The closest we will come to George Harrison's autobiography, it features George in conversation with The Beatles' spokesperson Derek Taylor, discussing everything from early Beatlemania to his love of gardening. The lyrics to over 80 of his songs, many in his own hand, are accompanied by his uniquely intimate and humorous commentary. Fifty archival photographs of George with The Beatles and solo capture a journey of creative and spiritual transformation. Brimming with the wit, warmth, and grace that characterized his life, and with an introduction by his wife, Olivia, I, Me, Mine is a treasured portrait of George Harrison and his music.

    When Walter Kaufmann wrote it in the immediate aftermath of World War II, most scholars outside Germany viewed Nietzsche as part madman, part proto-Nazi, and almost wholly unphilosophical. Kaufmann rehabilitated Nietzsche nearly single-handedly, presenting his works as one of the great achievements of Western philosophy.Responding to the powerful myths and countermyths that had sprung up around Nietzsche, Kaufmann offered a patient, evenhanded account of his life and works, and of the uses and abuses to which subsequent generations had put his ideas. Without ignoring or downplaying the ugliness of many of Nietzsche's proclamations, he set them in the context of his work as a whole and of the counterexamples yielded by a responsible reading of his books. More positively, he presented Nietzsche's ideas about power as one of the great accomplishments of modern philosophy, arguing that his conception of the will to power was not a crude apology for ruthless self-assertion but must be linked to Nietzsche's equally profound ideas about sublimation. He also presented Nietzsche as a pioneer of modern psychology and argued that a key to understanding his overall philosophy is to see it as a reaction against Christianity.Many scholars in the past half century have taken issue with some of Kaufmann's interpretations, but the book ranks as one of the most influential accounts ever written of any major Western thinker.

    Janet Malcolm brings her shrewd intelligence to bear on the legend of Sylvia Plath and the wildly productive industry of Plath biographies. Features a new Afterword by Malcolm.

    E. Hotchner traveled together from New York to Paris to Spain, fished the waters off Cuba, hunted in Idaho, and ran with the bulls in Pamplona. And everywhere they talked. For 14 years, Hotchner and Hemingway shared a conversation. Hemingway reminisced about his childhood, recalled the Paris literary scene in the twenties, remembered his early years as a writer, and recounted the real events that lay behind his fiction. And Hotchner took it all down. His notes on the many occasions he spent with his friend Papa - in Venice and Rome, in Key West, on the Riviera, in Ketchum, Idaho, where Hemingway died by his own hand in 1961 - provide the material for this utterly truthful, profoundly compassionate bestselling memoir of the Nobel and Pulitzer Prize-winning author. What emerges is an extraordinary portrait of a great writer who had, and determined, the time of his life.

    During his lifetime he was a bourgeois-baiting visionary, and the list of his known crimes is longer than the list of his published poems. But his posthumous career is even more astonishing: saint to symbolists and surrealists; poster child for anarchy and drug use; gay pioneer; a major influence on artists from Picasso to Bob Dylan.

    Seuss. Dr. Seuss is a classic American icon. Whimsical and wonderful, his work has defined our childhoods and the childhoods of our own children. The silly, simple rhymes are a bottomless well of magic, his illustrations timeless favorites because, quite simply, he makes us laugh. The Grinch, the Cat in the Hat, Horton, and so many more, are his troupe of beloved, and uniquely Seussian, creations.Theodor Geisel, however, had a second, more radical side. It is there that the allure and fasciation of his Dr. Seuss alter ego begins. He had a successful career as an advertising man and then as a political cartoonist, his personal convictions appearing, not always subtly, throughout his books--remember the environmentalist of The Lorax? Geisel was a complicated man on an important mission. He introduced generations to the wonders of reading while teaching young people about empathy and how to treat others well.Agonizing over word choices and rhymes, touching up drawings sometimes for years, he upheld a rigorous standard of perfection for his work. Geisel took his responsibility as a writer for children seriously, talking down to no reader, no matter how small. And with classics like Green Eggs and Ham, and One Fish, Two Fish, Red Fish, Blue Fish, Geisel delighted them while they learned. Suddenly, reading became fun.Coming right off the heels of George Lucas and bestselling Jim Henson, Brian Jay Jones is quickly developing a reputation as a master biographer of the creative geniuses of our time.

    This autobiography traces Janet Frame's childhood in a poor but intellectually intense family, life as a student, years of incarceration in mental hospitals and eventual entry into the saving world of writers.

    Footsteps is a wonderful exploration of the ties between biographers and their subjects, filled with passion and revelation.

    It was a journey that would lead him from a homoerotic Navy initiation ceremony in the jungles of Vietnam to that strangest of strange lands: San Francisco in the early 1970s. Reflecting on the profound impact those closest to him have had on his life, Maupin shares his candid search for his "logical family," the people he could call his own. "Sooner or later, we have to venture beyond our biological family to find our logical one, the one that actually makes sense for us," he writes. "We have to, if we are to live without squandering our lives." From his loving relationship with his palm-reading Grannie who insisted Maupin was the reincarnation of her artistic bachelor cousin, Curtis, to an awkward conversation about girls with President Richard Nixon in the Oval Office, Maupin tells of the extraordinary individuals and situations that shaped him into one of the most influential writers of the last century. Maupin recalls his losses and life-changing experiences with humor and unflinching honesty, and brings to life flesh-and-blood characters as endearing and unforgettable as the vivid, fraught men and women who populate his enchanting novels. What emerges is an illuminating portrait of the man who depicted the liberation and evolution of America’s queer community over the last four decades with honesty and compassion—and inspired millions to claim their own lives.

    In Just As I Am Graham reveals his life story in what the Chicago Tribune calls "a disarmingly honest autobiography." Now, in this revised and updated edition, we hear from this "lion in winter" (Time) on his role over the past ten years as America's pastor during our national crisis of the Oklahoma bombing and 9/11; his knighthood; his passing of the torch to his son, Franklin, to head the organization that bears his name; and his commitment to do the Lord's work in the years of his and his wife Ruth's physical decline.

    B. White was obeying that oft-repeated maxim: "Write what you know." Helpless pigs, silly geese, clever spiders, greedy rats-White knew all of these characters in the barns and stables where he spent his favorite hours. Painfully shy his entire life, "this boy," White once wrote of himself, "felt for animals a kinship he never felt for people." It's all the more impressive, therefore, how many people have felt a kinship with E. B. White. With Charlotte's Web, which has gone on to sell more than 45 million copies, the man William Shawn called "the most companionable of writers" lodged his own character, the avuncular author, into the hearts of generations of readers.In The Story of Charlotte's Web, Michael Sims shows how White solved what critic Clifton Fadiman once called "the standing problem of the juvenile-fantasy writer: how to find, not another Alice, but another rabbit hole" by mining the raw ore of his childhood friendship with animals in Mount Vernon, New York. translating his own passions and contradictions, delights and fears, into an all-time classic. Blending White's correspondence with the likes of Ursula Nordstrom, James Thurber, and Harold Ross, the E. B. White papers at Cornell, and the archives of Harper Collins and the New Yorker into his own elegant narrative, Sims brings to life the shy boy whose animal stories--real and imaginary--made him famous around the world.

    Wilson's brilliant biography shows how hard Lewis struggled for the wisdom he shared in his books--The Screwtape Letters, The Chronicles of Narnia, The Problem of Pain and Surprised by Joy. Photographs.

    Mr. Braithwaite, the new teacher, had first to fight the class bully. Then he taught defiant, hard-bitten delinquents to call him "Sir," and to address the girls who had grown up beside them in the gutter as "Miss".He taught them to wash their faces and to read Shakespeare. When he took all forty-six to museums and to the opera, riots were predicted. But instead of a catastrophe, a miracle happened. A dedicated teacher had turned hate into love, teenage rebelliousness into self-respect, contempt into into consideration for others. A man's own integrity - his concern and love for others - had won through. The modern classic about a dedicated teacher in a tough London school who slowly and painfully breaks down the barriers of racial prejudice, this is the story of a man's integrity winning through against the odds.

    Buck-toothed and cursed by shyness, Ripley turned his sense of being an outsider into an appreciation for the strangeness of the world. After selling his first cartoon to Time magazine at age eighteen, more cartooning triumphs followed, but it was his “Believe It or Not” conceit and the wildly popular radio shows it birthed that would make him one of the most successful entertainment figures of his time and spur him to search the globe’s farthest corners for bizarre facts, exotic human curiosities, and shocking phenomena.Ripley delighted in making outrageous declarations that somehow always turned out to be true—such as that Charles Lindbergh was only the sixty-seventh man to fly across the Atlantic or that “The Star Spangled Banner” was not the national anthem. Assisted by an exotic harem of female admirers and by ex-banker Norbert Pearlroth, a devoted researcher who spoke eleven languages, Ripley simultaneously embodied the spirit of Peter Pan, the fearlessness of Marco Polo and the marketing savvy of P. T. Barnum.In a very real sense, Ripley sought to remake the world’s aesthetic. He demanded respect for those who were labeled “eccentrics” or “freaks”—whether it be E. L. Blystone, who wrote 1,615 alphabet letters on a grain of rice, or the man who could swallow his own nose.By the 1930s Ripley possessed a vast fortune, a private yacht, and a twenty-eight room mansion stocked with such “oddities” as shrunken heads and medieval torture devices, and his pioneering firsts in print, radio, and television were tapping into something deep in the American consciousness—a taste for the titillating and exotic, and a fascination with the fastest, biggest, dumbest and most weird. Today, that legacy continues and can be seen in reality TV, YouTube, America’s Funniest Home Videos, Jackass, MythBusters and a host of other pop-culture phenomena. In the end Robert L. Ripley changed everything. The supreme irony of his life, which was dedicated to exalting the strange and unusual, is that he may have been the most amazing oddity of all.

    Professor James Knowlson, Beckett's chosen biographer and a leading authority on Beckett, vividly recreates Beckett's life from his birth in a rural suburb of Dublin in 1906 to his death in Paris in 1989, revealing the real man behind the literary giant. Scrupulously researched and filled with previously unknown information garnered from interviews with the author and his friends, family, and contemporaries, Knowlson's unparalleled work is the definitive Beckett biography of our time.Nearing the end of his life, Samuel Beckett chose James Knowlson to be his biographer because he "knows my work best." One of the world's leading authorities on Beckett, Knowlson has drawn on his twenty-year friendship with the Nobel Prize winner, more than one hundred interviews, and research in dozens of archival collections-many previously untapped by scholars-to produce this definitive biography of one of the century's leading writers in both English and French.Damned to Fame follows the reclusive literary giant's life from his birth in Foxrock, a rural suburb of Dublin, in 1906 to his death in Paris in 1989. Knowlson brilliantly re-creates Beckett's early years as a struggling author in Paris, his travels through Germany in 1936-37 as the Nazis were consolidating their power, his service in the French Resistance during World War II, and the years of literary fame and financial success that followed the first performance of his controversial Waiting For Godot (1953).Paris between the wars was a city vibrant with experimentation, both in the arts and in personal lifestyle, and Knowlson introduces us to the writers and painters who, along with the young Beckett, populated his bohemian community. Most notable was James Joyce, a fellow Irishman who became Beckett's friend and mentor and influenced him to devote his life to writing. We also meet the women in Beckett's life-his domineering mother, May; his cousin Peggy Sinclair, who died at a tragically young age; Ethna McCarthy, his first love, whom he immortalized in his poetry and prose; Peggy Guggenheim, the American heiress and patron of the arts; and the strong and independent Suzanne Deschevaux-Dumesnil, whom he met in the late 1930s and married in 1961.Beyond recounting many previously unknown aspects of the writer's life, including his strong support for human rights and other political causes, Knowlson explores in fascinating detail the roots of Beckett's works. He shows not only how the relationship between Beckett's own experiences and his work became more oblique over time, but also how his startling postmodern images were inspired by the paintings of the Old Masters, such as Antonello da Messina, Durer, Rembrandt, and Caravaggio.Perhaps most striking of all is Knowlson's portrait of Beckett's complex personality. Although Beckett is often depicted as melancholic, self-critical, and intensely preoccupied with his work, his own letters reveal him to have been also a witty, resilient, and compassionate man who could respond to adversity with humor and who inspired deep affection in his friends.