L. Doctorow comprise one of the most substantive achievements of modern American fiction. Now, with Homer & Langley, this master novelist has once again created an unforgettable work.Homer and Langley Collyer are brothers – the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley’s proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers – wars, political movements, technological advances – and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians... and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves. Brilliantly conceived, gorgeously written, this mesmerizing narrative, a free imaginative rendering of the lives of New York’s fabled Collyer brothers, is a family story with the resonance of myth, an astonishing masterwork unlike any that have come before from this great writer.

    Pressed into service by SS-Kommandant Colonel Aric von Schmidt at the transit camp of Theresienstadt in Czechoslovakia, she is able to hide behind the false identity of Stella Muller. However, in order to survive and maintain her cover as Aric's secretary, she is forced to stand by as her own people are sent to Auschwitz. Suspecting her employer is a man of hidden depths and sympathies, Stella cautiously appeals to him on behalf of those in the camp. Aric's compassion gives her hope, and she finds herself battling a growing attraction for this man she knows she should despise as an enemy. Stella pours herself into her efforts to keep even some of the camp's prisoners safe, but she risks the revelation of her true identity with every attempt. When her bravery brings her to the point of the ultimate sacrifice, she has only her faith to lean upon. Perhaps God has placed her there for such a time as this, but how can she save her people when she is unable to save herself?

    A little cobbled street in a smoky mill town in the North of England has haunted me for the greater part of my life. It was inevitable that I should write about it and the people who lived on both sides of its "Invisible Wall." The narrow street where Harry Bernstein grew up, in a small English mill town, was seemingly unremarkable. It was identical to countless other streets in countless other working-class neighborhoods of the early 1900s, except for the "invisible wall" that ran down its center, dividing Jewish families on one side from Christian families on the other. Only a few feet of cobblestones separated Jews from Gentiles, but socially, it they were miles apart.On the eve of World War I, Harry's family struggles to make ends meet. His father earns little money at the Jewish tailoring shop and brings home even less, preferring to spend his wages drinking and gambling. Harry's mother, devoted to her children and fiercely resilient, survives on her dreams: new shoes that might secure Harry's admission to a fancy school; that her daughter might marry the local rabbi; that the entire family might one day be whisked off to the paradise of America.Then Harry's older sister, Lily, does the unthinkable: She falls in love with Arthur, a Christian boy from across the street. When Harry unwittingly discovers their secret affair, he must choose between the morals he's been taught all his life, his loyalty to his selfless mother, and what he knows to be true in his own heart.A wonderfully charming memoir written when the author was ninety-three, The Invisible Wall vibrantly brings to life an all-but-forgotten time and place. It is a moving tale of working-class life, and of the boundaries that can be overcome by love.

    Handsome, charismatic, a powerful athlete and oarsman, David Sparsholt seems at first unaware of the effect he has on others--especially on the lonely and romantic Evert Dax, son of a celebrated novelist, himself also destined to become a writer. While the Blitz rages in London, Oxford exists at a strange remove from the action: a place of transience and uncertainty, the fears and rigors of the blackout both encouraging and concealing unexpected liaisons. Between these two young men of very different backgrounds an unusual friendship develops, one whose consequences will unfold over the many years that follow.Alan Hollinghurst's masterly new novel evokes the intimate lives of three generations of Sparsholts in a sequence of vividly rendered episodes: a childhood holiday in Cornwall; eccentric social gatherings at the Dax family home; the adventures of David's son Johnny, in pursuit of love and a career as a painter in 1970s London. Changes in taste, morality, and private life are explored in a group portrait of friends brought together by art, literature, and love. Champions of the Modern live to see modernity itself becoming history, while more personal, life-changing crises and scandals--including that which gives this novel its title--recede into the past, leaving their ambiguous traces. And as gay men and women live in increasing freedom and openness, and the gay scene evolves into new forms and possibilities, The Sparsholt Affair becomes a meditation on human transience, even as it expresses the countervailing longing for permanence and continuity.Witty, tender, epic in scope yet rich in observation, The Sparsholt Affair is a dazzling new work of fiction by a writer justly hailed by the Wall Street Journal as "one of the best novelists at work today."

    Stephan’s best friend and companion is the brilliant Žofie-Helene, a Christian girl whose mother edits a progressive, anti-Nazi newspaper. But the two adolescents’ carefree innocence is shattered when the Nazis’ take control.There is hope in the darkness, though. Truus Wijsmuller, a member of the Dutch resistance, risks her life smuggling Jewish children out of Nazi Germany to the nations that will take them. It is a mission that becomes even more dangerous after the Anschluss—Hitler’s annexation of Austria—as, across Europe, countries close their borders to the growing number of refugees desperate to escape.Tante Truus, as she is known, is determined to save as many children as she can. After Britain passes a measure to take in at-risk child refugees from the German Reich, she dares to approach Adolf Eichmann, the man who would later help devise the “Final Solution to the Jewish Question,” in a race against time to bring children like Stephan, his young brother Walter, and Žofie-Helene on a perilous journey to an uncertain future abroad.

    Nobody remembers when it started; rain on the western seaboard is a condition of living. But now – just as Father Coffey proclaims the coming of the electricity – the rain clouds are lifting. Seventeen-year-old Noel Crowe is idling in the unexpected sunshine when Christy makes his first entrance into Faha, bringing secrets he needs to atone for. Though he can't explain it, Noel knows right then: something has changed. As the people of Faha anticipate the endlessly procrastinated advent of the electricity, and Noel navigates his own coming-of-age and his fallings in and out of love, Christy's past gradually comes to light, casting a new glow on a small world. Harking back to a simpler time, This Is Happiness is a tender portrait of a community – its idiosyncrasies and traditions, its paradoxes and kindnesses, its failures and triumphs – and a coming-of-age tale like no other. Luminous and lyrical, yet anchored by roots running deep into the earthy and everyday, it is about the power of stories: their invisible currents that run through all we do, writing and rewriting us, and the transforming light that they throw onto our world.

    This novel is the story of what might have happened if the boy in hiding had survived to become a man.Peter arrives in America, the land of self-creation, and passes as a Christian. Successful in business and rich in love in the boom years of the 1950s, he thrives in the present, plans for the future, and has no past. But there is a cost to his charade. When The Diary of a Young Girl is published to worldwide acclaim, it triggers paralyzing memories of his experiences in the secret annex in Amsterdam. The diary is his story too, and once the floodgate of memory opens, his life spirals out of control.Based on extensive research of Peter van Pels and the strange and disturbing life Anne Frank's diary took on after her death, this is a novel about the memory of death, the death of memory, and the inescapability of the past. Reading group guide included.

    They live a simple life, rich in family and friends, in the beautiful Syrian city of Aleppo--until the unthinkable happens. When all they care for is destroyed by war, they are forced to escape. But what Afra has seen is so terrible she has gone blind, and so they must embark on a perilous journey through Turkey and Greece towards an uncertain future in Britain. On the way, Nuri is sustained by the knowledge that waiting for them is Mustafa, his cousin and business partner, who has started an apiary and is teaching fellow refugees in Yorkshire to keep bees.As Nuri and Afra travel through a broken world, they must confront not only the pain of their own unspeakable loss, but dangers that would overwhelm the bravest of souls. Above all, they must journey to find each other again.Moving, powerful, compassionate, and beautifully written, The Beekeeper of Aleppo is a testament to the triumph of the human spirit. It is the kind of book that reminds us of the power of storytelling.

    Free love has given way to radical feminism, psychedelic ecstasy to hard-edged gloom. The Zodiac Killer stalks the streets. A disgraced professor takes an office in a downtown tower to plot his return. But the walls are thin and he's distracted by voices from next door—his neighbor is a psychologist, and one of her patients dislikes the hum of the white-noise machine. And so he begins to hear about the patient's troubles with her female lover, her conflicts with her adoptive, avowedly WASP family, and her quest to track down her birth mother. The professor is not just absorbed but enraptured. And the further he is pulled into the patient's recounting of her dramas—and the most profound questions of her own identity—the more he needs the story to move forward. The patient's questions about her birth family have led her to a Catholic charity that trafficked freshly baptized orphans out of Germany after World War II. But confronted with this new self— “I have no idea what it means to say ‘I’m a Jew’”—the patient finds her search stalled. Armed with the few details he’s gleaned, the professor takes up the quest and quickly finds the patient’s mother in records from a German displaced-persons camp. But he can’t let on that he’s been eavesdropping, so he mocks up a reply from an adoption agency the patient has contacted and drops it in the mail. Through the wall, he hears how his dear patient is energized by the news, and so is he. He unearths more clues and invests more and more in this secret, fraught, triangular relationship: himself, the patient, and her therapist, who is herself German. His research leads them deep into the history of displaced-persons camps, of postwar Zionism, and—most troubling of all—of the Nazi Lebensborn program. With ferocious intelligence and an enthralling, magnetic prose, Ellen Ullman weaves a dark and brilliant, intensely personal novel that feels as big and timeless as it is sharp and timely. It is an ambitious work that establishes her as a major writer.

    Her father plays the viola in the Philharmonic, her mother is a well-regarded opera singer, her beloved and charismatic older brother holds the neighborhood in his thrall, and most of her eccentric and wonderful extended family live nearby. Only vaguely aware of Hitler's rise or how her Jewish heritage will define her family's identity, Orly spends her days immersed in play with her best friend and upstairs neighbor, Anneliese. Together they dream up vivid and elaborate worlds, where they can escape the growing tensions around them.But in 1938, Orly's peaceful life is shattered when the Germans arrive. Her older brother flees Vienna first, and soon Orly, her father, and her mother procure refugee visas for La Paz, a city high up in the Bolivian Andes. Even as the number of Jewish refugees in the small community grows, her family is haunted by the music that can no longer be their livelihood, and by the family and friends they left behind. While Orly and her father find their footing in the mountains, Orly's mother grows even more distant, harboring a secret that could put their family at risk again. Years pass, the war ends, and Orly must decide: Is the love and adventure she has found in La Paz what defines home, or is the pull of her past in Europe--and the piece of her heart she left with Anneliese--too strong to ignore?

    How will history – and their families – judge them? Paris, 1940. With the city occupied by the Nazis, three young seamstresses go about their normal lives as best they can. But all three are hiding secrets. War-scarred Mireille is fighting with the Resistance; Claire has been seduced by a German officer; and Vivienne’s involvement is something she can’t reveal to either of them.Two generations later, Claire’s English granddaughter Harriet arrives in Paris, rootless and adrift, desperate to find a connection with her past. Living and working in the same building on the Rue Cardinale, she learns the truth about her grandmother – and herself – and unravels a family history that is darker and more painful than she ever imagined.In wartime, the three seamstresses face impossible choices when their secret activities put them in grave danger. Brought together by loyalty, threatened by betrayal, can they survive history’s darkest era without being torn apart?

    Which is why it’s so unnerving that she’s arrived at middle age with nothing to show for her hard work and dedication but a stack of unpaid bills and an inherited brick home in Vineland, New Jersey, that is literally falling apart. The magazine where she worked has folded, and the college where her husband had tenure has closed. The dilapidated house is also home to her ailing and cantankerous Greek father-in-law and her two grown children: her stubborn, free-spirited daughter, Tig, and her dutiful debt-ridden, ivy educated son, Zeke, who has arrived with his unplanned baby in the wake of a life-shattering development.In an act of desperation, Willa begins to investigate the history of her home, hoping that the local historical preservation society might take an interest and provide funding for its direly needed repairs. Through her research into Vineland’s past and its creation as a Utopian community, she discovers a kindred spirit from the 1880s, Thatcher Greenwood.A science teacher with a lifelong passion for honest investigation, Thatcher finds himself under siege in his community for telling the truth: his employer forbids him to speak of the exciting new theory recently published by Charles Darwin. Thatcher’s friendships with a brilliant woman scientist and a renegade newspaper editor draw him into a vendetta with the town’s most powerful men. At home, his new wife and status-conscious mother-in-law bristle at the risk of scandal, and dismiss his financial worries and the news that their elegant house is structurally unsound.Unsheltered is the story of two families, in two centuries, who live at the corner of Sixth and Plum, as they navigate the challenges of surviving a world in the throes of major cultural shifts. In this mesmerizing story told in alternating chapters, Willa and Thatcher come to realize that though the future is uncertain, even unnerving, shelter can be found in the bonds of kindred—whether family or friends—and in the strength of the human spirit.

    Now, twenty years later, in the heat of a New Mexican summer, Thomas has begun having bizarre conversations with his dead relatives and it's up to Amina-a photographer in the midst of her own career crisis-to figure out what is really going on. But getting to the truth is far harder than it seems. From Thomas's unwillingness to talk, to Kamala's Born Again convictions, to run-ins with a hospital staff that seems to know much more than they let on, Amina finds herself at the center of a mystery so thick with disasters that to make any headway at all, she has to unravel the family's painful past.

    Two children watch as their parents become immersed in the puzzling mechanisms of power. Siggi lives in the affluent ignorance of middle-class Berlin, her father a censor who excises prohibited words (“promise”, “love”, “mercy”) from books. Erich is an only child living a lush rural life near Leipzig, tending beehives, aware that he is shadowed by strange, unanswered questions.Drawn together as Germany’s hope for a glorious future begins to collapse, the children find temporary refuge in an abandoned theater amid the rubble of Berlin. Outside, white bedsheets hang from windows; all over the city people are talking of surrender. The days Siggi and Erich spend together will shape the rest of their lives.Watching over Siggi and Erich is the wish child, the mysterious narrator of their story. He sees what they see, he feels what they feel, yet his is a voice that comes from deep inside the wreckage of a nation’s dream.

    The war is over, and as the initial phase of de-Nazification winds down, the citizens of Vienna struggle to rebuild their lives amidst the rubble.Anna Beer returns to the city she fled nine years earlier after discovering her husband's infidelity. She has come back to find him and, perhaps, to forgive him. Traveling on the same train from Switzerland is 18-year-old Robert Seidel, a schoolboy summoned home to his stepfather's sickbed and the secrets of his family's past.As Anna and Robert navigate an unrecognizable city, they cross paths with a war-widowed American journalist, a hunchbacked young servant girl, and a former POW whose primary purpose is to survive by any means and to forget. Meanwhile, in the shells of burned-out houses and beneath the bombed-out ruins, a ghost of a man, his head wrapped in a red scarf, battles demons from his past and hides from a future deeply uncertain for all.In The Crooked Maid, Dan Vyleta returns to the shadows of war-darkened Vienna, proving himself once again "a magical storyteller, master of the macabre" (David Park).