The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Koz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other - the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend "il Machia" - Niccolo' Machiavelli - is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor's story true? And if so, then what happened to the lost princess? And if he's a liar, must he die?

    Elias is a Christian Arab living on the eastern side of the newly divided city, and Lila is a Jew living on the western side. A growing conflict between their cultures casts a heavy shadow over the region and their burgeoning relationship. Between them lie not only a wall of stone and barbed wire but also the bitter enmity of two nations at war.Told in the voice of Elias as he looks back upon the long years of his life, About the Night is a timely story of how hope can nourish us, loss can devastate us, and love can carry us beyond the boundaries that hold human beings apart.

    Not all of them return – and those who do will never be the same. Among them is the daredevil Laurids Madsen, who promptly escapes again into the anonymity of the high seas.As soon as he is old enough, his son Albert sets off in search of his missing father on a voyage that will take him to the furthest reaches of the globe and into the clutches of the most nefarious company. Bearing a mysterious shrunken head, and plagued by premonitions of bloodshed, he returns to a town increasingly run by women – among them a widow intent on liberating all men from the tyranny of the sea.From the barren rocks of Newfoundland to the lush plantations of Samoa, from the roughest bars in Tasmania, to the frozen coasts of northern Russia, We, The Drowned spans four generations, two world wars and a hundred years. Carsten Jensen conjures a wise, humorous, thrilling story of fathers and sons, of the women they love and leave behind, and of the sea’s murderous promise. This is a novel destined to take its place among the greatest seafaring literature.

    Each character who inhabits the house has a story to tell: about run-ins with the other residents, the diminishing community of Jews, cross-cultural conflicts, and the difficulty of choosing between India and Israel. Prophet Elijah, whom the Bene Israel Jews of western India believe in, plays an important role in their lives, appearing at critical or amusing moments and wreaking havoc with his mischief, but ensuring that ultimately peace prevails. Bombay Brides - as most Jewish men of Ahmedabad are married to women from Mumbai - is drawn from Jewish homes in Ahmedabad, Mumbai, Kochi, Kolkata and Alibaug. This is a story about home, heritage, rites, rituals, roots and what it means to be one of the last survivng members of a community in a vast multi-cultural country like India.

    In Volga’s retelling, it is Sita who, after being abandoned by Purushottam Rama, embarks on an arduous journey to self-realization. Along the way, she meets extraordinary women who have broken free from all that held them back: Husbands, sons and their notions of desire, beauty and chastity. The minor women characters of the epic as we know it – Surpanakha, Renuka, Urmila and Ahalya – steer Sita towards an unexpected resolution. Meanwhile, Rama too must reconsider and weigh out his roles as the king of Ayodhya and as a man deeply in love with his wife. A powerful subversion of India’s most popular tale of morality, choice and sacrifice, The Liberation of Sita opens up new spaces within the old discourse, enabling women to review their lives and experiences afresh. This is Volga at her feminist best.

    The Naxalbari Movement is gathering strength in Bengal. Young men and women have left their homes, picked up arms to free land from the clutches of feudal landlords and the state, and return them to oppressed landless farmers. They are being arrested en masse and thrown into high-security jails. In one such jail, five Naxals are meticulously planning a jailbreak. They must free themselves if the revolution is to continue. But petty thief Bhagoban, much too happy to serve frequent terms for free food and shelter, has been planted by Jailor Bireshwar Mukherjee among them as a mole. Only, Bhagoban seems to be warming up to them. There’s Gunpowder in the Air is a searing investigation into what deprivation and isolation can do to human idealism. And Manoranjan Byapari is perhaps the most refreshing voice to emerge from Bengal in recent times.

    The place where they fought later became the site of the city of Harappa, possibly the first modern urban center in history, and the nation that was established in that region later came to be called…Bharat. A battle epic that flags off the Itihasa Series retelling major landmarks in the history of the Indian sub-continent.

    The death shocks the students at the school and baffles the police.Meanwhile, a mysterious stranger’s reappearance after 5000 years strikes fear into the hearts of powerful members of a secret society, called the Sangha. Who is he and what is he after?What secrets are Arjun’s uncle and mother hiding and why do they inexplicably decide to leave town for an unknown destination?What is The Pataal Prophecy, that must be decoded even as the world hurtles towards a fate that may doom humanity?In a race against time, Arjun and Maya must join forces with the Sangha to face an ageless and terrible enemy from the depths of Pataal. But can they overcome an ancient power that is out to wreak vengeance?

    One by one, over a hundred men and women are forced by the harsh feudal officialdom to take to the hills. They band together and defeat every attempt of the government troops to crush them. Within this framework we find intrigue, adventure, murder, warfare, romance ... in a connected series of fascinating individual tales, told in the suspenseful manner of the traditional storyteller.

    Just into his twentieth year, Akbar readies himself to emerge from behind the veil and stake his claim to the Mughal throne. But the figure of his regent, Bairam Khan, looms large in his path. After an exchange of blows and wits, Bairam Khan is subdued. Akbar forgives him, and forces upon him a pilgrimage to Mecca. On the eve of his departure, Bairam Khan is found murdered in his chamber. With the help of Mahesh Das — a Brahmin who Akbar has befriended — Akbar must find out who killed Bairam Khan. But in the insidious Mughal court — a hotbed of intrigue and suspicion — danger lurks at every step. One false step could cost them their lives.

    Yu's four-volume translation of Hsi-yu Chi, one of the most beloved classics of Chinese literature. The fantastic tale recounts the sixteen-year pilgrimage of the monk Hsüan-tsang (596-664), one of China's most illustrious religious heroes, who journeyed to India with four animal disciples in quest of Buddhist scriptures. For nearly a thousand years, his exploits were celebrated and embellished in various accounts, culminating in the hundred-chapter Journey to the West, which combines religious allegory with romance, fantasy, humor, and satire.

    The head of the family, Nadeem Dalvi, had been the subordinate mamlatdar of Madhusudan Sen, ICS, the Magistrate of Batia, and his trusted supplier of fresh eggs, fish and red meat. When it is discovered that the deaths had not been accidental or caused by fire, Sen vows to turn vegetarian until justice has been done.In this novella of stunning force and impact, a true original of Indian writing is in brilliant form.About the AuthorUpamanyu Chatterjee was born in 1959 in Patna. He spent over thirty calm and undistinguished years in the Indian Administrative Service; during that time, he wrote six novels—when no one was looking. He retired (early and honourably) in 2016 to devote himself full time to running the household. He has one wife and two daughters. He enjoys several solitary occupations.

    Not long arrived in this exotic colony is pretty Sophi Hardcastle, newly married but already disillusioned enough with her soldier husband to have fallen under the spell of a dashing and mysterious lieutenant, Bruce Farquhar. But a brutal awakening lies in store for the complacent British: one May night, after 30 years of abuse, the East India Company's native soldiers rise against their British officers. Thus begins the most savage episode in our imperial history.In the chaos that follows the uprising, Sophie's infant son Stephen becomes one of a dwindling band of lost children wandering the war-torn plains in the care of the Hardcastles' desperate native maid, Lavanya. As Sophie and her friend Catherine search for their children they find themselves bearing appalled witness to atrocities on both sides, including the massacre of British women and children in Cawnpore and the hideous reprisals that follow.Moving, sombre and thrilling, Rathbone's tale is told on a grand scale, ranging from the Cannings in Government House to the heroism of the humblest soldiers and peasants. It is as exhilarating as any Victorian adventure story, and yet, with its unflinching examination of religious fanaticism and the horrors of war, The Mutiny also carries a powerful message for the modern world.

    Armed with a legal education from Oxford, Perveen also has a tragic personal history that makes her especially devoted to championing and protecting women's rights. Mistry Law is handling the will of Mr. Omar Farid, a wealthy Muslim mill owner who has left three widows behind. But as Perveen goes through the papers, she notices something strange: all three have signed over their inheritance to a charity. What will they live on if they forefeit what their husband left them? Perveen is suspicious. The Farid widows live in purdah: strict seclusion, never leaving the women's quarters or speaking to any men. Are they being taken advantage of by an unscrupulous guardian? Perveen tries to investigate and realizes her instincts about the will were correct when tensions escalate to murder. It's her responsibility to figure out what really happened on Malabar Hill, and to ensure that nobody is in further danger.

    Ironically, it also became the chant of millions on the streets of India against the project of Hindu Nationalism.Even as Arundhati Roy began to ask what lay between these two calls for Freedom—a chasm or a bridge?—the streets fell silent. Not only in India, but all over the world. The coronavirus brought with it another, more terrible understanding of Azadi, making a nonsense of international borders, incarcerating whole populations, and bringing the modern world to a halt like nothing else ever could.In this series of electrifying essays, Arundhati Roy challenges us to reflect on the meaning of freedom in a world of growing authoritarianism.The essays include meditations on language, public as well as private, and on the role of fiction and alternative imaginations in these disturbing times.The pandemic, she says, is a portal between one world and another. For all the illness and devastation it has left in its wake, it is an invitation to the human race, an opportunity, to imagine another world.