She is torn romantically between her father's assistants-one kind and proper, one mysterious and brooding-who share a dark secret and may have more to do with the violent events than they're letting on.

    Your father, your mother, your best friend’s crazy uncle. Some country music star’s deranged sister. Anyone.The Gemini Thief is a serial kidnapper, who takes three boys and holds them captive from June 1st to June 30th of the following year. The June Boys endure thirteen months of being stolen, hidden, observed, and fed before they are released, unharmed, by their masked captor. The Thief is a pro, having eluded authorities for nearly a decade and taken at least twelve boys.Now Thea Delacroix has reason to believe the Gemini Thief took a thirteenth victim: her cousin, Aulus McClaghen.But the game changes when one of the kidnapped boys turns up dead. Together with her boyfriend Nick and her best friends, Thea is determined to find the Gemini Thief and the remaining boys before it’s too late. Only she’s beginning to wonder something sinister, something repulsive, something unbelievable, and yet, not impossible:What if her father is the Gemini Thief?

    She was murdered.Vee knows this because she was there. Everyone believes Vee is narcoleptic, but she doesn't actually fall asleep during these episodes: When she passes out, she slides into somebody else's mind and experiences the world through that person's eyes. She's slid into her sister as she cheated on a math test, into a teacher sneaking a drink before class. She learned the worst about a supposed "friend" when she slid into her during a school dance. But nothing could have prepared Vee for what happens one October night when she slides into the mind of someone holding a bloody knife, standing over Sophie's slashed body.Vee desperately wishes she could share her secret, but who would believe her? It sounds so crazy that she can't bring herself to tell her best friend, Rollins, let alone the police. Even if she could confide in Rollins, he has been acting distant lately, especially now that she's been spending more time with Zane.Enmeshed in a terrifying web of secrets, lies, and danger and with no one to turn to, Vee must find a way to unmask the killer before he or she strikes again.

    . . unseen. Not invisible, exactly. Just beyond most people's senses. It's a dangerous trait in a city that has banned all forms of magic and drowns witches in public Cleansings. But it's a useful trait for a thief and a spy. And Julia has learned--crime pays.Her latest job is paying very well indeed. Julia is posing as a housemaid in the grand house of Mrs. Och, where an odd assortment of characters live and work: A disgraced professor who sends her to fetch parcels containing bullets, spiders, and poison. An aristocratic houseguest who is locked in the basement each night. And a mysterious young woman who is clearly in hiding--though from what or whom?Worse, Julia suspects that there's a connection between these people and the killer leaving a trail of bodies across the frozen city.The more she learns, the more she wants to be done with this unnatural job. To go back to the safety of her friends and fellow thieves. But Julia is entangled in a struggle between forces more powerful than she'd ever imagined. Escape will come at a terrible price.

    He hungers for his upcoming life as a student at the prestigious new university, almost as much as he longs to marry his beloved Elmira Royster. However, on the brink of his departure, all his plans go awry when a macabre Muse named Lenore appears to him. Muses are frightful creatures that lead Artists down a path of ruin and disgrace, and no respectable person could possibly understand or accept them. But Lenore steps out of the shadows with one request: “Let them see me!”

    But it's really happening - her teen novel is getting published. Instead of heading to college, she's living in New York City, where she's welcomed into the dazzling world of YA publishing. That means book tours, parties with her favorite authors, and finding a place to live that won't leave her penniless. It means sleepless nights rewriting her first draft and struggling to find the perfect ending... all while dealing with the intoxicating, terrifying experience of falling in love - with another writer.Told in alternating chapters is Darcy's novel, the thrilling story of Lizzie, who wills her way into the afterworld to survive a deadly terrorist attack. With survival comes the responsibility to guide the restless spirits that walk our world, including one ghost with whom she shares a surprising personal connection. But Lizzie's not alone in her new calling - she has counsel from a fellow spirit guide, a very desirable one, who is torn between wanting Lizzie and warning her that...BELIEVING IS DANGEROUS.In a brilliant high-wire act of weaving two epic narratives - and two unforgettable heroines - into one novel, Scott Westerfeld's latest work is a triumph of storytelling.

    River rents the guest house behind Violet’s crumbling estate, and as eerie, grim things start to happen, Violet begins to wonder about the boy living in her backyard. Is River just a crooked-smiling liar with pretty eyes and a mysterious past? Or could he be something more?Violet’s grandmother always warned her about the Devil, but she never said he could be a dark-haired boy who takes naps in the sun, who likes coffee, who kisses you in a cemetery... who makes you want to kiss back. Violet’s already so knee-deep in love, she can’t see straight. And that’s just how River likes it.Blending faded decadence and the thrilling dread of gothic horror, April Genevieve Tucholke weaves a dreamy, twisting contemporary romance, as gorgeously told as it is terrifying—a debut to watch.

    A contemporay take on the Lizzie Borden story that explores how grief can cut deep.Charlotte lost her mother six months ago, and still no one will tell her exactly what happened the day she mysteriously died. They say her heart stopped, but Charlotte knows deep down that there's more to the story. The only person who gets it is Charlotte's sister, Maddi. Maddi agrees—people’s hearts don’t just stop. There are too many questions left unanswered for the girls to move on. But their father is moving on. With their mother’s personal assistant. And both girls are sure that she’s determined to take everything that’s theirs away for herself. Now the only way to get their lives back is for Charlotte and Maddi to decide how this story ends, themselves.

    . . or bad dream?When the Kings move from L.A. to a secluded small town, fifteen-year-old Xander is beyond disappointed. He and his friends loved to create amateur films . . . but the tiny town of Pinedale is the last place a movie buff and future filmmaker wants to land.But he, David, and Toria are captivated by the many rooms in the old Victorian fixer-upper they moved into--as well as the heavy woods surrounding the house. They soon discover there's something odd about the house. Sounds come from the wrong directions. Prints of giant, bare feet appear in the dust. And when David tries to hide in the linen closet, he winds up in locker 119 at his new school.Then the really weird stuff kicks in: they find a hidden hallway with portals leading off to far-off places--in long-ago times. Xander is starting to wonder if this kind of travel is a teen's dream come true . . . or his worst nightmare.

    While the entire kingdom mourns, Scilla’s betrothed arrives and requests that seventeen-year-old Jiara take her sister’s place as his bride to confirm the alliance between their countries.Marrying the young king intended for her sister and traveling to his distant home is distressing enough, but with dyslexia and years of scholarly struggles, Jiara abandoned any hope of learning other languages long ago. She’s terrified of life in a foreign land where she’ll be unable to communicate.Then Jiara discovers evidence that her sister’s assassin comes from the king’s own country. If she marries the king, Jiara can hunt the murderer and release her family from Scilla’s ghost, whose thirst for blood mounts every day. To save her family, Jiara must find her sister’s killer . . . before he murders her too.

    Emily is sure he is innocent, but what happened that night in the woods behind their house where she used to play as a child? Determined to find out, she seeks out Damon Hillary, the enigmatic boyfriend of the murdered girl. He also knows these woods. Maybe they could help each other. But he’s got secrets of his own about games that are played in the dark.A new psychological thriller from the award-winning and bestselling author of STOLEN and FLYAWAY.

    Then the shocking death of Jim - their creative genius and Beatrice's boyfriend - changed everything.One year after graduation, Beatrice is returning to Wincroft - the seaside estate where they spent so many nights sharing secrets, crushes, plans to change the world - hoping she'll get to the bottom of the dark questions gnawing at her about Jim's death.But as the night plays out in a haze of stilted jokes and unfathomable silence, Beatrice senses she's never going to know what really happened. Then a mysterious man knocks on the door. Blithely, he announces the impossible: time for them has become stuck, snagged on a splinter that can only be removed if the former friends make the harshest of decisions. Now Beatrice has one last shot at answers... and at life.And so begins the Neverworld Wake.

    J. Tudor.Welcome to Chapel Croft. Five hundred years ago, eight protestant martyrs were burned at the stake here. Thirty years ago, two teenage girls disappeared without a trace. And two months ago, the vicar of the local parish killed himself.Reverend Jack Brooks, a single parent with a fourteen-year-old daughter and a heavy conscience, arrives in the village hoping to make a fresh start and find some peace. Instead, Jack finds a town mired in secrecy and a strange welcome package: an old exorcism kit and a note quoting scripture. "But there is nothing covered up that will not be revealed and hidden that will not be known."The more Jack and her daughter Flo get acquainted with the town and its strange denizens, the deeper they are drawn into their rifts, mysteries, and suspicions. And when Flo is troubled by strange sightings in the old chapel, it becomes apparent that there are ghosts here that refuse to be laid to rest.But uncovering the truth can be deadly in a village where everyone has something to protect, everyone has links with the village's bloody past, and no one trusts an outsider.

    She’s intimately familiar with his hunting methods: how he stalks and kills at random, how he disposes of his victims’ bodies in an abandoned mine in the deepest, most desolate part of a desert.Now, for the first time, Nina has the chance to do something about the serial killer that no one else knows exists. With the help of her former best friend, Warren, she tracks the Thief two thousand miles, to his home turf—the deserts of New Mexico.But the man she meets there seems nothing like the brutal sociopath with whom she’s had a disturbing connection her whole life. To anyone else, Dylan Shadwell is exactly what he appears to be: a young veteran committed to his girlfriend and her young daughter. As Nina spends more time with him, she begins to doubt the truth she once held as certain: Dylan Shadwell is the Thief. She even starts to wonder . . . what if there is no Thief?

    It’s easy money, and a chance to return to his hometown for his first visit in years. The app itself seems like a retread of old ideas—relaxing white noise and guided meditations. But then there are the “Sleep Songs.” A woman’s hauntingly beautiful voice sings a ballad that is anything but soothing—it’s disturbing, really, more of a warning than a relaxation—but it works. Deep, refreshing sleep follows. So do nightmares. Vivid and chilling, they feature a dead woman who calls Nick by name and whispers guidance—or are they threats? And soon her voice follows him long after the song is done. As the effects of the nightmares begin to permeate his waking life, Nick makes a terrifying discovery: no one involved with Clarity has any interest in his article. Their interest is in him. Because while he might not have any memory of it, he’s one of twenty people who have heard this sinister song before and the only one who is still alive.