When Matt Freeman gets into trouble with the police, he's sent to be fostered in Yorkshire. It's not long before he senses there's something wrong with his guardian; with the whole village. Then Matt learns about the Old Ones and begins to understand just how he is different. But no one will believe him; no one can help. There is no proof. There is no logic. There is just the Gate.

    John Howard, a 70-year-old Englishman vacationing in France, cuts shorts his tour and heads for home. He agrees to take two children with him.But war closes in. Trains fail, roads clog with refugees. And if things were not difficult enough, other children join in Howard's little band. At last they reach the coast and find not deliverance but desperation. The old Englishman's greatest test lies ahead of him.

    Her task: to fill a greenhouse with exotic plants from Kew Gardens, to create a private paradise for the owner of Shadowbrook. Yet, on arrival, Clara hears rumours: something is wrong with this quiet, wisteria-covered house. Its gardens are filled with foxgloves, hydrangea and roses; it has lily-ponds, a croquet lawn - and the marvellous new glasshouse awaits her. But the house itself feels unloved. Its rooms are shuttered, or empty. The owner is mostly absent; the housekeeper and maids seem afraid. And soon, Clara understands their fear: for something - or someone - is walking through the house at night. In the height of summer, she finds herself drawn deeper into Shadowbrook's dark interior - and into the secrets that violently haunt this house. Nothing - not even the men who claim they wish to help her - is quite what it seems.Reminiscent of Daphne du Maurier, this is a wonderful, atmospheric Gothic page-turner.

    Among the stories in this enjoyable early collection are "The Girl on the Train," "Jane in Search of a Job," and "Philomel Cottage," which was made into the film "Love from a Stranger.

    Five of them appear to belong to missing girls between the ages of eight and eighteen. The sixth is yet to be identified. Worse still, the girls' bodies, alive or dead, are nowhere to be found.Lead investigators Mila Vasquez, a celebrated profiler, and Goran Gavila, an eerily prescient criminologist, dive into the case. They're confident they've got the right suspect in their sights until they discover no link between him and any of the kidnappings except the first. The evidence in the case of the second missing child points in a vastly different direction, creating more questions than it answers.Vasquez and Gavila begin to wonder if they've been brought in to take the fall in a near-hopeless case. Is it all coincidence? Or is a copycat criminal at work? Obsessed with a case that becomes more tangled and intense as they unravel the layers of evil, Gavila and Vasquez find that their lives are increasingly in each other's hands.THE WHISPERER, as sensational a bestseller in Europe as the Stieg Larsson novels, is that rare creation: a thought-provoking, intelligent thriller that is also utterly unputdownable.

    1926. New York. The Roaring Twenties. Jazz. Flappers. Prohibition. Coal-powered cars. A cold war with a British Empire that still covers half of the globe.

    These two men -- ambitious, powerful, ruthless -- are locked in a relentless struggle to build an empire, fuelled by their all-consuming hatred. Over 60 years and three generations, through war, marriage, fortune, and disaster, Kane and Abel battle for the success and triumph that only one man can have.

    Wodehouse's house parties, the chaos might resemble the nightmarishly funny goings-on in this novel by the author of London Fields. The residents of Appleseed Rectory have primed themselves both for a visit from a triad of Americans and a weekend of copious drug taking and sexual gymnastics. There's even a heifer to be slugged and a pair of doddering tenants to be ingeniously harassed. But none of these variously bright and dull young things has counted on the intrusion of "dead babies" — dreary spasms of reality. Or on the uninvited presence of a mysterious prankster named Johnny, whose sinister idea of fun makes theirs look like a game of backgammon.

    With a heavy heart, Alice Hopkins returns to the small town she grew up in. Widowed, with child, and without prospects, she is forced to find refuge at the house of her younger brother, Matthew. In the five years she has been gone, the boy she knew has become a man of influence and wealth--but more has changed than merely his fortunes. Alice fears that even as the cruel burns of a childhood accident still mark his face, something terrible has scarred Matthew's soul.There is a new darkness in the town, too--frightened whispers are stirring in the streets, and Alice's blood runs cold with dread when she discovers that Matthew is a ruthless hunter of suspected witches. Torn between devotion to her brother and horror at what he's become, Alice is desperate to intervene--and deathly afraid of the consequences. But as Matthew's reign of terror spreads, Alice must choose between her safety and her soul.Alone and surrounded by suspicious eyes, Alice seeks out the fuel firing her brother's brutal mission--and is drawn into the Hopkins family's past. There she finds secrets nested within secrets: and at their heart, the poisonous truth. Only by putting her own life and liberty in peril can she defeat this darkest of evils--before more innocent women are forced to the gallows.Inspired by the real-life story of notorious "Witchfinder General" Matthew Hopkins, Beth Underdown's thrilling debut novel blends spellbinding history with harrowing storytelling for a truly haunting reading experience.

    The dead ones. They were dead, but they had lights. Why do the dead need light?Three hundred years ago, the settlers on the small Maine island of Sanctuary were betrayed to their enemies and slaughtered. Since then, the island has known peace. Until now. A gang of four men are descending on Sanctuary, intent on committing a brutal and relentless massacre. All that stands in their way are rookie police officer Sharon Macie and the strange, troubled officer Joe Dupree.But Joe is no ordinary policeman. He knows the island has been steeped in blood once and that it will never again tolerate the shedding of innocent blood. The band of killers who are set to desecrate Sanctuary will unleash the fury of its ghosts upon themselves and all who stand by them. On Sanctuary, all hell is about to break loose ...

    They've lived there so long, there are only legends about people living anywhere else. Such a life requires rules. Strict rules. There are things that must not be discussed. Like going outside. Never mention you might like going outside.Or you'll get what you wish for.

    But when they arrive at high school, things change. Gretchen begins to act….different. And as the strange coincidences and bizarre behavior start to pile up, Abby realizes there’s only one possible explanation: Gretchen, her favorite person in the world, has a demon living inside her. And Abby is not about to let anyone or anything come between her and her best friend. With help from some unlikely allies, Abby embarks on a quest to save Gretchen. But is their friendship powerful enough to beat the devil?

    Beautiful yet self-effacing, Katie seems determined to avoid forming personal ties until a series of events draws her into two reluctant relationships: one with Alex, a widowed store owner with a kind heart and two young children; and another with her plainspoken single neighbor, Jo. Despite her reservations, Katie slowly begins to let down her guard, putting down roots in the close-knit community and becoming increasingly attached to Alex and his family.But even as Katie begins to fall in love, she struggles with the dark secret that still haunts and terrifies her . . . a past that set her on a fearful, shattering journey across the country, to the sheltered oasis of Southport. With Jo's empathic and stubborn support, Katie eventually realizes that she must choose between a life of transient safety and one of riskier rewards . . . and that in the darkest hour, love is the only true safe haven.

    On the night she arrives, a young girl is murdered—a horrific crime that eerily mirrors another from Kate's childhood. Three decades earlier, her dirt-poor friend Del—shunned and derided by classmates as "Potato Girl"—was brutally slain. Del's killer was never found, while the victim has since achieved immortality in local legends and ghost stories. Now, as this new murder investigation draws Kate irresistibly in, her past and present collide in terrifying, unexpected ways. Because nothing is quite what it seems . . . and the grim specters of her youth are far from forgotten.More than just a murder mystery, Jennifer McMahon's extraordinary debut novel, Promise Not to Tell, is a story of friendship and family, devotion and betrayal—tautly written, deeply insightful, beautifully evocative, and utterly unforgettable.

    In the midst of the excitement, true terror raises its head when Steve recognizes that one of the performers-- Mr. Crepsley-- is a vampire! Steve remains after the show finishes to confront the vampire-- but his motives are surprising! In the shadows of a crumbling theater, a horrified Darren eavesdrops on his friend and the vampire, and is witness to a monstrous, disturbing plea. As if by destiny, Darren is pulled to Mr. Crepsley and what follows is his horrifying descent into the dark and bloody world of vampires. This is Darren's story.