is a figure out of Hemingway: a young cowboy turned sketch artist from Montana who joined the army to see the world. Juxtaposed against Steele's story and the sobering tale of the Death March and its aftermath is the story of a number of Japanese soldiers. The result is an altogether new and original World War II book: it exposes the myths of military heroism as shallow and inadequate; it makes clear, with great literary and human power, that war causes suffering for people on all sides.