Left to their own devices, the inseparable sisters spend their days studying record jackets, concocting elaborate fantasies about the life of the mysterious neighbor who moves in down the street, and playing dangerous games on the mountain that rises up behind their house.When young women start showing up dead on the mountain, the girls' father is charged with finding the man responsible, known as The Sunset Strangler. Seeing her father's life slowly unravel when he fails to stop the murders, Rachel embarks on her most dangerous game yet: setting herself up as bait to catch the killer, with consequences that will destroy her father's career and alter the lives of everyone she loves. It is not until thirty years later that Rachel, who has never given up hope of vindicating her father, finally smokes out the killer, bringing her back to the territory of her childhood, and uncovering a long-buried family secret. As with her novel Labor Day, Maynard's newest work is part thriller, part love story. Loosely inspired by the Trailside Killer case that terrorized Marin County in the late seventies, her tale delves deep into the alternately thrilling and terrifying landscape of a young girl's first explorations of adult sexuality and the loss of innocence, the bond between sisters - and into a daughter's tender but damaged relationship with her father, and what it is to finally trust a man.

    This modern classic continues to be a touchstone of historical suspense fiction for readers everywhere.The year is 1896. The city is New York. Newspaper reporter John Schuyler Moore is summoned by his friend Dr. Laszlo Kreizler—a psychologist, or “alienist”—to view the horribly mutilated body of an adolescent boy abandoned on the unfinished Williamsburg Bridge. From there the two embark on a revolutionary effort in criminology: creating a psychological profile of the perpetrator based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who will kill again before their hunt is over.Fast-paced and riveting, infused with historical detail, The Alienist conjures up Gilded Age New York, with its tenements and mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. It is an age in which questioning society’s belief that all killers are born, not made, could have unexpected and fatal consequences.

    She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.Out of these elements, Cain created a novel (later made into a film noir classic) of acute social observation and devastating emotional violence—and a heroine whose ambitions and sufferings are never less than recognizable.

    N. Dyer, whose novel Ampersand stands as a classic of American teenage angst. But as Andrew Newbold Dyer delivers the eulogy for his oldest friend, he suffers a breakdown over the life he’s led and the people he’s hurt and the novel that will forever endure as his legacy. He must gather his three sons for the first time in many years—before it’s too late. So begins a wild, transformative, heartbreaking week, as witnessed by Philip Topping, who, like his late father, finds himself caught up in the swirl of the Dyer family. First there’s son Richard, a struggling screenwriter and father, returning from self-imposed exile in California. In the middle lingers Jamie, settled in Brooklyn after his twenty-year mission of making documentaries about human suffering. And last is Andy, the half brother whose mysterious birth tore the Dyers apart seventeen years ago, now in New York on spring break, determined to lose his virginity before returning to the prestigious New England boarding school that inspired Ampersand. But only when the real purpose of this reunion comes to light do these sons realize just how much is at stake, not only for their father but for themselves and three generations of their family.

    Still reeling from the tragedy, Ziele transferred to a police department north of New York, to escape the city and all the memories it conjured.But only a few months into his new life in a quiet country town, he’s faced with the most shocking homicide of his career to date: Young Sarah Wingate has been brutally murdered in her own bedroom in the middle of an otherwise calm and quiet winter afternoon. After just one day of investigation, Simon’s contacted by Columbia University’s noted criminologist Alistair Sinclair, who offers a startling claim about one of his patients, Michael Fromley—that the facts of the murder bear an uncanny resemblance to Fromley’s deranged mutterings.But what would have led Fromley, with his history of violent behavior and brutal fantasies, to seek out Sarah, a notable mathematics student and a proper young lady who has little in common with his previous targets? Is Fromley really a murderer, or is someone mimicking him?This is what Simon Ziele must find out, with the help of the brilliant but self-interested Alistair Sinclair—before the killer strikes again.With this taut, atmospheric, and original story of a haunted man who must search for a killer while on the run from his own demons, Stefanie Pintoff’s In the Shadow of Gotham marks the debut of an outstanding new talent, the inaugural winner of the Minotaur Books/Mystery Writers of America Best First Crime Novel Competition.

    Toby doesn't mind being used in this way; it's a welcome change from the thirteen years he spent as a married man, the thirteen years of emotional neglect and contempt he's just endured. Anthropologically speaking, it's like nothing he ever experienced before, particularly back in the 1990s, when he first began dating and became used to swimming in the murky waters of rejection.But Toby's new life--liver specialist by day, kids every other weekend, rabid somewhat anonymous sex at night--is interrupted when his ex-wife suddenly disappears. Either on a vision quest or a nervous breakdown, Toby doesn't know--she won't answer his texts or calls.Is Toby's ex just angry, like always? Is she punishing him, yet again, for not being the bread winner she was? As he desperately searches for her while juggling his job and parenting their two unraveling children, Toby is forced to reckon with the real reasons his marriage fell apart, and to ask if the story he has been telling himself all this time is true.

    . . . This is a candy of a book."-- "Cosmopolitan.""Smoothly written, engrossing . . . Ann is a heroine you love to hate . . . . Will be read with enormous enjoyment for the personalities, from Brenda Frazier to the Duchess of Windsor, that decorate its pages for the knowing glimpses of high living in high places."-- "Publishers Weekly.""Dominick Dunne is the best chronicler of American Society since Truman Capote. He is the only person writing about high society from inside the aquarium"--Tina Brown, "Vanity Fair

    Much to her annoyance, she is accompanied by a thirty-six-year-old chaperone, who is neither mother nor friend. Cora Carlisle, a complicated but traditional woman with her own reasons for making the trip, has no idea what she’s in for. Young Louise, already stunningly beautiful and sporting her famous black bob with blunt bangs, is known for her arrogance and her lack of respect for convention. Ultimately, the five weeks they spend together will transform their lives forever. For Cora, the city holds the promise of discovery that might answer the question at the core of her being, and even as she does her best to watch over Louise in this strange and bustling place she embarks on a mission of her own. And while what she finds isn’t what she anticipated, she is liberated in a way she could not have imagined. Over the course of Cora’s relationship with Louise, her eyes are opened to the promise of the twentieth century and a new understanding of the possibilities for being fully alive. Drawing on the rich history of the 1920s,’30s, and beyond—from the orphan trains to Prohibition, flappers,  and the onset of the Great Depression to the burgeoning movement for equal rights and new opportunities for women—Laura Moriarty’s The Chaperone illustrates how rapidly everything, from fashion and hemlines to values and attitudes, was changing at this time and what a vast difference it all made for Louise Brooks, Cora Carlisle, and others like them.

    His chosen profession, however, might not sit well with some. Bernie is a burglar, a good one, effortlessly lifting valuables from the not-so-well-protected abodes of well-to-do New Yorkers like a modern-day Robin Hood. (The poor, as Bernie would be the first to tell you, alas, have nothing worth stealing.)He's not perfect, however; he occasionally makes mistakes. Like accepting a paid assignment from a total stranger to retrieve a particular item from a rich man's apartment. Like still being there when the cops arrive. Like having a freshly slain corpse lying in the next room, and no proof that Bernie isn't the killer.Now he's really got his hands full, having to locate the true perpetrator while somehow eluding the police -- a dirty job indeed, but if Bernie doesn't do it, who will?

    Meet Regan and William Hamilton-Sweeney, estranged heirs to one of the city's great fortunes; Keith and Mercer, the men who, for better or worse, love them; Charlie and Samantha, two suburban teenagers seduced by downtown's punk scene; an obsessive magazine reporter, Richard, and his idealistic neighbor, Jenny, - and the detective trying to figure out what any of them have to do with a shooting in Central Park on New Year's Eve.The mystery, as it reverberates through families, friendships, and the corridors of power, will open up even the loneliest-seeming corners of the crowded city. And when the blackout of July 13, 1977, plunges this world into darkness, each of these lives with be changed forever.City on Fire is an unforgettable novel about love and betrayal and forgiveness, about art and truth and rock 'n' roll, about what people need from each other in order to live... and about what makes the living worth doing in the first place.

    Ten years after the loss of Bobby—the Amendola family’s youngest son—everyone is still struggling to recover from the firefighter’s unexpected death. Bobby’s mother Gail; his widow Tina; his older brothers Peter, the corporate lawyer, and Franky, the misfit; and his father Michael have all dealt with their grief in different ways. But as the family gathers together for Bobby Jr.’s birthday party, they must each find a way to accept a new man in Tina’s life while reconciling their feelings for their lost loved one.Presented through multiple points of view, Small Mercies explores the conflicts and deep attachments that exist within families. Heart-wrenching and profoundly relatable, Joyce’s debut is a love letter to Staten Island and a deeply affecting portrait of an American family.

    Was it an accident, a murder, a suicide? The circumstances of her death were never resolved, but O’Hara seized upon the tragedy to imagine the woman’s down-and-out life in New York City in the early 1930s. “O’Hara understood better than any other American writer how class can both reveal and shape character,” Fran Lebowitz writes in her Introduction. With brash honesty and a flair for the unconventional, BUtterfield 8 lays bare the unspoken and often shocking truths that lurked beneath the surface of a society still reeling from the effects of the Great Depression. The result is a masterpiece of American fiction.

    Now the police are relying on Adam as the only witness to an appalling crime. But he can't tell the police what he saw—or what he heard. Barely verbal on the best of days, Adam has retreated into a silent world that Cara, his mother, knows only too well.A young girl has been murdered and the only witness is a child who cannot tell what he saw. In the woods of a small town, Adam, a nine-year-old autistic boy, is discovered hiding near to the body of his classmate. They both wandered off from the school playground several hours earlier, and now the police are relying on Adam as the only witness to an appalling crime. But he can't tell the police what he saw—or what he heard. Barely verbal on the best of days, Adam has retreated into a silent world that Cara, his mother, knows only too well. With her community in shock and her son unable to help with the police investigation, Cara tries to decode the puzzling events. Adam has never broken the rules before, so why did he disappear with the little girl during recess? As a single mother, Cara has devoted her life to opening paths of communication between her son and the outside world. Now, she must interpret the changes in Adam's behavior not only to help him through the trauma, but to help the police catch a killer. Cammie McGovern brings her own experience as the mother of an autistic child to articulate the struggles—and the victories—that consume the lives of parents raising children with special needs. A powerful story of the tangled emotional bond between mother and son, and a thrilling novel of psychological suspense, Eye Contact won't let you go. Lovers of Mystic River will be captivated by this fresh and fascinating journey into the world of a child in crisis and a mother who longs to bring him through unscathed.

    Ian Minot is an aspiring writer who labors over short stories that seem destined to remain unread. His beautiful Romanian girlfriend, Anya Petrescu, finds success more easily—and leaves Ian for Blade Markham, a bloviating ex-gangbanger whose “so-called memoir” is a best-seller. When Ian is approached by ex-editor Jed Roth, who wants Ian to publish Jed’s pulpy tale of book theft and murder as a memoir, then renounce it, it’s a chance for both of them to get revenge: Jed on his former employer, and Ian on the world. Although Langer may be too cute for some (he employs made-up slang in which a penis is a portnoy), he does an engaging job with the hall-of-mirrors plot. And if readers can predict that the book they’re reading is the one that Ian ends up writing, they’ll never guess the ending. Just when you want a surprising twist, Langer delivers several.

    But when the sun went down, her life was an endless, faceless whirl of bars and beds and men she'd never seen before and wouldn't see again. If she couldn't find love, she took chances on men who were better than no men at all. And learned, with each new night and each new nightmare, that finding her man was only the beginning.