With his traveling book wagon named Parnassus, he moves through the New England countryside of 1915 on an itinerant mission of enlightenment. Mifflin's delight in books and authors is infectious--with his singular philosophy and bright eyes, he comes to represent the heart and soul of the book world. But a certain spirited spinster, disgruntled with her life, may have a hand in changing all that. This roaring good adventure yarn is spiced with fiery roadside brawls, heroic escapes from death, the most groaning boards in the history of Yankee cookery, and a rare love story--not to mention a glimpse at a feminist perspective from the early 1900s.

    They include "The Prisoner of the Caucasus," inspired by Tolstoy's own experiences as a soldier in the Chechen War, "Hadji Murat," the novella Harold Bloom called "the best story in the world," "The Devil," a fascinating tale of sexual obsession, and the celebrated "The Death of Ivan Ilyich," an intense and moving examination of death and the possibilities of redemption. Pevear and Volokhonsky's translation captures the richness, immediacy, and multiplicity of Tolstoy's language, and reveals the author as a passionate moral guide, an unflinching seeker of truth, and ultimately, a creator of enduring and universal art. "From the Trade Paperback edition."

    A lonely teenage girl falls in love with her foster brother as she watches him leap from a high diving board into a pool—a peculiar infatuation that sends unexpected ripples through her life. A young woman records the daily moods of her pregnant sister in a diary, taking meticulous note of a pregnancy that may or may not be a hallucination—but whose hallucination is it, hers or her sister's? A woman nostalgically visits her old college dormitory on the outskirts of Tokyo, a boarding house run by a mysterious triple amputee with one leg.Hauntingly spare, beautiful, and twisted, The Diving Pool is a disquieting and at times darkly humorous collection of novellas about normal people who suddenly discover their own dark possibilities.

    A daughter disappears in the middle of the night. What happens in the aftermath of this tragedy—after the search is abandoned, after the TV crews move on to cover the latest horrific incident—is the story of Coyote. There is a marriage and a detective. There is a storm, a talk show host, and a roasted boar. People are murdered and things are hidden. Coyotes skulk in the woods, a man stands by the fence, and a tale emerges within this familiar landscape of the violent unknown."Like a modern-day Poe, [Winnette] has fashioned a narrator whose pull on the reader’s sympathy gradually fades as she recounts the aftermath of her daughter’s mysterious disappearance….Winnette’s deeply affecting story is hard to put down and even harder to forget.” —Publishers Weekly (starred review)"Coyote has a strong and inviting voice and that voice wraps around a dark story, a contemporary story, and one that has its own velocity and fragmentation built in. I found myself swept along in it and impacted by its delicate/bleak movement.”—Aimee Bender, author of The Particular Sadness of Lemon Cake, The Girl in the Flammable Skirt, and Willful Creatures"While there’s a contemporary urgency to Winnette’s novel, it’s the small details (and how they’re revealed) that give this story its considerable sting."—Kirkus Reviews

    Years later, Wakewater House is renovated into modern apartments and Kirsten moves in, fresh from a break up and eager for the restorative calm of the Thames. But her archivist neighbour, Manon, fills her head with the river's murky past and with those men of science and art who were obsessed with the drowned women who were washed up on its banks. As Kirsten learns more about Wakewater's secrets, she becomes haunted by a solitary figure in the river and increasingly desperate to understand what the water wants from her.

    No Pack responsibilities, no homicidal half-demons or power-hungry sorcerers to deal with – just the four of them, alone, at a chalet outside Ontario’s Algonquin Park.Then a strange werewolf shows up at their door…while the town is buzzing about a young man, back from college, found half-eaten in the woods. And there’s the missing little girl …With all the signs pointing to a rogue mutt with a taste for human flesh, Elena and Clay have no choice but to investigate. But are they the hunters – or the hunted?

    Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies - many images recur in stories that are in turn child-like and naive, grotesque and very dark.In Unstitching, a feminist revolution takes place. In Waxy, a factory worker fights to keep hold of her Man in a society where it is frowned upon to be Manless. In Agata's Machine, two schoolgirls conjure a Pierrot and an angel in a dank attic room. In Notes from a Spider, a half-man, half-spider finds love in a great European city.By constantly reinventing ways to engage with her obsessions and motifs, Camilla Grudova has come up with a method for storytelling that is highly imaginative, incredibly original, and absolutely discomfiting.Content:- Unstitching (2017)- The Mouse Queen (2017)- The Gothic Society (2017)- Waxy (2016)- The Doll's Alphabet (2017)- The Mermaid (2017)- Agata's Machine (2015)- Rhinoceros (2017)- The Sad Tale of the Sconce (2017)- Edward, Do Not Pamper the Dead (2017)- Hungarian Sprats (2017)- The Moth Emporium (2017)- Notes from a Spider (2017)

    Violet is obsessed with the books of fairy tales her husband acquires, but her growing delusions see her confined in an asylum. As she recovers and is released a terrifying series of events is unleashed.

    When the nameless narrator botches an assignment for the clandestine organization that employs him, everyone in his life—including his new girlfriend—is revealed to be either true-blue, double operative, or both.With the literary coyness of Paul Auster and the dark absurdity of Kafka, Hunt's debut is a daring, memory-driven narrative that is as fittingly spare as a bare ceiling light—and just as pendulous. On the surface, the narrator is a simple man, fixing his washer and dryer, strolling through city parks, falling in love at an office supply store. But in The Impossibly, the mundane gives way to outrageous misconduct, and with each unexpected visitor or cryptic note, the tension reaches tantalizing heights. As the narrator frugally doles out clues about his dangerous work in an unnamed European city, the reader inevitably becomes confidante and fellow gumshoe. The narrator's final assignment—to identify his own assassin—dismantles the reader's own analysis of the evidence.

    Campbell classic about an antarctic research camp that discovers and thaws the ancient, frozen body of a crash-landed alien. The creature revives with terrifying results, shape-shifting to assume the exact form of animal and man, alike. Paranoia ensues as a band of frightened men work to discern friend from foe, and destroy the menace before it challenges all of humanity! The story, hailed as "one of the finest science fiction novellas ever written" by the SF Writers of America, is best known to fans as THE THING, as it was the basis of Howard Hawks' The Thing From Another World in 1951, and John Carpenter's The Thing in 1982. With a new Introduction by William F. Nolan, author of Logan's Run, and his never-before-published, suspenseful Screen Treatment written for Universal Studios in 1978, this is a must-have edition for scifi and horror fans!

    Stone tries to adjust to her aimless new life in Rome. She is adjusting, too, to aging ("The knowledge that her beauty was lost had come upon her recently and it was still occasionally forgotten.") With poignant wit and his own particular brand of relish, Williams charts her drift into an affair with a cruel young gigolo: "As compelling, as fascinating, and as technically skilled as his plays." (Publishers Weekly)

    Byatt returns to the territory she explored in Possession: the landscape of Victorian England, where science and spiritualism are both popular manias, and domestic decorum coexists with brutality and perversion. Angels and Insects is "delicate and confidently ironic.... Byatt perfectly blends laughter and sympathy [with] extraordinary sensuality" (San Francisco Examiner).

    You watch three seasons of Keeping Up with the Kardashians in two days. You get a pet turtle. You absent-mindedly paint what ends up looking like your high school’s football coach, but naked. You go backpacking in Australia for a few months. You try speaking with a New York accent in public, just to see if people like that version of you better. The comment still haunts you. An “indoor kind of girl.” You feel like you’re that person, but you’re not that person. In Frankie Barnet’s exquisite and funny debut collection of stories, characters stumble through their daily existence, frequently feeling confused, rejected, bored, disillusioned or misunderstood. Metatron is proud to present these five stunningly imaginative tales, which signal the arrival of a gifted writer. Frankie Barnet is a Montreal- based writer. Her work has appeared in publications such as Joyland, Lemonhound and Papirmasse, and she is the author of the 2012 chapbook Something Disgusting Happening. She is a graduate of the Creative Writing program at Concordia University.“An Indoor Kind Of Girl veers from fading friendships to scheming call centres with an occasional sense of absurdity and also a kind of hyper-real real. Barnet’s narrators have a sharp eye for all that goes around them and they judge their own actions and others’ with a combination of ruthless honesty and vulnerability.”– MELISSA BULL, AUTHOR OF RUE “As I read, everything hit me at once; the quick prose and real characters, the humour of it, and this sort of sadness, loneliness.”– SOLILOQUIES ANTHOLOGY “A very powerful writer”– THE LINK

    His work bears special resonance for writers and readers, and yet his paintings never tell a story so much as they invite viewers to find for themselves the untold stories within."So says Lawrence Block, who has invited seventeen outstanding writers to join him in an unprecedented anthology of brand-new stories: In Sunlight or In Shadow. The results are remarkable and range across all genres, wedding literary excellence to storytelling savvy.Contributors include Stephen King, Joyce Carol Oates, Robert Olen Butler, Michael Connelly, Megan Abbott, Craig Ferguson, Nicholas Christopher, Jill D. Block, Joe R. Lansdale, Justin Scott, Kris Nelscott, Warren Moore, Jonathan Santlofer, Jeffery Deaver, Lee Child, and Lawrence Block himself. Even Gail Levin, Hopper’s biographer and compiler of his catalogue raisonée, appears with her own first work of fiction, providing a true account of art theft on a grand scale and told in the voice of the country preacher who perpetrated the crime.In a beautifully produced anthology as befits such a collection of acclaimed authors, each story is illustrated with a quality full-color reproduction of the painting that inspired it.

    Almost immediately he sets about beguiling the three women and five teenage girls stranded in this outpost of Southern gentility, eliciting their love and fear, pity and infatuation, and pitting them against one another in a bid for his freedom. But as the women are revealed for what they really are, a sense of ominous foreboding closes in on the soldier, and the question becomes: Just who is the beguiled?